The Clavichord

The Clavichord

Author: Bernard Brauchli

Publisher: Cambridge University Press

Published: 1998-11-19

Total Pages: 410

ISBN-13: 9780521630672

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This is a richly illustrated history of the clavichord, the forerunner of the modern piano.


Clavichord for Beginners

Clavichord for Beginners

Author: Joan Benson

Publisher: Indiana University Press

Published: 2014-04-25

Total Pages: 142

ISBN-13: 0253011647

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Written by Joan Benson, one of the champions of clavichord performance in the 20th century, Clavichord for Beginners is an exceptional method book for both practitioners and enthusiasts. In addition to detailing the historical origins of the instrument and the evolution of keyboard technique, the book describes the proper method for practicing fingering and articulation and emphasizes the importance of touch and sensitivity at the keyboard.


The Harpsichord and Clavichord

The Harpsichord and Clavichord

Author: Igor Kipnis

Publisher: Routledge

Published: 2013-04-15

Total Pages: 571

ISBN-13: 1135949786

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The Harpsichord and Clavichord, An Encyclopedia includes articles on this family of instruments, including famous players, composers, instruments builders, the construction of the instruments, and related terminology. It is the first complete reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world. It completes the three-volume Encyclopedia of Keyboard Instruments.


A History of the Harpsichord

A History of the Harpsichord

Author: Edward L. Kottick

Publisher: Indiana University Press

Published: 2003

Total Pages: 606

ISBN-13: 9780253341662

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A History of the Harpsichord brings together for the first time more than 200 photographs, illustrations, and drawings of harpsichords in public museums and private collections throughout Europe the United States. Edward L. Kottick draws on his extensive technical knowledge and experience as a harpsichord builder to detail the changing design, structure, and acoustics of the instrument over seven centuries.Based on painstaking research, the book considers the place of the instrument in society and vividly describes the market forces that brought about changes in its form, decoration, and cultural importance. An accompanying CDincludes performances on several of the historical instruments described and illustrated in the volume, including a 1580 spinett virginal by Martin van der Biest and instruments built by Ruckers and Pleyel. The volume devotes attention to American harpsichord design as well as to present and future uses of the instrument.Also of interestThe History of the PianoforteA Documentary in SoundEva Badura-Skoda0-253-33582-5 HB £37.95


Performance Practice

Performance Practice

Author: Roland Jackson

Publisher: Routledge

Published: 2013-10-23

Total Pages: 542

ISBN-13: 1136767703

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Performance practice is the study of how music was performed over the centuries, both by its originators (the composers and performers who introduced the works) and, later, by revivalists. This first of its kind Dictionary offers entries on composers, musiciansperformers, technical terms, performance centers, musical instruments, and genres, all aimed at elucidating issues in performance practice. This A-Z guide will help students, scholars, and listeners understand how musical works were originally performed and subsequently changed over the centuries. Compiled by a leading scholar in the field, this work will serve as both a point-of-entry for beginners as well as a roadmap for advanced scholarship in the field.


Playing Bach on the Keyboard

Playing Bach on the Keyboard

Author: Richard Troeger

Publisher: Hal Leonard Corporation

Published: 2003

Total Pages: 314

ISBN-13: 9781574670844

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(Amadeus). In this concise and accessible volume, a noted keyboard artist and Bach specialist takes a fresh look at the performance of J. S. Bach's keyboard music. Addressing the nonspecialist player, Richard Troeger presents a wide range of historical information and discusses its musical applications. The author shares accounts of the musical styles Bach employed and the instruments he knew. In direct and pragmatic terms, he clarifies the importance of notational and style details as guides to the composer's intentions, particularly emphasizing changes in notational norms between Bach's time and the present. Troeger offers core information on dynamics, articulation, tempo, rhythm, ornamentation and accompaniment. He considers controversial issues as well, establishing the importance of the clavichord in Bach's milieu and examining the link between baroque music and rhetoric a dramatic relationship that can bring great vitality to performance.


Historical Harpsichord Technique

Historical Harpsichord Technique

Author: Yonit Lea Kosovske

Publisher: Indiana University Press

Published: 2011-07-11

Total Pages: 238

ISBN-13: 0253001455

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Yonit Lea Kosovske surveys early music and writing about keyboard performance with the aim of facilitating the development of an expressive tone in the modern player. Reviewing the work of the pedagogues and performers of the late Renaissance through the late Baroque, she gives special emphasis to la douceur du toucher or a gentle touch. Other topics addressed include posture, early pedagogy, exercises, articulation, and fingering patterns. Illustrated with musical examples as well as photos of the author at the keyboard, Historical Harpsichord Technique can be used for individual or group lessons and for amateurs and professionals.


The Cambridge Companion to the Harpsichord

The Cambridge Companion to the Harpsichord

Author: Mark Kroll

Publisher: Cambridge University Press

Published: 2019-01-03

Total Pages: 407

ISBN-13: 1108667929

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Written by fourteen leading experts in the field, this Companion covers almost every aspect of the harpsichord - the history of the instrument, tuning systems, the role of the harpsichord in ensemble, its use in the twentieth and twenty-first centuries, and includes separate chapters devoted to Domenico Scarlatti, J. S. Bach and Handel. Chapters featuring almost every national style are written by authors with close connections to the countries about which they are writing, including England, The Netherlands, Germany, the Austro-Hungarian Empire, France, Italy, Portugal and Spain, as well as the less extensive harpsichord traditions of Russia, the Nordic and Baltic countries, and colonial Spanish and Portuguese America. With musical examples, illustrations, a timeline of the harpsichord, and an appendix of composers, reliable editions and original sources, this book is for all who love the harpsichord, or want to learn more about it.


Authenticity in Performance: Eighteenth-Century Case Studies

Authenticity in Performance: Eighteenth-Century Case Studies

Author: Peter Le Huray

Publisher: CUP Archive

Published: 1990-11-22

Total Pages: 228

ISBN-13: 9780521399265

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Authenticity in Performance focuses on nine representative works from the Baroque and Classical periods, defining some of the more important questions that the performer and listener should ask.