As if convinced that all divination of the future is somehow a re-visioning of the past, Kwame Dawes reminds us of the clairvoyance of haunting. The lyric poems in City of Bones: A Testament constitute a restless jeremiad for our times, and Dawes’s inimitable voice peoples this collection with multitudes of souls urgently and forcefully singing, shouting, groaning, and dreaming about the African diasporic present and future. As the twentieth collection in the poet’s hallmarked career, City of Bones reaches a pinnacle, adding another chapter to the grand narrative of invention and discovery cradled in the art of empathy that has defined his prodigious body of work. Dawes’s formal mastery is matched only by the precision of his insights into what is at stake in our lives today. These poems are shot through with music from the drum to reggae to the blues to jazz to gospel, proving that Dawes is the ambassador of words and worlds.
Contents I. Furious Versionis II. The Interrogation This Hour And What Is Dead Arise, Go Down My Father, In Heaven, Is Reading Out Loud For A New Citizen Of These United States With Ruins III. This Room And Everything In It The City In Which I Love You IV. The Waiting A Story Goodnight You Must Sing Here I Am A Final Thing V. The Cleaving
"In this fascinating book, Donna Stonecipher doubles down on the development of prose poetry and the city. Tactically, her sweeping, complex yet meticulous essay engages Baudelaire's sudden--or is it sudden?--incursion from the constraints of verse into the 'roominess' of prose, 'paragraphs of place, ' while linking 'civic horizontality' and 'corporate verticality.' Tracking possibilities, (m)using everything from architecture to landscape to cookbooks, fl neur-like, her essay exuberantly and expertly gathers together rhizomatic threads of thinkers and poets of the last two centuries. Reads like a song." --Norma Cole "This fascinating exploration of the prose poem begins with a question that most other studies have overlooked or taken for granted: 'What, if anything, do cities and prose poetry have to do with each other?' Donna Stonecipher's touchstone for this question is Charles Baudelaire's prose poems in Le Spleen de Paris, but her excavation of the relationship between the 'built environment' of prose poem and city moves backwards to ancient Greece and forwards to the new sentence. As Stonecipher unpacks the 'dialogic space' of the prose poem, her essay moves vertically and horizontally, providing histories of the skyscraper and the aesthetics and ethics of vertical ascension, and much else. As she moves nimbly through large swaths of intellectual, architectural, urban, and aesthetic history, Stonecipher engages debates central to poetics and to modernity itself, taking seriously the challenge of considering how aesthetic forms register, respond to, and transform their built, social, and historical environments. An indispensable and enlightening guide that is also a pleasure to read." --Susan Rosenbaum
"While others are busy catching their own reflection in the storefront of poetry, [John] Godfrey goes to work on the damage and squalor of the overlooked. His genius rings true."-Peter Gizzi "With an enemy" "like daylight who needs" "the psychology dime" "Hips do the work" "and I cross the world" A longtime resident of Manhattan's Lower East Side, John Godfrey works as a registered nurse in New York City, where he cares for homebound AIDS patients in Brooklyn and Queens. "City of Corners" is his sixth collection of poetry.
Named one of Library Journal’s Top 20 Poetry Books of 1998 Winner of the 1997 Agnes Lynch Starrett Prize Runner up for the Great Lakes Colleges Association 1999 New Writers Award City of a Hundred Fires presents us with a journey through the cultural coming of age experiences of the hyphenated Cuban-American. This distinct group, known as the Ñ Generation (as coined by Bill Teck), are the bilingual children of Cuban exiles nourished by two cultural currents—the fragmented traditions and transferred nostalgia of their parents' Caribbean homeland and the very real and present America where they grew up and live.