Spaces and Places for Art
Spaces and Places for Art

Author: Anne Whitelaw

Publisher: McGill-Queen's Press - MQUP

Published: 2017-04-01

Total Pages:

ISBN-13: 0773550674

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When the Edmonton Museum of Arts opened in 1924 it was only the second art gallery in Canada west of Toronto. Spaces and Places for Art tells the story of the financial and ideological struggles that community groups and artist societies in booming frontier cities and towns faced in establishing spaces for the cultivation of artistic taste. Mapping the development of art institutions in western Canada from the founding of the Winnipeg Art Gallery in 1912 to the 1990s heyday of art museums in Manitoba, Saskatchewan, Alberta, and British Columbia, Anne Whitelaw provides a glimpse into the production, circulation, and consumption of art in Canada throughout the twentieth century. Initially dependent on paintings loaned from the National Gallery of Canada, art galleries across the western part of the country gradually built their own collections and exhibitions and formed organizations that made them less reliant on institutions and government agencies in Ottawa. Tracing the impact of major national arts initiatives such as the Massey Commission, the funding programs of the Canada Council, and the policies of the National Museums Corporation, Whitelaw sheds light on the complex relationships between western Canada and Ottawa surrounding art. Building on extensive archival research and in-depth analysis of government involvement, Spaces and Places for Art is an invaluable explanation of the roles of cultural institutions and cultural policy in the emergence of artistic practice in Canada.

Canadian Reference Sources
Canadian Reference Sources

Author: Mary E. Bond

Publisher: UBC Press

Published: 1996

Total Pages: 1102

ISBN-13: 9780774805650

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In parallel columns of French and English, lists over 4,000 reference works and books on history and the humanities, breaking down the large divisions by subject, genre, type of document, and province or territory. Includes titles of national, provincial, territorial, or regional interest in every subject area when available. The entries describe the core focus of the book, its range of interest, scholarly paraphernalia, and any editions in the other Canadian language. The humanities headings are arts, language and linguistics, literature, performing arts, philosophy, and religion. Indexed by name, title, and French and English subject. Annotation copyrighted by Book News, Inc., Portland, OR

Rethinking Professionalism
Rethinking Professionalism

Author: Kristina Huneault

Publisher: McGill-Queen's Press - MQUP

Published: 2012-04-11

Total Pages: 472

ISBN-13: 0773586830

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The history of women and art in Canada has often been celebrated as a story of progress from amateur to professional practice. Rethinking Professionalism challenges this narrative by questioning the assumptions that underlie the category of artistic professionalism, a construct as influential for artistic practice as it has been for art historical understanding. Through a series of in-depth studies, contributors examine changes to the infrastructure of the art world that resulted from a powerful discourse of professionalization that emerged in the late- nineteenth century. While many women embraced this new model, others fell by the wayside, barred from professional status by virtue of their class, their ethnicity, or the very nature of the artworks they produced. The richly illustrated essays in this collection depict the changing nature of the professional paradigm as it was experienced by women painters, photographers, craftspeople, architects, curators, gallery directors, and art teachers. In so doing, they demonstrate the ongoing power of feminist art history to disrupt patterns of thought that have become naturalized and, accordingly, invisible. Going beyond the narratives of recovery or exclusion that the category of professionalism has traditionally encouraged, Rethinking Professionalism explores the very consequences of telling the history of women's art in Canada through that lens. Contributors include Annmarie Adams (McGill University), Alena Buis (Queen's University), Sherry Farrell Racette (University of Manitoba), Cynthia Hammond (Concordia University), Kristina Huneault (Concordia University), Loren Lerner (Concordia University), Lianne McTavish (University of Alberta), Kirk Niergarth (Mount Royal University), Mary O'Connor (McMaster University), Sandra Paikowsky (Concordia University), Ruth B. Phillips (Carleton University), Jennifer Salahub (Alberta College of Art & Design), and Anne Whitelaw (Concordia University).

Light for a Cold Land
Light for a Cold Land

Author: Peter Larisey

Publisher: Dundurn

Published: 1993-01-10

Total Pages: 281

ISBN-13: 1459720431

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Lawren Stewart Harris' artistic career began in the first decade of our century. Well known for the nationalist-inspired landscapes that he painted between 1908 and 1932, Harris turned resolutely in 1934 to the painting of abstractions. He continued to create works that reflected his own modernist and mystical developments until the end of his life. Canadians praise Harris' landscapes and admire him as a planner of innovative and heroic-sounding sketching trips into the North. He is also recognized as the chief organizer of the Group of Seven. A long list of younger artists he considered creative greatly benefited from Harris' encouragement and often generous, practical help; many of them have been interviewed for this book. In the lives of some Canadians harris still functions as a gurulike guide – a role he was quite content to take on during his own lifetime – because of the spiritual content of his art and aesthetic writings and the example of his optimistic, vigorous and apparently untroubled life. But Harris' was not an untroubled life, and Light for a Cold Land examines his personal crises and difficulties, some of which caused important changes in his art. The book also uncovers the painting styles, artistic tensions and cultural dynamics of the German milieu in which Harris received his only formal art education. His student years in Berlin profoundly influenced not only his art but also his artistic politics and his philosophy. It is ironic that in the art of this most articulate of Canadian nationalist painters, there are extensive German influences. Light for a Cold Land is the first art-historical study of Lawren Harris that attempts to explore his life and all aspects of his career. It is based on extensive work in archives, libraries, public art galleries and private collections in Canada, as well as research in Germany and interviews with members of Harris' family and many of his friends, acquaintances, colleagues and critics.

Art Et Architecture Au Canada
Art Et Architecture Au Canada

Author: Loren Ruth Lerner

Publisher: University of Toronto Press

Published: 1991-01-01

Total Pages: 1646

ISBN-13: 9780802058560

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Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.