A disarmingly involving portrait of a family struggling to stay together through the Great Depression, The Cape Ann is an unforgettable story of life from a child’s-eye view. Lark Erhardt, the six-year-old narrator of The Cape Ann, and her fiercely independent mother dream of owning their own house; they have their hearts set on the Cape Ann, chosen from a house catalog. But when Lark’s father’s gambling threatens the down payment her mother has worked so hard to save, Lark’s mother takes matters into her own indomitable hands.
NOW A MAJOR MOVIE STARRING KEVIN KLINE AND SIGOURNEY WEAVER LONGLISTED FOR THE IMPAC DUBLIN LITERARY AWARD 2014 _______________________________________ Hildy Good has reached that dangerous time in a woman's life - middle-aged and divorced, she is an oddity in her small but privileged town. But Hildy isn't one for self-pity and instead meets the world with a wry smile, a dark wit and a glass or two of Pinot Noir. When her two earnest grown-up children stage an 'intervention' and pack Hildy off to an addiction centre, she thinks all this fuss is ridiculous. After all, why shouldn't she enjoy a drink now and then? But we start to see another side to Hildy Good, and to her life's greatest passion. Soon, a cluster of secrets become dangerously entwined, with devastating consequences...
The book is divided into two parts: Part I consists of 6 chapters dealing with physical geology using Cape Ann as the example. Part II consists of 10 chapters describing the geology at 10 localities on Cape Ann. The intended audience includes the lay person, geology students, and professional geologists.
A month after the United States enters World War II, the country is in upheaval and so is the Erhardt family. Nine-year-old Lark, her mother Arlene, and Aunt Betty are heading for San Diego, far away from Harvester, Minnesota and Arlene s shiftless husband. In the booming wartime economy, Arlene and Betty are soon at work, leaving Lark alone to explore their new neighborhood, a wartime housing project full of others with similarly uprooted lives. Away from prying eyes and small town expectations, the two women begin to forge new lives and new dreams dreams that Lark isn t always comfortable with. This richly detailed novel, told through Lark s observant eyes, reflects the era s tumultuous events in the everyday dramas of its memorable, finely nuanced characters."
Malice and mayhem simmer beneath the surface of one of America's favorite vacation areas. “Youthful alienation and despair dominate the 13 stories in Akashic’s noir volume devoted to Cape Cod. [It] will satisfy those with a hankering for a taste of the dark side.” —Publishers Weekly “David L. Ulin has put together a malicious collection of short stories that will stay with you long after you return home safe.” —The Cult: The Official Chuck Palahniuk Website Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book. Brand-new stories by: William Hastings, Elyssa East, Dana Cameron, Paul Tremblay, Adam Mansbach, Seth Greenland, Lizzie Skurnick, David L. Ulin, Kaylie Jones, Fred G. Leebron, Ben Greenman, Dave Zeltserman, and Jedediah Berry. From the introduction by David L. Ulin: “Here, we see the inverse of the Cape Cod stereotype, with its sailboats and its presidents. Here, we see the flip side of the Kennedys, of all those preppies in docksiders eating steamers, of the whale watchers and bicycles and kites. Here, we see the Cape beneath the surface, the Cape after the summer people have gone home. It doesn’t make the other Cape any less real, but it does suggest a symbiosis, in which our sense of the place can’t help but become more complicated, less about vacation living than something more nuanced and profound . . . "For me, Cape Cod is a repository of memory: forty summers in the same house will do that to you. But it is also a landscape of hidden tensions, which rise up when we least anticipate. In part, this has to do with social aspiration, which is one of the things that brought my family, like many others, to the Cape. In part, it has to do with social division, which has been a factor since at least the end of the nineteenth century, when then summer trade began. There are lines here, lines that get crossed and lines that never get crossed, the kinds of lines that form the web of noir. Call it what you want—summer and smoke is how I think of it—but that’s the Cape Cod at the center of this book.“
“An excellent novel. A lovely and moving portrait of society’s outcasts…affirms the essential humanity of its poor and stubborn residents, for whom each day of survival is a victory” (The New York Times Book Review). Set on the high ground at the heart of Cape Ann, the village of Dogtown is peopled by widows, orphans, spinsters, scoundrels, whores, free Africans, and “witches.” Among the inhabitants of this hamlet are Black Ruth, who dresses as a man and works as a stonemason; Mrs. Stanley, an imperious madam whose grandson, Sammy, comes of age in her brothel; Oliver Younger, who survives a miserable childhood at the hands of his aunt; and Cornelius Finson, a freed slave. At the center of it all is Judy Rhines, a fiercely independent soul, deeply lonely, who nonetheless builds a life for herself against all imaginable odds. Rendered in stunning, haunting detail, with Anita Diamant’s keen ear for language and profound compassion for her characters, The Last Days of Dogtown is an extraordinary retelling of a long-forgotten chapter of early American life.
