1945: Victory in the West
1945: Victory in the West

Author: Peter Caddick-Adams

Publisher: Random House

Published: 2022-05-19

Total Pages: 536

ISBN-13: 1529151716

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'Magisterial . . . [a] fine, balanced and superb account. It deserves to be read for many years to come.' TELEGRAPH March 1945. Allied troops are poised to cross the Rhine and sweep on into Germany. Victory is at last within their grasp. But if they believe this victory can be easily won, they face swift disillusionment. The final I00 days of the Second World War will prove to be bitterly and bloodily fought, village by village, town by town. This is the extraordinary and gripping story of those final I00 days. _________________________________________________ 'Superbly written and full of wisdom and deep understanding, this will stand as a defining work on these darkest months of the conflict.' JAMES HOLLAND 'This is the most vivid and detailed narrative of the subject that we are likely to see.' MILITARY HISTORY MAGAZINE 'An impressive work. Lively, informative and comprehensively researched.' CAROLINE MOOREHEAD, SPECTATOR 'An important contribution to military history. A great read and powerful reminder of how the Second World War in Europe was definitely not over until the final surrender.' BBC HISTORY MAGAZINE

Luxury Arts of the Renaissance
Luxury Arts of the Renaissance

Author: Marina Belozerskaya

Publisher: Getty Publications

Published: 2005-10-01

Total Pages: 292

ISBN-13: 0892367857

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Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.