B's magical adventures will cast a S-P-E-L-L on middle-grade readers in this funny, fast-paced series!B's favorite band, the Black Cats, is coming to town, and B and her best friend George have tickets to the show! Meanwhile, the two friends meet a mysterious new girl at school. Trina is shy and secretive ... could she be a witch, just like B? And maybe even ... a S-T-A-R?
B will cast a S-P-E-L-L on readers!Eleven-year-old Beatrix just wants to be able to cast spells the way all the other witches can. But when B discovers that magic happens when she spells out a word, the C-H-A-O-S begins!
Beatrix is back with more magical adventures -- this series spells F-U-N!The TV talent show "You've Got It!" is coming to B's school to find new stars! B's older sister Dawn has the perfect act -- a dance routine that's sure to steal the show. But when sneaky Jason Jameson gets his eye on the prize, nothing can stand in his way . . . except a little magical S-I-S-T-E-R act!This sweet and funny series is perfect for readers who love mystery and magic!
B will cast a S-P-E-L-L on middle-grade readers in this funny, fast-paced series!Eleven year-old Beatrix, B for short, is a witch with a quirky talent. When she spells out words, magic spells take shape!B's dad's job at Enchanted Chocolates has always been a great thing -- who doesn't like free candy and special tours of a chocolate factory? But when something goes wrong with the new batch of treats, there's nothing sweet about it! Everyone seems to be losing their magic touch -- can B whip up a solution, or could this spell the E-N-D of witches?
Yes, it's a massive book of Harry Potter trivia. So what, you ask? There are dozens of them. Well, this book is also a flexible board-less table top game that you can play anywhere with any number of people. Playing with Muggles? No problem! The game easily adapts to players with varying levels of expertise. Each question is assigned a point value and optional multiple choice answers are provided. Questions are drawn from the books, the movies, and the Pottermore website and range in difficulty from Muggle simplicity to post-N.E.W.T. level. NOTE: This book is an unofficial collection of trivia. It is in no way formally endorsed by or affiliated with the magnificent J.K. Rowling or her business associates. It is primarily intended for those who have already consumed every shred of available information about the Potterverse and want to wallow in their utter geekiness.
An enchanting new series about an eleven-year-old witch, Beatrix, will cast a S-P-E-L-L on readers!Eleven-year-old Beatrix is thrilled -- she can finally cast spells just like the rest of her family. When her non-magical best friend George finds out her secret, however, the result is T-R-O-U-B-L-E!
“The most original and probably the most important writer on Magick since Aleister Crowley."—Robert Anton Wilson, author of the Prometheus Rising and other works Peter Carroll’s classic work has been profound influence on the Western magical world and on the practice of chaos magick in particular. In Liber Null and Psychonaut, Carroll presents an approach to the practice of magic that draws on the foundations of shamanism and animism, as well as that found in the Greek magical papyri, the occult works of Eliphas Levi and Aleister Crowley, and the esoteric meditative practices of classical India and China. Also very much at work in the text are 20th century scientific ideas of quantum physics and chaos theory. The result is a profoundly original work of magical studies that also includes a selection of extremely powerful rituals and exercises for committed occultists with instructions that lead the reader through new concepts and practices to achieve Carroll’s definition of magic itself: the raising of the whole individual in perfect balance to the power of infinity. This Weiser Classics edition is a thoroughly revised republication of Liber Null and Psychonaut, first published by Weiser in 1987, and includes a new foreword by Ronald Hutton, a leading authority on modern witchcraft and paganism.
Climate Change, Ecological Catastrophe, and the Contemporary Novel responds to the critical need for transdisciplinary research on the relationship between colonialism and catastrophe. It represents the first sustained analysis of the connection between colonial legacy and present-day ecological catastrophe in postcolonial fiction. Analyzing contemporary South Asian and South Pacific novels that grapple with climate change and catastrophe, environmental exploitation and instability, and human-nonhuman relationships in degraded environments, it offers a much-needed corrective to dominant narratives about climate, crisis, and the everyday. Highlighting the contributions of literary fiction from the postcolonial South to the growing field of the environmental humanities, this book reconsiders the novel’s relationship with climate change and the contemporary environmental imaginary. Counter to dominant current theoretical discourses, it demonstrates that the novel form is ideally suited to literary and imaginative engagements with climate change and ecological catastrophe. The six case studies it examines connect contemporary ecological vulnerability to colonial legacies, reveal the critical role animals and the environment play in literary imaginations of post-catastrophe recovery, and together constellate a decolonial perspective on ecological catastrophe in the era of climate change. Drawing on the work of Indigenous authors and scholars who write about and against the Anthropocene, this book displaces conventional ways of thinking about the relationship between the mundane and the catastrophic and promotes greater dialogue between the largely siloed fields of postcolonial, Indigenous, and disaster studies.
In each case, Holderlin is examined as the occasion for salvaging that legacy after, from, and in view of the catastrophe. This first full-length study of Holderlin's postwar reception will be of interest to students and scholars working in the fields of German literature, European philosophy, the politics of cultural memory, and critical theory."--BOOK JACKET.
