Fifteenth-Century Carthusian Reform: The World of Nicholas Kempf

Fifteenth-Century Carthusian Reform: The World of Nicholas Kempf

Author: Dennis D. Martin

Publisher: BRILL

Published: 2021-11

Total Pages: 432

ISBN-13: 9004477918

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Fifteenth-Century Carthusian Reform argues that monastic theology offers a medieval Catholic paradigm distinct from the scholastic theology that has been the conventional source for medieval-oriented interpretations of Renaissance and Reformation. It is based on thorough study of the manuscript record. Nicholas Kempf (ca. 1415-1497) taught at the University of Vienna before becoming the head of Carthusian monasteries in rural Austria and Slovenia. Faced with calls for reform in church and society, he placed his confidence in the patristic Christian idea of reform: the reform of the image of God in the human person. This contemplative monastic idea of reform depended on authoritative structures, especially the monastic rule and rational -- yet divinely inspired -- discernment by a spiritual director. What seemed like simpleminded submission to monastic structures was actually a way to avoid relying on human effort for salvation. By returning to one's true self (the image of God), one opened oneself up for genuine social relationships. To activist reformers, whether adherents of medieval scholasticism, Renaissance humanism, or modern Enlightenment, this monastic idea of reform has seemed escapist, backward-looking, and "womanish." Monks accepted these labels but read them as signs of hidden strength. This book attempts to read through monastic lenses.


Contemplation and Philosophy: Scholastic and Mystical Modes of Medieval Philosophical Thought

Contemplation and Philosophy: Scholastic and Mystical Modes of Medieval Philosophical Thought

Author:

Publisher: BRILL

Published: 2018-08-07

Total Pages: 829

ISBN-13: 9004379290

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This volume collects essays which are thematically connected through the work of Kent Emery Jr., to whom the volume is dedicated. A main focus lies on the attempts to bridge the gap between mysticism and a systematic approach to medieval philosophical thought. The essays address a wide range of topics concerning (a) the nature of the human soul (in philosophical and theological discourse); (b) medieval theories of cognition (natural and supernatural), self-knowledge and knowledge of God; (c) the human soul’s contemplation of, and union with, God; (d) the tradition of “the modes of theology” in the Middle Ages; (e) the relation between philosophy and theology. Various articles are dedicated to major figures of the 13th and 14th century philosophy, others display new material based on critical editions. Contributors are Jan A. Aertsen, Stephen Brown, Bernardo Carlos Bazán, William J. Courtenay, Alfredo Santiago Culleton, Silvia Donati, Bernd Goehring, Guy Guldentops, Daniel Hobbins, Roberto Hofmeister Pich, Georgi Kapriev, Steven P. Marrone, Stephen M. Metzger, Timothy B. Noone, Mikolaj Olszewski, Alessandro Palazzo, Garrett R. Smith, Andreas Speer, Carlos Steel, Loris Sturlese, Chris Schabel, Christian Trottmann, and Gordon A. Wilson.


"Agency, Visuality and Society at the Chartreuse de Champmol "

Author: SherryC.M. Lindquist

Publisher: Routledge

Published: 2017-07-05

Total Pages: 237

ISBN-13: 1351577239

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Grounded in archival sources, this interdisciplinary study explores the profound historical significance of the mausoleum of the Valois Dukes of Burgundy - the Chartreuse de Champmol. Although the monument is well known as the site of pivotal works of art by Claus Sluter, Melchior Broederlam, Jean de Beaumetz and others, until now art historians have not considered how these works functioned at the center of a complex social matrix. Sherry Lindquist here considers the sacred subjects of the various sculptures and paintings not merely as devotional tools or theological statements, but as profoundly influential social instruments that negotiated complex interactions of power. Lindquist's sophisticated discussion coordinates analysis of primary sources with the most up-to-date scholarship in the field of art history, not only with respect to late medieval Burgundian art, but also to more theoretical questions pertaining to reception.