The Cine-Technician; 3

The Cine-Technician; 3

Author: Association of Cine-Technicians

Publisher: Hassell Street Press

Published: 2021-09-10

Total Pages: 242

ISBN-13: 9781015207349

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


The Cine-Technician, Vol. 9

The Cine-Technician, Vol. 9

Author: Association Of Cine-Technicians

Publisher: Forgotten Books

Published: 2018-01-31

Total Pages: 434

ISBN-13: 9780267305599

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Excerpt from The Cine-Technician, Vol. 9: March-April, 1943 That they cling to their long standing fallacies. This rather cha1ming verse takes too naive a view of Freud, too pessimistic a view of thecinema' audience. The author of The Future of an Illusion was a man who accepted the hypothesis of mental evolution Though in this article I have spoken much of the primitive, of the fantastic and the infantile, I should-like to finish on another note. In the cinema we see portrayed with accuracy authentic action, genuine voices, real people. More and more does the screen express realities, per sonal, social, economic. More and more, I think, do audiences look for reality from the cinema. The deeper satisfaction of omnipotence, inherent in the medium, remains as the fundamental wish fulfilment. Alongside of this the pathway to reality is free. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


The Cine-Technician, Vol. 3

The Cine-Technician, Vol. 3

Author: Association of Cine-Technicians

Publisher: Forgotten Books

Published: 2017-05-27

Total Pages: 242

ISBN-13: 9780282056179

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Excerpt from The Cine-Technician, Vol. 3: April-May, 1937 To give an indication of light values at the beginning of this article will save me referring to them again in the text, and be of help to any photographer who may visit these parts. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


The Journal of the Association of Cine-Technicians, Vol. 1

The Journal of the Association of Cine-Technicians, Vol. 1

Author: Association Of Cine-Technicians

Publisher: Forgotten Books

Published: 2018-01-22

Total Pages: 296

ISBN-13: 9780483634084

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Excerpt from The Journal of the Association of Cine-Technicians, Vol. 1: May, 1935 That English films on the whole are bad and lack all artistic qualities cannot be denied by any of us. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Movie Workers

Movie Workers

Author: Melanie Bell

Publisher: University of Illinois Press

Published: 2021-07-06

Total Pages: 393

ISBN-13: 0252052773

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Winner of the Theatre Library Association’s Richard Wall Memorial Award Special Jury Prize for an exemplary work in the field of recorded performance After the advent of sound, women in the British film industry formed an essential corps of below-the-line workers, laboring in positions from animation artist to negative cutter to costume designer. Melanie Bell maps the work of these women decade-by-decade, examining their far-ranging economic and creative contributions against the backdrop of the discrimination that constrained their careers. Her use of oral histories and trade union records presents a vivid counter-narrative to film history, one that focuses not only on women in a male-dominated business, but on the innumerable types of physical and emotional labor required to make a motion picture. Bell's feminist analysis looks at women's jobs in film at important historical junctures while situating the work in the context of changing expectations around women and gender roles. Illuminating and astute, Movie Workers is a first-of-its-kind examination of the unsung women whose invisible work brought British filmmaking to the screen.


Women’s Activism Behind the Screens

Women’s Activism Behind the Screens

Author: Galt, Frances

Publisher: Policy Press

Published: 2020-11-27

Total Pages: 250

ISBN-13: 1529206316

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Frances C. Galt explores the role of trade unions and women’s activism in the British film and television industries in this important contribution to debates around gender inequality. The book traces the influence of the union for technicians and other behind-the-camera workers and examines the relationship between gender and class in the labour movement. Drawing on previously unseen archival material and oral history interviews with activists, it casts new light on women’s experiences of union participation and feminism over nine decades. As concerns about the gender pay gap, women’s rights and harassment continue, it assesses historical progress and points the way to further change in film and TV.


Rogue Reels

Rogue Reels

Author: Margaret Dickinson

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 510

ISBN-13: 1838717862

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Margaret Dickinson's history of oppostional film is a pioneering account of an important by little documented aspect of modern British Cinema: the often extreme form of independent cinema that accompanied the radical politics of the 1960s and 70s. During the 70s an organized independent film and video movement emerged (including such filmmaking groups as London Filmmakers' Co-op, Cinema Action, Amber, Liberation Films and Sheffield Co-op). This avant-garde exerted an increasing influence within the British media mainstream - changing attitudes and practice, and enabling cross-over work by filmmakers such as Peter Greenaway and Sally Potter. This oppostional sector revolutionized British media, especially during the formation of Channel Four at the start of the 1980s, even as the political landscape at large was shifting dramatically to the right. Organized into three parts, 'Rogue Reels 'provides the first overview of the various strands of politicized filmmaking that emerged in postwar Britain. Part I is a concise history of the movement. Part II collects key texts and documents form the period 1971-92. Part III is made up of seven oral histories of the most influential production houses. Recuperating the radical tradition of postwar filmmaking (which continues to impact on today's media culture), 'Rogue Reels' raises urgent issues of policy and practice. Mixing narrative with first-hand accounts, and the important statements and documents of this movement the book provides the first overview of the different strands of filmmaking that are still impacting on avant-garde and mainstream practice.