The Cinema Hypothesis
The Cinema Hypothesis

Author: Alain Bergala

Publisher: Austrian Film Museum

Published: 2016

Total Pages: 0

ISBN-13: 9783901644672

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"Alain Bergala's The cinema hypothesis is a seminal text on the potentials, possibilities, and problems of bringing film to schools and other educational contexts. It is also the passionate confirmation of a love for cinema and an effort to think of education differently. This book stages a dialogue between larger concepts of cinema and a hands-on approach to teaching cinema. Its detailed insights derive from the author's own experiences as a teacher, critic, filmmaker and advisor to the French Minister of Education. Bergala, who also served as chief editor of Cahiers du cinéma, promotes an understanding of film as an autonomous art form that has to be taught accordingly. Confronting young people with cinema can create friction with established norms and serve as a productive rupture for both institution and pupil: perhaps more than any other art form, the cinema enables a lived, intimate experience of otherness"--Back cover.

The Child in Cinema
The Child in Cinema

Author: Karen Lury

Publisher: Bloomsbury Publishing

Published: 2022-08-25

Total Pages: 241

ISBN-13: 1844577244

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This book brings together a host of internationally recognised scholars to provide an interdisciplinary perspective on the representation of the child in cinema. Individual chapters examine how children appear across a broad range of films, including Badlands (1973), Ratcatcher (1999), Boyhood (2014), My Neighbour Totoro (1988), and Howl's Moving Castle (2004). They also consider the depiction of children in non-fiction and non-theatrical films, including the documentaries Être et Avoir (2002) and Capturing the Friedmans (2003), art installations and public information films. Through a close analysis of these films, contributors examine the spaces and places children inhabit and imagine; a concern for children's rights and agency; the affective power of the child as a locus for memory and history; and the complexity and ambiguity of the child figure itself. The essays also argue the global reach of cinema featuring children, including analyses of films from the former Yugoslavia, Brazil and India, as well as exploring the labour of the child both in front of and behind the camera as actors and filmmakers. In doing so, the book provides an in-depth look into the nature of child performance on screen, across a diverse range of cinemas and film-making practices.

Seeing Education on Film
Seeing Education on Film

Author: Alexis Gibbs

Publisher: Springer Nature

Published: 2019-12-09

Total Pages: 234

ISBN-13: 3030336328

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This book argues that certain films have more to offer by way of conceptualising education than textual scholarship. Drawing on the work of the later Wittgenstein, it suggests that a shift in our philosophical focus from knowing to seeing can allow for ordinary educational phenomena (teachers, schools, children) to be appreciated anew. The book argues that cinema is the medium best placed to draw attention to this revaluation of the everyday, and particular films are presented as offering unique insights into the aesthetic nature of education as a concept. The book will be of primary interest to educators and educationalists alike, but its interdisciplinary nature should also appeal to those in the fields of film study, philosophy, and aesthetics.

Teaching the Screen
Teaching the Screen

Author: Michael Anderson

Publisher: Routledge

Published: 2020-07-23

Total Pages: 187

ISBN-13: 1000247783

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Digital video and film technologies are transforming classrooms across the world. Teaching the Screen looks beyond the buttons and knobs to explore ways of teaching video and film effectively in secondary classrooms. More and more young people have access to low-cost filming and editing technologies - mobile phones, computers, portable digital - which is changing the experience of digital storytelling. Approaches to classroom teaching and learning need to change too. The authors offer a new pedagogy of film storytelling that draws on research from effective classroom film learning practice. They contextualise screen learning within different educational settings, discuss how teachers can highlight aesthetics in film appreciation and filmmaking, and explore the impact of different technologies. Teaching the Screen is essential reading for educators who want to create engaging learning and teaching activities with screen technologies in secondary English and other subject areas. 'A well balanced and comprehensive account of the issues in filmmaking likely to be encountered by English teachers. It lifts engagement beyond the usual procedural knowledge level, to one of active critique.' - Sue Brindley, University of Cambridge 'This book has bridged the theoretical and practical without compromising either. It offers a thorough systematic account of theoretical issues and practical techniques in teaching film appreciation and filmmaking.' - Associate Professor George Belliveau, University of British Columbia

Teaching Film
Teaching Film

Author: Lucy Fischer

Publisher: Modern Language Association

Published: 2012-07-27

Total Pages: 413

ISBN-13: 1603291334

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Film studies has been a part of higher education curricula in the United States almost since the development of the medium. Although the study of film is dispersed across a range of academic departments, programs, and scholarly organizations, film studies has come to be recognized as a field in its own right. In an era when teaching and scholarship are increasingly interdisciplinary, film studies continues to expand and thrive, attracting new scholars and fresh ideas, direction, and research. Given the dynamism of the field, experienced and beginning instructors alike need resources for bringing the study of film into the classroom. This volume will help instructors conceptualize contemporary film studies in pedagogical terms. The first part of the volume features essays on theory and on representation, including gender, race, and sexuality. Contributors then examine the geographies of cinema and offer practical suggestions for structuring courses on national, regional, and transnational film. Several essays focus on interdisciplinary approaches, while others describe courses designed around genre (film noir, the musical), mode (animation, documentary, avant-garde film), or the formal elements of film, such as sound, music, and mise-en-scene. The volume closes with a section on film and media in the digital age, in which contributors discuss the opportunities and challenges presented by access to resources, media convergence, and technological developments in the field.

Screenwriting is Filmmaking
Screenwriting is Filmmaking

Author: Brian Dunnigan

Publisher: The Crowood Press

Published: 2019-08-23

Total Pages: 433

ISBN-13: 178500610X

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To write for the unique medium of the screen, you need to be as engaged with the theory and practice of film as you are with words. Screenwriting is Filmmaking provides a wealth of insights for new and experienced writers alike on the historical, theoretical and practical essentials of screenwriting. With clear analyses drawn from a wide range of classical and contemporary films, alongside case studies and practical exercises, this book encourages the development of craft skills and a personal voice through the writing of short and feature screenplays. You will learn how to develop your screenplay from idea to final draft; apply the techniques of narrative, structure and visual language; build rounded and convincing characters; craft compelling scenes through dialogue and sub-text and maintain a meaningful and lasting creative practice. Brian Dunnigan draws on over thirty years' experience of writing, teaching and making films, to provide a practical guide on how to become an effective screenwriter as well as giving a fascinating insight into visual storytelling and the place of the screenplay in the collaborative process of filmmaking. Of great interest to all screenwriters, especially new/aspiring ones; and all those with an interest in the filmmaking world, it is illustrated with 17 colour and 17 black & white photographs. Brian Dunnigan is an award-winning filmmaker and Head of Screenwriting at the London Film School.

Aesthetic evaluation and film
Aesthetic evaluation and film

Author: Andrew Klevan

Publisher: Manchester University Press

Published: 2018-08-08

Total Pages: 226

ISBN-13: 1526132575

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This book provides an in-depth, holistic examination of evaluative aesthetics and criticism as they apply to film. Organised around the explanation of key concepts, it illuminates connections between the work of philosophers, theorists and critics, and demonstrates the evaluation of form through the close analysis of film sequences. The book advocates that aesthetic evaluation should be flexibly informed by a cluster of concerns including medium, convention, prominence, pattern and relation; and rather than privileging a particular theory or film style, it models a type of approach, attention, process and discourse. Suitable for students of film studies and philosophical aesthetics at both undergraduate and postgraduate levels, Aesthetic evaluation and film also provides a framework for academics researching or teaching in the area. At the same time, the crisp and lucid style will make the book accessible to a wider readership.

Slums on Screen
Slums on Screen

Author: Igor Krstic

Publisher: Edinburgh University Press

Published: 2016-04-26

Total Pages: 288

ISBN-13: 1474406882

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Near to one billion people call slums their home, making it a reasonable claim to describe our world as a 'planet of slums.' But how has this hard and unyielding way of life been depicted on screen? How have filmmakers engaged historically and across the globe with the social conditions of what is often perceived as the world's most miserable habitats?Combining approaches from cultural, globalisation and film studies, Igor Krstic outlines a transnational history of films that either document or fictionalise the favelas, shantytowns, barrios poulares or chawls of our 'planet of slums', exploring the way accelerated urbanisation has intersected with an increasingly interconnected global film culture. From Jacob Riis' How The Other Half Lives (1890) to Danny Boyle's Slumdog Millionaire (2008), the volume provides a number of close readings of films from different historical periods and regions to outline how contemporary film and media practices relate to their past predeccesors, demonstrating the way various filmmakers, both north and south of the equator, have repeatedly grappled with, rejected or continuously modified documentary and realist modes to convey life in our 'planet of slums'.

Digital Media in Education
Digital Media in Education

Author: Michelle Cannon

Publisher: Springer

Published: 2018-06-19

Total Pages: 325

ISBN-13: 3319783041

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This book argues for dynamic and relevant school experiences for primary and early secondary learners that embed digital media production. It proposes a vision of literacy that combines new technologies with multiple modes of meaning-making. Drawing on theories related to cultural studies, media literacy, anthropology, and creativity, the author explores learning strategies with digital media based on an empowering, values-driven framework. The book advances innovative teaching methods, critiquing educational ‘reforms’ that marginalise media and fail to engage with the complex tensions and textures of modern pedagogy. Positioning film and media-making as vital practices in schools that nurture the skills, dispositions and competencies of modern literacy, the model foregrounds connections between human agency, cognition, and creative practice. This innovative book will appeal to students and scholars of creativity, digital media production, primary education and literacy.

Teaching History with Film
Teaching History with Film

Author: Alan S. Marcus

Publisher: Routledge

Published: 2010-02-25

Total Pages: 209

ISBN-13: 1135187835

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Offers a fresh overview of teaching with film to effectively enhance social studies instruction.