The Capitalization of Cultural Production
Author: Bernard Miège
Publisher:
Published: 1989
Total Pages: 180
ISBN-13:
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Making Capital from Culture
Author: Bill Ryan
Publisher: Walter de Gruyter
Published: 2010-11-05
Total Pages: 305
ISBN-13: 3110847183
DOWNLOAD EBOOKMaking Capital From Culture: Corporate Form Of Capitalist Cultural Production (De Gruyter Studies In Organization).
Theorizing Communication
Author: Dan Schiller
Publisher: Oxford University Press
Published: 1996-10-24
Total Pages: 296
ISBN-13: 0195356284
DOWNLOAD EBOOKThis book offers the first detailed intellectual history of communication study, from its beginnings in late nineteenth-century critiques of corporate capitalism and the burgeoning American wireline communications industry, to contemporary information theory and poststructuralist accounts of communicative activity. Schiller identifies a problematic split between manual and intellectual labor that outlasts each of the field's major conceptual departures, and from this vital perspective builds a rigorous critical survey of work aiming to understand the nexus of media, ideology, and information in a society. Looking closely at the thought of John Dewey, C. Wright Mills, Raymond Williams, Stuart Hall, Daniel Bell, and others, Schiller carefully maps the transformation of ideas about communication and culture as issues of corporate power, mass persuasion, cultural imperialism, and information expansion succeed one another in prominence. Bringing his analysis of communication theory into the present, Schiller concludes by limning a unitary model of society's cultural/informational production, one that broadens the concept of "labor" to include all forms of human self-activity. Powerful, challenging, and original, Theorizing Communication: A History offers a brilliantly constructed overview of the history of communication study, and will interest scholars working in the field as well as those working in critical theory, cultural studies, and twentieth-century intellectual history.
Rethinking Cultural Policy
Author: Jim McGuigan
Publisher: McGraw-Hill Education (UK)
Published: 2004-03-16
Total Pages: 192
ISBN-13: 0335226426
DOWNLOAD EBOOK“a fascinating, thorough and expertly argued discussion of the modes and practices of cultural policy in an increasingly globalized and neoliberal world.” European Journal of Communication Rethinking Cultural Policy addresses issues concerning culture, economy and power in the age of new-liberal globalization. It examines how public cultural policies have been rationalized in the past and how they are being rethought. Arguing that the study of culture and policy should not be confined to prevailing governmental agendas, the book offers a distinctive and independent analysis of cultural policy. The book examines a wide range of issues in cultural policy and blends a close reading of key theories with case studies. Topics covered include: Branding culture and exploitation The state, market and civil society How visitor attractions such as London's Millennium Dome are used for national aggrandizement and corporate business purposes Cultural development, diversity and ecological tourism in poorer parts of the world This is the ideal introduction to contemporary cultural policy for undergraduate students in culture and media studies, sociology of culture, politics, arts administration and cultural management courses, as well as postgraduates and researchers.
Corporations and Cultural Industries
Author: Scott W. Fitzgerald
Publisher: Lexington Books
Published: 2012
Total Pages: 473
ISBN-13: 0739144030
DOWNLOAD EBOOKCorporations and Cultural Industries: Time Warner, Bertelsmann, and News Corporation, by Scott Warren Fitzgerald, provides an introduction to the political economy of international media corporations. This text fills a fundamental gap in the critical media studies field, expanding on the relative paucity of academic studies. To ground the discussion, Fitzgerald focuses on the growth of three specific media conglomerates: Time Warner, Bertelsmann and News Corporation. Adopting an approach rooted in critical political economy, the book explains the corporations' growth through an engagement with broader social theories: the wider conditions of capital accumulation (especially theories of corporate competition and financialization); issues of institutional logic and corporate strategies; and the role of states as regulators, mediators of opposed interests, and facilitators of corporate expansion. The first section presents debates in social theory, addressing issues that pertain to cultural industries and dimensions in which they both challenge and extend these wider social theories. The second section presents detailed case studies of the three contemporary media 'mega companies' across the range of operations they coordinate, both within and outside the cultural industries. By analyzing the specifics and complexities of different media industries, Corporations and Cultural Industries examines how financialization processes re-gear the internal operations of media corporations in a manner that pits one sector against another. This book provides an in-depth study that can be used as stand-alone teaching resources or as a valuable supplement to a variety of media courses.
From the Margins to the Centre
Author: O'Connor
Publisher:
Published: 1996
Total Pages: 274
ISBN-13: 9781857423327
DOWNLOAD EBOOKWestern Dualism and the Regulation of Cultural Production
Author: Fiona MacMillan
Publisher: BRILL
Published: 2021-08-16
Total Pages: 122
ISBN-13: 9004472525
DOWNLOAD EBOOKThis work examines the dualistic thinking that characterizes the legal regimes governing creativity and cultural production. It reflects on the problem of regulating creativity and cultural production according to Western thought systems in a world that is not only Western.
From the Margins to the Centre
Author: Justin O'Connor
Publisher: Taylor & Francis
Published: 2017-07-05
Total Pages: 283
ISBN-13: 135193533X
DOWNLOAD EBOOKEach of the chapters in this volume derives from recently conducted research grounded in an attempt to examine some of the issues posed in what can be described as postmodernist theorising on the nature of the contemporary city. Implicit in the very conception of the book, and running through each of the contributions, is the view that contemporary popular culture is crucial to the understanding of the transformations to which we refer, and that the investigation of this popular culture needs to move beyond the parameters of cultural studies to include sociological, political and economic analyses. In addition to students of popular cultural studies, the book will be of interest to all those studying sociology, urban studies and cultural studies, as well as those with a desire to have contemporary social theorising more firmly located in empirical investigation.
The Culture Industry, Information and Capitalism
Author: C. Bolaño
Publisher: Springer
Published: 2015-04-28
Total Pages: 409
ISBN-13: 1137480777
DOWNLOAD EBOOKDrawing on Marxist theory and concepts, as well as on various theoretical contributions developed by prominent political economists, Bolaño develops a unique approach to understanding the culture industry, offering an interesting intervention in debates surrounding media and communication.
Creative Tools and the Softwarization of Cultural Production
Author: Frédérik Lesage
Publisher: Springer Nature
Published: 2024-01-17
Total Pages: 278
ISBN-13: 3031456939
DOWNLOAD EBOOKThis book explores how creativity is increasingly designed, marketed, and produced with digital products and services — a process referred to as softwarization. If ‘being creative’ has developed into one of the paradigmatic architectures of power for framing the contemporary subject, then an essential component of this architecture involves its material and symbolic configuration through tools. From image editors to digital audio workstations, video editors to game engines, these modern tools are used by creatives every day, and mastering these increasingly complex technologies is now a near-compulsory pathway to creative work. Despite their ubiquity in cultural production, few have sought to theorize them in aggregate and with interdisciplinary breadth. By bringing disparate creative and methodological traditions in one volume, this book provides a comprehensive overview of approaches for understanding this complex, emerging, and dynamic field that speaks beyond the disciplinary categories of ‘tool,’ ‘instrument,’ and/or ‘software’. It makes a unique intervention in the fields of cultural production and the cultural and creative industries.
