Alberto lives alone in the town of Allora where fish fly out of the sea and everyone knows everybody's business. There he makes coffins for the great and small, but being the only coffin maker in town can be lonely. That is until a little boy and a magical bird enter his life and change it forever.
Twenty-three-year-old Jesse Burns lives a tranquil life as the coffin maker in the enthusiastically eerie town of Gregor's Hollow.Here, the By the Pricking of My Crumbs Bakery sells deep-fried candy corn year round, and manmade mist swirls through the streets every afternoon at three-thirty. As for the graveyard bells that chime at midnight and the Victorian portrait that materializes in the hotel guest rooms? Well, no one can account for those, but they look impressive in the brochure.Few in the town are admired more than the trustworthy, if reclusive, coffin maker. Praised for his intricate carvings and flamboyant artistry, Jesse creates his masterpieces in the workshop that belonged to his father, the previous coffin maker who vanished nine years ago.Jesse's isolated routine is disturbed when Death appears on his doorstep one October evening. Wearing a sharply pressed suit and a condescending smile, Death demands eight coffins by Halloween. Jesse is horrified to learn that the coffins are intended for Death's next eight victims-all of them citizens of Gregor's Hollow. In exchange for the eight coffins, Death will tell Jesse what happened to his father.Jesse builds the coffins but refuses to stand by and wait for them to fill with corpses. Together with an alluring and untrustworthy stranger, he seeks the answer he needs to thwart Death's plan.
From behind the headstones the laser beams from the machine guns settle on the target; coffin maker, Pat O’Donnell. He is unwillingly digging a grave in the old colony cemetery on Achill Island for these thugs, and they will not hesitate to use their fire power. Who is he digging the grave for and why are they pointing their guns at him? This nocturnal grave digging puzzles him, but he might well be digging his own last resting place if the information has leaked out that he is working undercover with Garda Detective John O’Neill trying to identify the reclusive drug lord, The Big Fellah. Pat has a score to settle with him; his gunmen had forced Pat’s pregnant wife off the M50 to her death. He has had other traumas in his life, an adopted orphan who suffered abuse, but the loss of his wife is the most devastating event that has ever happened to him. He misses her everyday. Midway into the dig a man and a woman alight from a jeep. Even in the half-light he can see she is beautiful, but what is she doing here with these killers? She is a stranger, yet, he feels drawn to her and her mysterious background. Reluctantly he finds himself caught up in a web of fear, intimidation, drug smuggling, and murder. Book reviews online: PublishedBestsellers website.
Longlisted for the PEN/Hemingway Award for Debut Novel “Cuyahoga is tragic and comic, hilarious and inventive—a 19th-century legend for 21st-century America” (The Boston Globe). Big Son is a spirit of the times—the times being 1837. Behind his broad shoulders, shiny hair, and church-organ laugh, Big Son practically made Ohio City all by himself. The feats of this proto-superhero have earned him wonder and whiskey, but very little in the way of fortune. And without money, Big cannot become an honest husband to his beloved Cloe (who may or may not want to be his honest wife). In pursuit of a steady wage, our hero hits the (dirt) streets of Ohio City and Cleveland, the twin towns racing to become the first great metropolis of the West. Their rivalry reaches a boil over the building of a bridge across the Cuyahoga River—and Big stumbles right into the kettle. The resulting misadventures involve elderly terrorists, infrastructure collapse, steamboat races, wild pigs, and multiple ruined weddings. Narrating this “very funny, rambunctious debut novel” (Los Angeles Times) tale is Medium Son—known as Meed—apprentice coffin maker, almanac author, orphan, and the younger brother of Big. Meed finds himself swept up in the action, and he is forced to choose between brotherly love and his own ambitions. His uncanny voice—plain but profound, colloquial but poetic—elevates a slapstick frontier tale into a “breezy fable of empire, class, conquest, and ecocide” (The New York Times Book Review). Evoking the Greek classics and the Bible alongside nods to Looney Tunes, Charles Portis, and Flannery O’Connor, Pete Beatty has written “a hilarious and moving exploration of family, home, and fate [and] you won’t read anything else like it this year” (BuzzFeed).
A woman in a township in Zimbabwe is surrounded by throngs of dusty children but longs for a baby of her own; an old man finds that his new job making coffins at No Matter Funeral Parlor brings unexpected riches; a politician's widow stands quietly by at her husband's funeral, watching his colleagues bury an empty casket. Petina Gappah's characters may have ordinary hopes and dreams, but they are living in a world where a loaf of bread costs half a million dollars, where wives can't trust even their husbands for fear of AIDS, and where people know exactly what will be printed in the one and only daily newspaper because the news is always, always good. In her spirited debut collection, the Zimbabwean writer Petina Gappah brings us the resilience and inventiveness of the people who struggle to live under Robert Mugabe's regime. She takes us across the city of Harare, from the townships beset by power cuts to the manicured lawns of privilege and corruption, where wealthy husbands keep their first wives in the "big houses" while their unofficial second wives wait in the "small houses," hoping for a promotion. Despite their circumstances, the characters in An Elegy for Easterly are more than victims—they are all too human, with as much capacity to inflict pain as to endure it. They struggle with the larger issues common to all people everywhere: failed promises, unfulfilled dreams, and the yearning for something to anchor them to life.
A collection of original horror and dark fantasy from the world's best writers, including Stephen King and John Ajvide Lindqvist Many of us grew up on The Pan Book of Horror Stories and its later incarnations, Dark Voices and Dark Terrors (The Gollancz Book of Horror), which won the World Fantasy Award, the Horror Critics' Guild Award and the British Fantasy Award, but for a decade or more there has been no non-themed anthology of original horror fiction published in the mainstream. Now that horror has returned to the bookshelves, it is time for a regular anthology of brand-new fiction by the best and brightest in the field, both the Big Names and the most talented newcomers including: - Ramsey Campbell - Peter Crowther - Dennis Etchison - Elizabeth Hand - Brian Hodge - Caitlin R. Kiernan - Stephen King - John Ajvide Lindqvist - Richard Christian Matheson - Reggie Oliver - Robert Shearman - Angela Slatter - Michael Marshall Smith - Lisa Tuttle A Book of Horrors will be the foremost in the field: an eclectic collection of the very best chiller fiction from across the world.
Sharon Bolton returns with her creepiest standalone yet, following a young cop trying to trace the disappearances of a small town's teenagers. Florence Lovelady's career was made when she convicted coffin-maker Larry Grassbrook of a series of child murders 30 years ago in a small village in Lancashire. Like something out of a nightmare, the victims were buried alive. Florence was able to solve the mystery and get a confession out of Larry before more children were murdered, and he spent the rest of his life in prison. But now, decades later, he's dead, and events from the past start to repeat themselves. Is someone copying the original murders? Or did she get it wrong all those years ago? When her own son goes missing under similar circumstances, the case not only gets reopened... it gets personal. In master of suspense Sharon Bolton's latest thriller, readers will find a page-turner to confirm their deepest fears and the only protagonist who can face them.
Imagine you are dying with a secret. Something you’ve never had the courage to tell your friends and family. Or a last wish – a task you need carried out before you can rest in peace. Now imagine there’s a man who can take care of all that, who has no respect for the living, who will do anything for the dead. Bill Edgar is the Coffin Confessor – a one-of-a-kind professional, a man on a mission to make good on these last requests on behalf of his soon-to-be-deceased clients. And this is the extraordinary story of how he became that man. Bill has been many things in this life: son of one of Australia’s most notorious gangsters, homeless street-kid, maximum-security prisoner, hard man, family man, car thief, professional punching bag, philosopher, inventor, private investigator, victim of horrific childhood sexual abuse and an activist fighting to bring down the institutions that let it happen. A survivor. As a little boy, he learned the hard way that society is full of people who fall through the cracks – who die without their stories being told. Now his life’s work is to make sure his clients’ voices are heard, and their last wishes delivered: the small-town grandfather who needs his tastefully decorated sex dungeon destroyed before the kids find it. The woman who endured an abusive marriage for decades before finding freedom. The outlaw biker who is afraid of nothing . . . except telling the world he is in love with another man. The dad who desperately needs to track down his estranged daughter so he can find a way to say he's sorry, with one final gift. Confronting and confounding, heartwarming and heartbreaking, The Coffin Confessor is a compelling story of survival and redemption, of a life lived on the fringes of society, on both sides of the law – and what that can teach you about living your best life . . . and death.