This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.
Known by the Greeks as ‘Megalónisos,’ or the ‘Great Island,’ the island of Crete has a long and varied history. Steeped in historical and cultural heritage, Crete is the most visited of the Greek islands. It has also been of paramount strategic importance for thousands of years, thanks to its location close to the junction of three continents and at the heart of the eastern Mediterranean Sea. For much of its long history, the island has been ruled by foreign invaders. Under the rule of the Mycenaeans, Dorians, Romans, Byzantines, Arabs, Venetians, Ottoman Turks and, briefly, the Third Reich, Cretans, who are fierce lovers of freedom, have adapted to living with their conquerors and to the influence of foreign rule on their culture. In a dazzling contrast to these three thousand years of domination, we see two periods of the island’s independence: the vibrant apogee of the Minoan civilization and the brief period of autonomy before union with Greece at the beginning of the twentieth century. To guide us through this spectacular history, Chris Moorey, who has lived in Crete for over twenty years, provides an engaging and lively account of the island spanning from the Stone Age to the present day. A History of Crete steps in to fill a gap in scholarship on this fascinating island, providing the first complete history of Crete to be published for over twenty years, and the first ever that is written with a wide readership in mind.
"This marvelous and uniquely comprehensive book sets a new, high standard of excellence in the study of Greek archaeology."--Ronald S. Stroud, University of California, Berkeley
In this lively survey, Guy D. Middleton critically examines our ideas about collapse - how we explain it and how we have constructed potentially misleading myths around collapses - showing how and why collapse of societies was a much more complex phenomenon than is often admitted.
Before Sir Arthur Evans, the principal object of Greek prehistoric archaeology was the reconstruction of history in relation to myth. European travellers to Greece viewed its picturesque ruins as the gateway to mythical times, while Heinrich Schliemann, at the end of the nineteenth century, allegedly uncovered at Troy and Mycenae the legendary cities of the Homeric epics. It was Evans who, in his controversial excavations at Knossos, steered Aegean archaeology away from Homer towards the broader Mediterranean world. Yet in so doing he is thought to have done his own inventing, recreating the Cretan Labyrinth via the Bronze Age myth of the Minotaur. Nanno Marinatos challenges the entrenched idea that Evans was nothing more than a flamboyant researcher who turned speculation into history. She argues that Evans was an excellent archaeologist, one who used scientific observation and classification. Evans's combination of anthropology, comparative religion and analysis of cultic artefacts enabled him to develop a bold new method which Sir James Frazer called 'mental anthropology'. It was this approach that led him to propose remarkable ideas about Minoan religion, theories that are now being vindicated as startling new evidence comes to light. Examining the frescoes from Akrotiri, on Santorini, that are gradually being restored, the author suggests that Evans's hypothesis of one unified goddess of nature is the best explanation of what they signify. Evans was in 1901 ahead of his time in viewing comparable Minoan scenes as a blend of ritual action and mythic imagination. Nanno Marinatos is a leading authority on Minoan religion. In this latest book she combines history, archaeology and myth to bold and original effect, offering a wholly new appraisal of Evans and the significance of his work. Sir Arthur Evans and Minoan Crete will be essential reading for all students of Minoan civilization, as well as an irresistible companion for travellers to Crete.
