The Cinema of Robert Rodriguez

The Cinema of Robert Rodriguez

Author: Frederick Luis Aldama

Publisher: University of Texas Press

Published: 2014-10-15

Total Pages: 188

ISBN-13: 0292761244

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Robert Rodriguez stands alone as the most successful U.S. Latino filmmaker today, whose work has single-handedly brought U.S. Latino filmmaking into the mainstream of twenty-first-century global cinema. Rodriguez is a prolific (eighteen films in twenty-one years) and all-encompassing filmmaker who has scripted, directed, shot, edited, and scored nearly all his films since his first breakout success, El Mariachi, in 1992. With new films constantly coming out and the launch of his El Rey Network television channel, he receives unceasing coverage in the entertainment media, but systematic scholarly study of Rodriguez's films is only just beginning. The Cinema of Robert Rodriguez offers the first extended investigation of this important filmmaker's art. Accessibly written for fans as well as scholars, it addresses all of Rodriguez's feature films through Spy Kids 4 and Machete Kills, and his filmmaking process from initial inspiration, to script, to film (with its myriad visual and auditory elements and choices), to final product, to (usually) critical and commercial success. In addition to his close analysis of Rodriguez's work, Frederick Luis Aldama presents an original interview with the filmmaker, in which they discuss his career and his relationship to the film industry. This entertaining and much-needed scholarly overview of Rodriguez's work shines new light on several key topics, including the filmmaker's creative, low-cost, efficient approach to filmmaking; the acceptance of Latino films and filmmakers in mainstream cinema; and the consumption and reception of film in the twenty-first century.


Robert Rodriguez

Robert Rodriguez

Author: Zachary Ingle

Publisher: Univ. Press of Mississippi

Published: 2012-03-09

Total Pages: 198

ISBN-13: 1617032727

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A collection of interviews with Robert Rodriguez that discuss his life and filmmaking career.


Rebel without a Crew

Rebel without a Crew

Author: Robert Rodriguez

Publisher: Penguin

Published: 1996-09-01

Total Pages: 316

ISBN-13: 9780452271876

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Named One of The Hollywood Reporter’s “100 Greatest Film Books of All Time” Famed independent screenwriter and director Robert Rodriguez (Sin City, Once Upon a Time in Mexico, Spy Kids, Machete) discloses all the unique strategies and original techniques he used to make his remarkable debut film El Mariachi on a shoestring budget. This is both one man's remarkable story and an essential guide for anyone who has a celluloid story to tell and the dreams and determination to see it through. Part production diary, part how-to manual, Rodriguez unveils how he was able to make his influential first film on only a $7,000 budget. Also included is the appendix, "The Ten Minute Film Course,” a tell-all on how to save thousands of dollars on film school and teach yourself the ropes of film production, directing, and screenwriting. A perfect gift for the aspiring filmmaker.


The Cinema of Robert Rodriguez

The Cinema of Robert Rodriguez

Author: Frederick Luis Aldama

Publisher: University of Texas Press

Published: 2014-10-15

Total Pages: 188

ISBN-13: 0292761236

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Robert Rodriguez stands alone as the most successful U.S. Latino filmmaker today, whose work has single-handedly brought U.S. Latino filmmaking into the mainstream of twenty-first-century global cinema. Rodriguez is a prolific (eighteen films in twenty-one years) and all-encompassing filmmaker who has scripted, directed, shot, edited, and scored nearly all his films since his first breakout success, El Mariachi, in 1992. With new films constantly coming out and the launch of his El Rey Network television channel, he receives unceasing coverage in the entertainment media, but systematic scholarly study of Rodriguez’s films is only just beginning. The Cinema of Robert Rodriguez offers the first extended investigation of this important filmmaker’s art. Accessibly written for fans as well as scholars, it addresses all of Rodriguez’s feature films through Spy Kids 4 and Machete Kills, and his filmmaking process from initial inspiration, to script, to film (with its myriad visual and auditory elements and choices), to final product, to (usually) critical and commercial success. In addition to his close analysis of Rodriguez’s work, Frederick Luis Aldama presents an original interview with the filmmaker, in which they discuss his career and his relationship to the film industry. This entertaining and much-needed scholarly overview of Rodriguez’s work shines new light on several key topics, including the filmmaker’s creative, low-cost, efficient approach to filmmaking; the acceptance of Latino films and filmmakers in mainstream cinema; and the consumption and reception of film in the twenty-first century.


Latino Images in Film

Latino Images in Film

Author: Charles Ramírez Berg

Publisher: University of Texas Press

Published: 2009-09-15

Total Pages: 329

ISBN-13: 0292783000

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The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady—these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramírez Berg develops an innovative theory of stereotyping that accounts for the persistence of such images in U.S. popular culture. He also explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping. In the first part of the book, Berg sets forth his theory of stereotyping, defines the classic stereotypes, and investigates how actors such as Raúl Julia, Rosie Pérez, José Ferrer, Lupe Vélez, and Gilbert Roland have subverted stereotypical roles. In the second part, he analyzes Hollywood's portrayal of Latinos in three genres: social problem films, John Ford westerns, and science fiction films. In the concluding section, Berg looks at Latino self-representation and anti-stereotyping in Mexican American border documentaries and in the feature films of Robert Rodríguez. He also presents an exclusive interview in which Rodríguez talks about his entire career, from Bedhead to Spy Kids, and comments on the role of a Latino filmmaker in Hollywood and how he tries to subvert the system.


Grindhouse

Grindhouse

Author: Quentin Tarantino

Publisher: Weinstein Books

Published: 2007-04-06

Total Pages: 0

ISBN-13: 9781602860148

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An in-depth look at how this double feature was made includes working and post-production photographs, the screenplay to "Planet Terror," and interviews with the cast and crew of "Death Proof" about such topics as the plot, stunts, wardrobe, vehicles, creatures, and special effects.


Critical Approaches to the Films of Robert Rodriguez

Critical Approaches to the Films of Robert Rodriguez

Author: Frederick Luis Aldama

Publisher: University of Texas Press

Published: 2015-03-15

Total Pages: 262

ISBN-13: 1477302409

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Frederick Aldama's The Cinema of Robert Rodriguez (2014) was the first full-scale study of one of the most prolific and significant Latino directors making films today. In this companion volume, Aldama enlists a corps of experts to analyze a majority of Rodriguez's feature films, from his first break-out success El Mariachi in 1992 to Machete in 2010. The essays explore the formal and thematic features present in his films from the perspectives of industry (context, convention, and distribution), the film blueprint (auditory and visual ingredients), and consumption (ideal and real audiences). The authors illuminate the manifold ways in which Rodriguez's films operate internally (plot, character, and event) and externally (audience perception, thought, and feeling). The volume is divided into three parts: "Matters of Mind and Media" includes essays that use psychoanalytic and cognitive psychology to shed light on how Rodriguez's films complicate Latino identity, as well as how they succeed in remaking audiences' preconceptions of the world. "Narrative Theory, Cognitive Science, and Sin City: A Case Study" offers tools and models of analysis for the study of Rodriguez's film re-creation of a comic book (on which Frank Miller was credited as codirector). "Aesthetic and Ontological Border Crossings and Borderlands" considers how Rodriguez's films innovatively critique fixed notions of Latino identity and experience, as well as open eyes to racial injustices. As a whole, the volume demonstrates how Rodriguez's career offers critical insights into the filmmaking industry, the creative process, and the consuming and reception of contemporary film.


Alpha Status

Alpha Status

Author: Nathan Ikon Crumpton

Publisher: Independently Published

Published: 2021-12-26

Total Pages: 554

ISBN-13:

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If capitalism were a person, who would it be? Where would it live? Who, how, and what would it love? Dive into the salacious world of hedge funds, high finance, and penthouse sex dungeons. This raucous tale of a wildly successful New York fund manager and his globetrotting adventures reflects the stark new reality of contemporary uber-wealth, and the capitalist system which created it. Become enraptured with - or repulsed by - the heinously opulent world of the anonymous protagonist and his class of modern billionaires. But challenging the protagonist's high-flying escapades in finance and sexual conquest is his twin brother, a maudlin comparative literature professor and single father. With a life defined by tragedy, the brother becomes the countervailing voice of reason and social tranquility. Filled with equal parts fictitious plotline and broadly researched non-fiction sources, this book offers pointed analysis of the 21st century socio-economic landscape, and begs critical questions about how capitalism can try to reconcile its avaricious nature with a world demanding a more equitable division of resources. Enlightening yet critical. Serious yet absurd. Fictitious yet factual. This non-fiction novel provides graphic and unapologetic scrutiny from both extremes of the contemporary socio-economic spectrum.


Robert Rodriguez

Robert Rodriguez

Author: Zachary Ingle

Publisher: Univ. Press of Mississippi

Published: 2012-03-09

Total Pages: 197

ISBN-13: 1617032735

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Rogue filmmaker Robert Rodriguez (b. 1968) rocketed to fame with his ultra-low-budget film El Mariachi (1992). The Spanish-language action film, and the making-of book that accompanied it, were inspirational to filmmakers trying to work with the most meager of resources. Rodriguez embodies the postmodern auteur, maintaining a firm control of his projects by not only writing and producing his films, but also editing, shooting, composing, as well as working with the visual effects. He was one of the first American filmmakers to wholeheartedly adopt digital filmmaking, now the norm. Spy Kids 3-D: Game Over (2003) helped bring back 3-D to mainstream theatres. He is as comfortable making family films (the Spy Kids series) as action (Sin City) and horror films (Planet Terror). He has maintained his guerilla filmmaking approach, despite increasing budgets, choosing to work outside of Hollywood and even founding his own studio (Troublemaker Studios) in Austin, Texas. He has also arguably become the most successful Latino filmmaker. In this, the first book devoted to Rodriguez, interviews and articles from 1993 to 2010 reveal a filmmaker passionate about making films on his own terms. He addresses the subjects central to his life and work: guerilla filmmaking, the digital revolution, his family, and his disdain for Hollywood. An easy and frank subject, these portraits depict the rebel director at his most candid, forging a path for others to break free from Hollywood hegemony.


Alita: Battle Angel - Iron City

Alita: Battle Angel - Iron City

Author: Pat Cadigan

Publisher: Titan Books (US, CA)

Published: 2018-11-20

Total Pages: 310

ISBN-13: 1785658360

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The official prequel novelization to the highly anticipated science fiction movie, Alita: Battle Angel. The official prequel novel to the highly anticipated film. A long time ago there was the Great War. The reasons for the war have been lost to time. On the shattered surface of the Earth, there is a metropolis that lives amidst the garbage thrown down from the inhabitants of a sky city floating above it. Welcome to Iron City. A lonely doctor specialising in cyborg repair, Ido, is doing his best to help the citizens of Iron City. But Ido has a double life, another persona born from the pieces of his broken heart. Hugo, a young man surviving on a life of crime, spots the ultimate steal: an object that will unearth secrets from his own past. And Vector, the most powerful businessman in the city, has his sights set on a new technology that will change the future of Iron City forever...