"The Camera Fiend" by E. W. Hornung. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
'The Camera Fiend' is a novel about Pocket Upton, an asthmatic 17-year-old, who while one day was heading for a routine doctor's visit in London, ends up having to stay overnight at a park. But when he wakes from his slumber the following morning, he is greeted not only by the morning sun—but also a dead body and a loaded gun.
A classic account of the prehistory and early years of cinema in Britain. This new paperback edition provides a fascinating account of the rich and hitherto hidden history of the origins of film.
Within the ephemera of the everyday--old photographs, circus posters, iron toys--lies a challenge to America's dominant cultural memory. What this memory has left behind, Bill Brown recovers in the "material unconscious" of Stephen Crane's work, the textual residues of daily sensations that add up to a new history of the American 1890s. As revealed in Crane's disavowing appropriation of an emerging mass culture--from football games and freak shows to roller coasters and early cinema--the decade reappears as an underexposed moment in the genealogy of modernism and modernity. Brown's story begins on the Jersey Shore, in Asbury Park, where Crane became a writer in the shadow of his father, a grimly serious Methodist minister who vilified the popular amusements his son adored. The coastal resorts became the stage for debates about technology, about the body's visibility, about a black service class and the new mass access to leisure. From this snapshot of a recreational scene that would continue to inspire Crane's sensational modernism, Brown takes us to New York's Bowery. There, in the visual culture established by dime museums, minstrel shows, and the Kodak craze, he exhibits Crane dramatically obscuring the typology of race. Along the way, Brown demonstrates how attitudes toward play transformed the image of war, the idea of childhood and nationhood, and the concept of culture itself. And by developing a new conceptual apparatus (with such notions as "recreational time," "abstract leisure," and the "amusement/knowledge system"), he provides the groundwork for a new politics of pleasure. A crucial theorization of how cultural studies can and should proceed, The Material Unconscious insists that in the very conjuncture of canonical literature and mass culture, we can best understand how proliferating and competing economies of play disrupt the so-called "logic" and "work" of culture.
This early work by Ernest William Hornung was originally published in 1911 and we are now republishing it with a brand new introductory biography. 'The Camera Fiend' is a novel about a young man who travels to London to see a doctor for his asthma but while there becomes involved in a spot of trouble with unexpected consequences. Ernest William Hornung was born in Middlesbrough, England in 1866. After working briefly as a journalist, and publishing a series of poems in The Times, Hornung created the character for which he is best-remembered: A. J. Raffles, a "gentleman thief" plying his trade in Victorian London.
