The Cheque Books of the Chapel Royal

The Cheque Books of the Chapel Royal

Author: William Lovegrove

Publisher: Routledge

Published: 2020-08-13

Total Pages: 326

ISBN-13: 1000160718

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This title was first published in 2000: The Chapel Royal holds a singular position in English ecclesiastical and musical life, as a body of priests and musicians appointed by and serving the personal religious needs of the sovereign. Its historical significance owes much to its location at a court which was, for many centuries, the centre of national power and culture. It was both an instrument and a visible manifestation of policy, and its history can be seen as reflecting the fortunes of government. While its origins are lost, its growth and membership become increasingly apparent from the 13th century and can be traced in detail from the 16th century. Chief among the documents which provide evidence of the Chapel's development and administration are the two surviving Cheque Books, preserved in the Archive of the Chapel Royal at St James's Palace. These cover a period from Queen Elizabeth I to Queen Victoria (with a few additional later entries). The "Old" Cheque Book has been widely used by scholars since an edition was published by Edward F. Rimbault in 1872.


Handel and the English Chapel Royal

Handel and the English Chapel Royal

Author: Donald Burrows

Publisher: Oxford University Press, USA

Published: 2005

Total Pages: 680

ISBN-13: 0198162286

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This study of Handel's English church music covers well-known works such as 'Zadok the Priest', but also introduces his Chapel Royal music, the result of a close but changing relationship with Britain's Hanoverian royal family. The story of the political background is complemented by an investigation of the circumstances of Handel's performances.


The Choral Foundation of the Chapel Royal, Dublin Castle

The Choral Foundation of the Chapel Royal, Dublin Castle

Author: David Michael O'Shea

Publisher: Boydell & Brewer

Published: 2023-05-23

Total Pages: 307

ISBN-13: 178327770X

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The first investigation into the choral foundation of the Chapel Royal, Dublin Castle. The Chapel Royal, Dublin Castle, was the place of worship of the British monarch's representative in Ireland from 1814 until the inception of the Irish Free State in 1922. It was founded and maintained by the joint efforts of church and state, and thus its history provides valuable insights into how the relationship between religion and politics shaped Irish society and identity. The Dublin Chapel was established in imitation of the Chapel Royal of St James's Palace, London, and was served by a staff of clergy and musicians. Its musical foundation was a formal and independent entity, with its own personnel and performance traditions. Its distinctive repertoire included music from the English and Irish cathedral traditions, as well as works written by composers associated directly with the Chapel. This study investigates the Chapel's constitution, liturgy and music through an examination of previously unexplored primary material. Discussion of the circumstances of the Chapel's founding and its governance structures situates the institution in the context of the church-state relationship that existed following the Union of 1800. Further, by exploring architecture, churchmanship and musical style, O'Shea demonstrates how the Chapel was part of a wider aesthetic and liturgical tradition. The choral foundation is brought to life with accounts of the Chapel's clergy, organists, boy choristers and gentleman singers, which provide insights into Dublin's social history during a period of significant change. This book reflects on the Dublin Chapel Royal's legacy a century after its closure and offers a new perspective into a forgotten corner of Irish cultural, religious and political history.


The Magnificent Monarch

The Magnificent Monarch

Author: Anna Keay

Publisher: Bloomsbury Publishing

Published: 2008-07-15

Total Pages: 336

ISBN-13: 0826422608

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In the year that the English monarchy was abolished, the Prince of Wales's governor posed the poignant question: what was it that made kings different from their subjects? The answer to him was obvious, and the word that described it was 'ceremony'. From crown wearing in the Middle Ages to the jubilees of modern times the English Monarchy has always used the rituals of majesty to command the affection and loyalty of its subjects. This important and original book is the first to examine properly the ceremonial world of an English sovereign. In an age when the king still healed the sick and took his meals in front of a crowd of spectators, a sovereign's ability to carry off this public role could be as important to his success as his command of the army or management of parliament. Charles II lived through the period of the greatest political change England has ever known, witnessing revolution, regicide and restoration. At just 16 he was cast into exile. A poor relation at the court of the young Louis XIV and then the creature of Philip IV of Spain, he knew what it was to wrestle for recognition. This was his apprenticeship. With The Restoration Charles brought the lessons of exile home. The country was soon rocked by plague and fire, and his brother's conversion to Catholicism would bring it once again to the brink of civil war. In the crisis that developed Charles used the rituals of royalty to help save the very institution of hereditary monarchy. Using a huge range of unpublished primary material, and painting a vivid and detailed picture of the daily life of one of England's most charismatic monarchs, Anna Keay's brilliant 'ritual biography' radically reappraises Charles II as The Magnificent Monarch.


The World of William Byrd

The World of William Byrd

Author: John Harley

Publisher: Ashgate Publishing, Ltd.

Published: 2010

Total Pages: 347

ISBN-13: 1409409333

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In The World of William Byrd John Harley builds on his previous work, William Byrd: Gentleman of the Chapel Royal (Ashgate, 1997), in order to place the composer more clearly in his social context. He provides new information about Byrd's youthful musical training, and reveals how in his adult life his music emerged from a series of overlapping family, business and social networks. These networks and Byrd's navigation within and between them are examined, as are the lives of a number of the individuals comprising them.