A mysterious disease called Maclaria is randomly taking the lives of the species Cleomenes on planet Epsilon. As more and more Cleomenes become infected, desperation begins to take over logic. The rebels believe that the leaders of Epsilon are infecting innocent Cleomenes as a way of controlling population. They will stop at nothing to try to take down the base where the leaders live, but by taking down the base, they are only sabotaging any chance of finding a cure. With the world looking to Ca
How to destroy a mighty empire: the story of Croesus of Lydia -- Cannibals and conquests: the story of Cyrus the Great -- Horny goats and medicinal urine: the Egyptian logos -- Madness and mummies: the reign of Cambyses -- Meanwhile, elsewhere in the Mediterranean: the stories of Polycrates and Periander -- Earless imposters and randy mounts: the early reign of Darius the Great -- The trouble with nomads: Darius' Scythian campaign -- Stuttering colonists and lousy deaths: the Libyan logos -- Tattooed slaves and ousted tyrants: post-Pisistratid Athens and the Ionian revolt -- Miltiades, madness, and Marathon: the first Persian War -- Feats of engineering and doomed valor: the Second Persian War to the Battle of Thermopylae -- Trial by trireme: the Battles at Artemisium and Salamis -- Concluding scenes: the Battles of Plataea and Mycale and the siege of Sestus.
Focusing in turn on history, powerful individuals, under-represented voices and the arts, the essays in this collection cover a wide variety of modern and contemporary narrative fiction from Jo Walton and L. Sprague De Camp to T. S. Chaudhry and Catherynne M. Valente. Chapters look into the question of chance versus determinism in the unfolding of historical events, the role individuals play in shaping a society or occasion, and the way art and literature symbolise important messages in counterfactual histories. They also show how uchronic narratives can take advantage of modern literary techniques to reveal new and relevant aspects of the past, giving voices to marginalised minorities and suppressed individuals of the ancient world. Counterfactual fiction and uchronic narratives have been largely up until now the domain of literary critics. However, these modes of literature are here analysed by scholars of Ancient History, Egyptology and Classics, shedding important new light on how cultures of the ancient world have been (and still are) perceived, and to what extent our conceptions of the past are used to explore alternate presents and futures. Alternate history entices the imagination of the public by suggesting hypothetical scenarios that never occurred, underlining a latent tension between reality and imagination, and between determinism and contingency. This interest has resulted in a growing number of publications that gauge the impact of what-if narratives, and this one is the first to give scholars of the ancient world centre-stage.
“Remarkable . . . [The author’s] crystalline prose, his vivacious storytelling and his lucid historical insights combine here to provide a first-rate history.” —Publishers Weekly Sparta has often been described as the original Utopia—a remarkably evolved society whose warrior heroes were forbidden any other trade, profession, or business. As a people, the Spartans were the living exemplars of such core values as duty, discipline, the nobility of arms in a cause worth dying for, sacrificing the individual for the greater good of the community (illustrated by their role in the battle of Thermopylae), and the triumph over seemingly insuperable obstacles—qualities often believed today to signify the ultimate heroism. In this book, distinguished scholar and historian Paul Cartledge, long considered the leading international authority on ancient Sparta, traces the evolution of Spartan society—the culture and the people as well as the tremendous influence they had on their world and even ours. He details the lives of such illustrious and myth-making figures as Lycurgus, King Leonidas, Helen of Troy (and Sparta), and Lysander, and explains how the Spartans, while placing a high value on masculine ideals, nevertheless allowed women an unusually dominant and powerful role—unlike Athenian culture, with which the Spartans are so often compared. In resurrecting this culture and society, Cartledge delves into ancient texts and archeological sources and includes illustrations depicting original Spartan artifacts and drawings, as well as examples of representational paintings from the Renaissance onward—including J.L. David’s famously brooding Leonidas. “A pleasure for anyone interested in the ancient world.” —Kirkus Reviews “[An] engaging narrative . . . In his panorama of the real Sparta, Cartledge cloaks his erudition with an ease and enthusiasm that will excite readers from page one.” —Booklist “Our greatest living expert on Sparta.” —Tom Holland, prize-winning author of Rubicon: The Last Years of the Roman Republic
