Tragedy nearly befalls a dismal Yugoslavian foundry town when Egon, romance writer extraordinaire and tireless bon vivant, discovers he'ss used up his Cartier perfume. A man will do anything for his perfume, even if it means cheating a young Gypsy girl of her Playboy, blackmailing a lascivious preacher, publishing an atrocious poet, and conspiring with a band of uncouth cowboys.
“A dynamic group biography studded with design history and high-society dash . . . [This] elegantly wrought narrative bears the Cartier hallmark.”—The Economist The “astounding” (André Leon Talley) story of the family behind the Cartier empire and the three brothers who turned their grandfather’s humble Parisian jewelry store into a global luxury icon—as told by a great-granddaughter with exclusive access to long-lost family archives “Ms. Cartier Brickell has done her grandfather proud.”—The Wall Street Journal The Cartiers is the revealing tale of a jewelry dynasty—four generations, from revolutionary France to the 1970s. At its heart are the three Cartier brothers whose motto was “Never copy, only create” and who made their family firm internationally famous in the early days of the twentieth century, thanks to their unique and complementary talents: Louis, the visionary designer who created the first men’s wristwatch to help an aviator friend tell the time without taking his hands off the controls of his flying machine; Pierre, the master dealmaker who bought the New York headquarters on Fifth Avenue for a double-stranded natural pearl necklace; and Jacques, the globe-trotting gemstone expert whose travels to India gave Cartier access to the world’s best rubies, emeralds, and sapphires, inspiring the celebrated Tutti Frutti jewelry. Francesca Cartier Brickell, whose great-grandfather was the youngest of the brothers, has traveled the world researching her family’s history, tracking down those connected with her ancestors and discovering long-lost pieces of the puzzle along the way. Now she reveals never-before-told dramas, romances, intrigues, betrayals, and more. The Cartiers also offers a behind-the-scenes look at the firm’s most iconic jewelry—the notoriously cursed Hope Diamond, the Romanov emeralds, the classic panther pieces—and the long line of stars from the worlds of fashion, film, and royalty who wore them, from Indian maharajas and Russian grand duchesses to Wallis Simpson, Coco Chanel, and Elizabeth Taylor. Published in the two-hundredth anniversary year of the birth of the dynasty’s founder, Louis-François Cartier, this book is a magnificent, definitive, epic social history shown through the deeply personal lens of one legendary family.
Cartier in Motion' unravels the unique story of Cartier?s approach to watchmaking and design. Curated by Lord Norman Foster, the book explores the creativity of Cartier. Whilst telling the story of Cartier watchmaking and the invention of the modern wristwatch, Cartier in Motion explores the change in society at the turn of the 20th century. Amidst upheavals in art, architecture, travel and lifestyles, the traces of a new world could be seen.0.
Lightness, transparency, simplicity, and communion with nature are Japanese architect Junya Ishigami's watchwords. In his architectural masterworks, which he compares to landscapes, he eliminates the boundaries between exterior and interior space. For the Fondation Cartier pour l'art contemporain, Junya Ishigami designed an exhibition that reveals, on an unprecedented scale, his latest research into freedom, fluidity, and the future of architecture. On the occasion of this exhibition, presented from March 30 to September 9, 2018, the Fondation Cartier will publish a book retracing the genesis of the project, including mixed photographs, drawings, models, and all the poetry inherent to Ishigami's work.
This large coffee table book, about Cartier watches, should be seen as an addition to the collection of excellent books about Cartier, already on the market. Most of these excellent books give an overview of the history of 'La Maison', combined with photographs of watches, jewels tiaras and the famous people that wore those items. 'The 'Gentleman's Files' narrows this down to just men's watches, highlighting the period between 1985 and 2018. It was then that Cartier, for the first time, concentrated on a large range of men's models, from simple time-only models to highly complicated timepieces, often with visually strong ties to their designs from very early years. The watches described in the 'Gentleman's files' are my personal choice and just a selection of what Cartier released in that period. While form and function were united in harmony by 'La Maison' in these creations, it is their unique style that set them apart from any other brand. To do justice to this, the setup of this book is not chronological or aimed to provide you with every single detail of the watches shown, but rather to highlight their style in a unique way. It will, therefore, serve as a visual memento to some of the most stylish and tantalizing watch designs ever created.
Reclaiming public life from the ideologies of both communist regimes and neoliberalism, their projects have harnessed the politically subversive potential of social relations based on trust, reciprocity and solidarity. Drawing on archival material and exclusive interviews, in this book Izabel Galliera traces the development of socially engaged art from the early 1990s to the present in Bulgaria, Hungary and Romania. She demonstrates that, in the early 1990s, projects were primarily created for exhibitions organized and funded by the Soros Centers for Contemporary Art. In the early 2000s, prior to Bulgaria, Hungary and Romania entering into the European Union, EU institutions likewise funded socially-conscious public art in the region. Today, socially engaged art is characterised by the proliferation of independent and often self-funded artists' initiatives in cities such as Sofia, Bucharest and Budapest.Focusing on the relationships between art, social capital and civil society, Galliera employs sociological and political theories to reveal that, while social capital is generally considered a mechanism of exclusion in the West, in post-socialist contexts it has been leveraged by artists and curators as a vital means of communication and action.
From the Gothic to the contemporary, glass has transformed the structural, formal and philosophical principles of artchitecture. In The Glass State, Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1988 as part of Francois Mitterand's program of Grands Projets. The Grands Projets provide a rare opportunity to study a finite set of buidings constructed of similar materials, in the same time period, in a specific urban landscape, and with related ideological missions.
