"The Collective Legacy" continues on from where the Vanguard Chronicles leaves off. The book moves the reader forward in the ongoing struggles of the settlers from Earth on their new home world "Legacy". Faced with predatory creatures, internal treachery and alien invaders it seems at times they just can't win, but the never say die personalities of the primary characters always seems to find a way. Although the work is classified as a science fiction it is much more than just futuristic gadgets. It's about people and family in a futuristic setting. Enjoy the read...........
The silence surrounding the Holocaust continues to prevent healing - whether of the victims, Nazis, or the generations that followed them. The telling of the stories surrounding the Holocaust - all the stories - is essential if we are to understand what happened, recognize the part of human nature that allows such atrocities to occur, and realize the hope that we can prevent it from happening again. Seeking to shed light on the collective silence surrounding the Holocaust in Germany, the contributors offer compelling accounts, histories, and experiences that illuminate the ways in which contemporary Germans continue to grapple with the consequences of the Holocaust. Denial in the older generations, as well as anger and confusion in the younger ones, comes vividly to the surface in these evocative stories of coping and healing. Told from the vantage points both of therapists and of patients, these stories encompass the psychological plight of all those facing the legacy of genocide - from the daughter of a high-ranking Nazi official to the children of Jewish immigrants, from those raised in the Hitler Youth Movement to those born well after the war.
Seattle printing collective owner Pam Nilsen is on the case when a member of the group turns up dead before a controversial merger Pam Nilsen and her twin sister, Penny, inherited Best Printing four years ago when their parents died in a car crash. Unwilling to sell their family legacy, the sisters turned it into a collective run by a cadre of activists whose arguments over the business can be just as impassioned as their support for progressive causes. But internal divisions at the collective pale in comparison to those between Seattle typesetters B. Violet and Moby Dick—once a single company that has since broken apart into an all-female (and lesbian-run) company, and an all-male (and quickly bankrupt) operation. Shortly after Best Printing and B. Violet begin discussing a merger, the offices of the typesetter are ransacked, one of their members nowhere to be found. Then an employee of Best Printing is found murdered. It appears as if someone will stop at nothing—not even murder—to prevent the merger. And it’s up to Pam to get to the bottom of this deadly turn of events before the killer strikes again. Murder in the Collective is the first book in the Pam Nilsen Mystery trilogy, which continues with Sisters of the Road and The Dog Collar Murders.
This book examines the development of the Filibuster War as the main symbol of Costa Rican national identity. By analyzing the ways in which national narratives have been created around the war, the author argues that national identity is a dynamic process defined according to local, national, and international contexts.
The silence surrounding the Holocaust continues to prevent healing - whether of the victims, Nazis, or the generations that followed them. The telling of the stories surrounding the Holocaust - all the stories - is essential if we are to understand what happened, recognize the part of human nature that allows such atrocities to occur, and realize the hope that we can prevent it from happening again. Seeking to shed light on the collective silence surrounding the Holocaust in Germany, the contributors offer compelling accounts, histories, and experiences that illuminate the ways in which contemporary Germans continue to grapple with the consequences of the Holocaust. Denial in the older generations, as well as anger and confusion in the younger ones, comes vividly to the surface in these evocative stories of coping and healing. Told from the vantage points both of therapists and of patients, these stories encompass the psychological plight of all those facing the legacy of genocide - from the daughter of a high-ranking Nazi official to the children of Jewish immigrants, from those raised in the Hitler Youth Movement to those born well after the war.
Some utopian plans have shaped our cities —from England’s New Towns and Garden Cities to the Haussmann plan for Paris and the L’Enfant plan for Washington, DC. But these grand plans are the exception, and seldom turn out as envisioned by the utopian planner. Inviting city neighborhoods are more often works of improvisation on a small scale. This type of bottom-up development gives cities both their character and the ability to respond to sudden change. Hank Dittmar, urban planner, friend of artists and creatives, sometime rancher, “high priest of town planning” to the Prince of Wales, believed in letting small things happen. Dittmar concluded that big plans were often the problem. Looking at the global cities of the world, he saw a crisis of success, with gentrification and global capital driving up home prices in some cities, while others decayed for lack of investment. In DIY City, Dittmar explains why individual initiative, small-scale business, and small development matter, using lively stories from his own experience and examples from recent history, such as the revival of Camden Lock in London and the nascent rebirth of Detroit. DIY City, Dittmar’s last original work, captures the lessons he learned throughout the course of his varied career—from transit-oriented development to Lean Urbanism—that can be replicated to create cities where people can flourish. DIY City is a timely response to the challenges many cities face today, with a short supply of affordable housing, continued gentrification, and offshore investment. Dittmar’s answer to this crisis is to make Do-It-Yourself the norm rather than the exception by removing the barriers to small-scale building and local business. The message of DIY City can offer hope to anyone who cares about cities.
In Symbolic Traces of Communist Legacy in Post-socialist Hungary, Lisa Pope Fischer shows how personal practices symbolically refurbish elements from the Communist era to fit present-day challenges. A generation who lived through the socialist period adapt to post-socialist Hungary in a global context. Life histories weave together case studies of gift giving, procurement strategies, harvest ritual, healthcare, and socialist kitsch to illustrate turns towards mysticism, neo-traditionalism, nostalgia, nationalism, and shifts in time-place. People’s unrequited past longing for future possibilities of a Western society facilitate desires for a lost way of life. Not only does this work gain understanding of an aging population’s life experiences and the politics of everyday practices, but also social change in a modern global world.
