This volume is in three parts. Part I (1903-1920) includes Jeffers’s earliest poetry and poems that were never published or were recently rediscovered. Part II (1920-1948) gathers all Jeffers’s major prose works. Part III (1910-1962) is mostly material that Jeffers never published, and apparently never tried to publish. The book design is by Adrian Wilson in a 7 1/2 by 10 inch format.
The first three volumes of this four-volume work will present chronologically all of Jeffers' published work from 1920 to 1963. Jeffers' publishers sometimes adjusted his punctuation, presumably to bring the poems' punctuation into accord with grammatical convention. The texts for this edition revert to Jeffers' own preferences, insofar as the best methods of modern textual editing can reveal them.
The first three volumes of this four-volume work will present chronologically all of Jeffers' published work from 1920 to 1963. Jeffers' publishers sometimes adjusted his punctuation, presumably to bring the poems' punctuation into accord with grammatical convention. The texts for this edition revert to Jeffers' own preferences, insofar as the best methods of modern textual editing can reveal them.
This final volume of the first comprehensive edition of all of Robinson Jeffers's completed poems, both published and unpublished, consists of commentary: various procedural explanations and textual evidence for the edition's texts, transcriptions of working notes for the poems and of alternate and discarded passages, a chronology of Jeffers's career, appendixes, and indexes.
The 1930s marked a turning point for the world. Scientific and technological revolutions, economic and social upheavals, and the outbreak of war changed the course of history. The 1930s also marked a turning point for Robinson Jeffers, both in his career as a poet and in his private life. The letters collected in this second volume of annotated correspondence document Jeffers' rising fame as a poet, his controversial response to the turmoil of his time, his struggles as a writer, the growth and maturation of his twin sons, and the network of friends and acquaintances that surrounded him. The letters also provide an intimate portrait of Jeffers' relationship to his wife Una—including a full account of the 1938 crisis at Mabel Dodge Luhan's home in Taos, New Mexico that nearly destroyed their marriage.
“The forgotten giant of American poetry . . . For those who would discover Jeffers . . . this is the place to start—and a place to return again and again.” —Tim Hunt, Washington State University Robinson Jeffers (1887-1962) is not only the greatest poet that the American West has produced but also a major poet of the twentieth century in the tradition of American prophetic poetry. This anthology serves as an introduction to Jeffers’s work for the general reader and for students in courses on American poetry. Jeffers composed each volume of his verse around one or two long narrative or dramatic poems. The Wild God of the World follows this practice: in it, Cawdor, one of Jeffers’s most powerful narratives, is surrounded by a representative selection of shorter poems. At the end of the book, the editor has provided revealing statements about Jeffers’s poetry and poetics, and about his philosophy of nature and human nature. “Of all the poets of his generation, [Robinson Jeffers] made our relation to this earth and sea and sky and wheeling seasons and the evolutionary processes that made trees and salmon runs and hunting hawks, his subject. As that relation grows more troubled, his words become more necessary. To have this beautifully edited and freshly seen anthology is a gift.” —Robert Hass, University of California, Berkeley
"As a lyricist and personal narrator, John Logan transmitted all he sensed with consummate artistry and honesty. This superbly edited collection of his poems is worthy of his memory."--St. Louis Post-Dispatch
“[A] deeply informative biography . . . situates the poet in his time and place, tracing the effect of both contemporary history and wild nature on his work.” —Edwin Cranston, Harvard University The precipitous cliffs, rolling headlands, and rocky inlets of the California coast come alive in the poetry of John Robinson Jeffers, an icon of the environmental movement. In this concise and accessible biography, Jeffers scholar James Karman reveals deep insights into this passionate and complex figure and establishes Jeffers as a leading American poet of prophetic vision. In a move that would define his life’s work, Jeffers’ family relocated to California from Pennsylvania in 1903 when he was sixteen. At the height of his popularity in the 1920s and 1930s, Jeffers became one of the few poets ever featured on the cover of Time magazine, and posthumously put on a U.S. postage stamp. Writing by kerosene lamp in a granite tower that he had built himself, his vivid and descriptive poetry of the coast evoked the difficulty and beauty of the wild and inspired photographers such as Edward Weston and Ansel Adams. He was known for long narrative blank verse that shook up the national literary scene, but in the 1940s his interest in the Greek classics led to several adaptations which were staged on Broadway to great success. Inspiring later artists from Charles Bukowski to Czeslaw Milosz and even the Beach Boys, Robinson Jeffers’ contribution to American letters is skillfully brought back out of the shadows of history in this compelling biography of a complex man of poetic genius who wrote so powerfully of the astonishing beauty of nature.
