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Author: Anthony R. DelDonna
Publisher: Cambridge University Press
Published: 2009-06-25
Total Pages: 343
ISBN-13: 0521873584
DOWNLOAD EBOOKThe perfect accompaniment to courses on eighteenth-century opera for both students and teachers, this Companion is a definitive reference resource.
Author: Mervyn Cooke
Publisher: Cambridge University Press
Published: 2005-12-08
Total Pages: 430
ISBN-13: 9780521780094
DOWNLOAD EBOOKThis Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and practitioners. Beginning with a discussion of the century's vital inheritance from late-romantic operatic traditions in Germany and Italy, the text embraces fresh investigations into various aspects of the genre in the modern age, with a comprehensive coverage of the work of individual composers from Debussy and Schoenberg to John Adams and Harrison Birtwistle. Traditional stylistic categorizations (including symbolism, expressionism, neo-classicism and minimalism) are reassessed from new critical perspectives, and the distinctive operatic traditions of Continental and Eastern Europe, Russia and the Soviet Union, the United Kingdom and United States are subjected to fresh scrutiny. The volume includes essays devoted to avant-garde music theatre, operettas and musicals, filmed opera, and ends with a discussion of the position of the genre in today's cultural marketplace.
Author: David Charlton
Publisher: Cambridge University Press
Published: 2003-09-04
Total Pages: 524
ISBN-13: 1139825895
DOWNLOAD EBOOKThis 2003 Companion is a fascinating and accessible exploration of the world of grand opera. Through this volume a team of scholars and writers on opera examine those important Romantic operas which embraced the Shakespearean sweep of tragedy, history, love in time of conflict, and the struggle for national self-determination. Rival nations, rival religions and violent resolutions are common elements, with various social or political groups represented in the form of operatic choruses. The book traces the origins and development of a style created during an increasingly technical age, which exploited the world-renowned skills of Parisian stage-designers, artists, and dancers as well as singers. It analyses in detail the grand operas by Rossini, Auber, Meyerbeer and Halévy, discusses grand opera in Russia and Germany, and also in the Czech lands, Italy, Britain and the Americas. The volume also includes an essay by the renowned opera director David Pountney.
Author: Nicholas Till
Publisher: Cambridge University Press
Published: 2012-10-18
Total Pages: 365
ISBN-13: 0521855616
DOWNLOAD EBOOKThe first comprehensive attempt to map the current field of opera studies by leading scholars in the discipline.
Author: Anthony DelDonna
Publisher: Ashgate Publishing, Ltd.
Published: 2012
Total Pages: 568
ISBN-13: 140942278X
DOWNLOAD EBOOKAnthony R. DelDonna provides a rich study of operatic culture from 1775-1800. The book demonstrates how contemporary stage traditions, stimulated by the Enlightenment, engaged with and responded to the changing social, political, and artistic contexts of the late eighteenth century in Naples. It focuses on select, yet representative, compositions from different genres of opera that illuminate the diverse contemporary cultural forces shaping these works and underlining the continued innovation and European recognition of operatic culture in Naples.
Author: Simon P. Keefe
Publisher: Cambridge University Press
Published: 2003-05-22
Total Pages: 324
ISBN-13: 9780521001922
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Author: Scott L. Balthazar
Publisher: Cambridge University Press
Published: 2004-11-18
Total Pages: 368
ISBN-13: 9780521635356
DOWNLOAD EBOOKThis Companion provides a biographical, theatrical, and social-cultural background for Verdi's operas, examines in detail important general aspects of its style and method of composing, and synthesizes stylistic themes in discussions of representative works. Aspects of Verdi's milieu, style, creative process, and critical reception are explored in essays by highly reputed specialists. Like others in the series this Companion is aimed primarily at students and opera lovers.
Author: Anastasia Belina
Publisher: Cambridge University Press
Published: 2020
Total Pages: 347
ISBN-13: 1107182166
DOWNLOAD EBOOKA collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.
Author: James Parsons
Publisher: Cambridge University Press
Published: 2004-07
Total Pages: 446
ISBN-13: 9780521804714
DOWNLOAD EBOOKBeginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.
Author: Glenn Stanley
Publisher: Cambridge University Press
Published: 2000-05-11
Total Pages: 268
ISBN-13: 1107494044
DOWNLOAD EBOOKThis Companion, first published in 2000, provides a comprehensive view of Beethoven and his work. The first part of the book presents the composer as a private individual, as a professional, and at the work-place, discussing biographical problems, Beethoven's professional activities when not composing and his methods as a composer. In the heart of the book, individual chapters are devoted to all the major genres cultivated by Beethoven and to the elements of style and structure that cross all genres. The book concludes by looking at the ways that Beethoven and his music have been interpreted by performers, writers on music, and in the arts, literature, and philosophy. The essays in this volume, written by leading Beethoven specialists, maintain traditional emphases in Beethoven studies while incorporating other developments in musicology and theory.
