Poetry writing has proven proficient at helping me see what is there to be seen. I will see or hear or reflect on something which then provides an image, a nuance that emerges in a word, a line. The single line and image, written, provides a cadence, a focus of sound and echo that invites a second line, and more. Usually, they come quickly and run until they tell me they are done and the poem is complete. This book draws upon such poems over a pair of sweeps of my history plus a sampling of more current poems that strike me as desirable in this collection. These pieces of my past often recollect for me the occasion but also leave that occasion obscured and allow the poem to do its work of creating an image and a flow in my own mind. The poems, in my experience, write their meaning on my mind. And, I hope, on yours as well. For then the poems do their work.
These Reflective Prayers are the result of permitting a gentle reading of the lectionary texts for a given service to resonate in me and emerge as a searching engagement of the word with my spirit in a mood of settled joy. The ninety samples are the most recent, in order, at the time of publication.
These Reflective Prayers are the result of permitting a gentle reading of the lectionary texts for a given service to resonate in me and emerge as a searching engagement of the word with my spirit in a mood of settled joy. The ninety samples given are the most recent, in order, at the time of publication.
These are bible studies of a limited scale, developed and led by the author with two of the congregations he served. The first congregation was in Mantua OH in the late 1970s, from which the first three bible studies arose: Ruth, Lamentations, and The Infancy Narratives. The second congregation was in New Martinsville WV from 1998 through 2003, these being done is a slightly different style: Psalms of Ascent, Selected Psalms, The Speech of Stephan, Encountering God, Matthew 5 and Matthew 6 & 7. I sought to bring a serious, somewhat scholarly approach to the study of the bible among those congregation members who chose to attend. This revisiting of those studies prove once again their value to me. I hope they prove to be so for you as well.
The Book of Psalms in the Bible attracts a great deal of devotional attention from many people, including this author. This attention turned in the Spring of 1993 toward a project of translating the Psalter from the original Hebrew. This was as a spiritual as well as scholarly task for me. The end product, with a few other Hebrew poems added to the collection, came complete in the Spring of 1994. In the late summer of 2022, I took to revisiting my work, revising and correcting it as I found it necessary, and brought to this format in the late Autumn of the same year. I had sought to provide a translation in the immediacy of the present tense, as free as I could manage of the generic masculine, and as lively as I could manage to formulate. I wanted to convey the energy of spirit and of devotion that I felt in the text as I had engaged it. As I brought my revisitation to a conclusion, I felt I had achieved what I had hoped and wished to share it all with what readers I may accumulate, hopefully you.
On November 27, 1937, NBC presented TV's first pilot film, Sherlock Holmes (then called an "experiment"). Thousands of pilot films (both unaired and televised) have been produced since. This updated and restyled book contains 2,470 alphabetically arranged pilot films broadcast from 1937 to 2019. Entries contain the concept, cast and character information, credits (producer, writer, director), dates, genre and network or cable affiliation. In addition to a complete performer's index, two appendices have been included: one detailing the pilot films that led to a series and a second that lists the programs that were spun off from one series into another. Never telecast pilot films can be found in the companion volume, The Encyclopedia of Unaired Television Pilots, 1945-2018. Both volumes are the most complete and detailed sources for such information, a great deal of which is based on viewing the actual programs.
In 1987, Kirby Anthoney, a 23-year-old drifter, sexually assaulted and murdered his aunt and young cousins in Anchorage, Alaska. Now, Burl Barer tells the true story of the crime police called one of the most grisly and disturbing in the history of the Alaskan homicide. of photos.
But I see that this intimacy, this talking about my own interior, puts you off. The fact that I've abandoned my cigars for a dark burl pipe and carry the tobacco in a square of white crumpled paper, as he did, instead of a pouch. That I peruse used book shops for old French paperbacks whose unread pages must be slit apart. François Raspail's Annuare de la Sant, for example, lies at this very moment on my bedside table. I feel you're a good enough friend that I can tell you that I've started--very two weeks or so--to visit a prostitute. And I don't shun disease. One must learn to suffer without complaint and abide pain without reluctance. It is thus--from pain--that pearls are born, a product of the oyster's sickness. It was Van Gogh who taught me all this, my friend, and another lesson too: one pays for even the smallest success. Each of the stories in Night-Blooming Cereus is set in a different place and time, yet they all deal with the same underlying theme: how the imagination, in its infinite variety, seeks to transcend external events. A small Jewish boy's life during the Nazi era grows rich with the sounds and sights of the Arabian Desert when he finds an aged copy of Travels in Arabia Deserta in an Amsterdam cellar. An effete and scholarly collector begins to imitate Van Gogh, the painter he worships. An old woman's life is shaped by remembrance as she lies in her hospital bed and recounts a voyage through the Greek Islands during World War II. A reporter remembers his part in a college rape as he interviews a Serbian general being held for war crimes in a Dutch prison. A housekeeper embroiders her deepest yearnings into the laundry of the residents of a rooming house. K. A. Longstreet's stories are appealing and varied. This collection is unusual in many ways, not the least of which is its breadth. Each story exhibits a dexterous use of detail, often historically based, in providing a landscape for the characters' experiences and musings.
The now legendary character created by Leslie Charteris has survived nearly three-quarters of a century of perilous action and narrow escapes with nary a hair out of place nor the slightest jolt to his jauntily tipped halo. From his earliest days battling "crooks, blood suckers, traders in vice and damnation" (and cracking the occasional safe on the side), the Saint has captured the imaginations of millions. Using the voluminous correspondence and writings of author Leslie Charteris and examining the many incarnations of Simon Templar, alias "The Saint," in other media, a detailed history emerges. Includes plot synopses of the radio and television programs, with air dates and production credits; descriptions of the movies and their credits; a bibliography, reviews of the books, and quotes from the principals.
