The Film Book

The Film Book

Author: Ronald Bergan

Publisher: DK Publishing (Dorling Kindersley)

Published: 2021

Total Pages: 0

ISBN-13: 9780241484838

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Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.


A Short History of Film, Third Edition

A Short History of Film, Third Edition

Author: Wheeler Winston Dixon

Publisher: Rutgers University Press

Published: 2018-03-30

Total Pages: 525

ISBN-13: 0813595169

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With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.


The Material Ghost

The Material Ghost

Author: Gilberto Perez

Publisher: JHU Press

Published: 2000-12-26

Total Pages: 481

ISBN-13: 0801865239

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Gilberto Perez draws on his lifelong love of the movies as well as his work as a film scholar to write a lively, wide-ranging, penetrating study of films and filmmakers and the nature of the art form.


Movie History

Movie History

Author: Douglas Gomery

Publisher: Taylor & Francis US

Published: 2011

Total Pages: 449

ISBN-13: 9780415775458

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How can we understand the history of film? Historical facts don't answer the basic questions of film history. History, as this book shows, is more than the simple accumulation of film titles, facts and figures.


Film museum practice and film historiography

Film museum practice and film historiography

Author: Bregt Lameris

Publisher: Amsterdam University Press

Published: 2017-07-07

Total Pages: 271

ISBN-13: 9048526744

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This book is an elaborate study of the interrelationships between film historical discourse and archival practices, such as the collecting, restoration and exhibition of films. It delineates how film historiographical discourses always leave traces in the film archive, and vice versa. The book investigates and analyzes the history of three important collections from the archive of EYE Film Museum: the Uitkijk-collection, the Desmet-collection, and Dutch silent films. The histories of these collections have different connections to film historiography, and as such allow us to investigate these interrelationships from various perspectives. It shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. As such the book aims to demonstrate how film archives cannot be innocent or neutral sources of film history. In addition, it shows that current EYE Film Museum activities semi-automatically refer to this history of which the archive carries the material traces.


The Film Appreciation Book

The Film Appreciation Book

Author: Jim Piper

Publisher: Allworth

Published: 2014-11-18

Total Pages: 288

ISBN-13: 9781621534358

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This is a book for cinephiles, pure and simple. Author and filmmaker, Jim Piper, shares his vast knowledge of film and analyzes the most striking components of the best movies ever made. From directing to cinematography, from editing and music to symbolism and plot development, The Film Appreciation Book covers hundreds of the greatest works in cinema, combining history, technical knowledge, and the art of enjoyment to explain why some movies have become the most treasured and entertaining works ever available to the public, and why these movies continue to amaze viewers after decades of notoriety. Read about such classic cinematic masterpieces as Citizen Kane, Gandhi, Midnight Cowboy, Easy Rider, True Grit, Gone With the Wind, and The Wizard of Oz, as well as more recent accomplishments in feature films, such as Requiem for a Dream, Munich, The King’s Speech, and The Hurt Locker. Piper breaks down his analysis for you and points out aspects of production that movie-lovers (even the devoted ones) would never recognize on their own. This book will endlessly fascinate, and by the time you get to the last chapter, you’re ready to start all over again. In-depth analysis and thoughtful and wide-ranging film choices from every period of cinema history will ensure that you never tire of this reading companion to film. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.


The Art of Watching Films

The Art of Watching Films

Author: Joseph M. Boggs

Publisher: McGraw-Hill College

Published: 2008

Total Pages: 553

ISBN-13: 9780073535074

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Accompanying CD-ROM provides short film clips that reinforce the key concepts and topics in each chapter.


Film

Film

Author: Maria Pramaggiore

Publisher: Pearson College Division

Published: 2008-07-31

Total Pages: 448

ISBN-13: 9780205645626

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"Film: A Critical Introduction "provides a comprehensive framework for studying films, with an emphasis on writing as a means of exploring film's aesthetic and cultural significance. This text's consistent and comprehensive focus on writing allows students to master film vocabulary and concepts while learning to formulate rich interpretations. Part I introduces readers to the importance of film analysis, offering helpful strategies for discerning the way films produce meaning. Part II examines the fundamental elements of film, including narrative form, mise en scene, cinematography, editing, and sound, and shows how these concepts can be used to interpret films. Part III moves beyond textual analysis to explore film as a cultural institution and introduce students to essential areas of film studies research.