Shifting Stones, Shaping the Past

Shifting Stones, Shaping the Past

Author: Catherine Becker

Publisher: Oxford University Press, USA

Published: 2015

Total Pages: 353

ISBN-13: 0199359407

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In a wide-ranging exploration of the creation and use of Buddhist art in Andhra Pradesh, India, from the second and third centuries of the Common Era to the present, Catherine Becker shows how material remains and visual experiences shape and reveal essential human concerns. Shifting Stones, Shaping the Past begins with an analysis of the ornamentation of Andhra's ancient Buddhist sites, such as the lavish limestone reliefs depicting scenes of devotion and lively narratives on the main stupa at Amaravati. As many such monuments have fallen into disrepair, it is temping to view them as ruins; however, through an examination of recent state-sponsored tourism campaigns and new devotional activities at the sites, Becker shows that the monuments are in active use and even ascribed innate power and agency. Becker finds intriguing parallels between the significance of imagery in ancient times and the new social, political, and religious roles of these objects and spaces. While the precise functions expected of these monuments have shifted, the belief that they have the ability to effect spiritual and mental transformation has remained consistent. Becker argues that the efficacy of Buddhist art relies on the careful attention of its makers to the formal properties of art and to the harnessing of the imaginative potential of the human senses. In this respect, Buddhist art mirrors the teaching techniques attributed to the Buddha, who often engaged his pupils' desires and emotions as tools for spiritual progress.


Early Buddhist Architecture in Context

Early Buddhist Architecture in Context

Author: Akira Shimada

Publisher: BRILL

Published: 2012-11-09

Total Pages: 329

ISBN-13: 9004232834

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The book provides an updated chronology of the Amar?vat? st?pa and argues its close link with the long-term development of urbanization of this region between ca. 200 BCE-250 CE based on the latest archaeological, art-historical and epigraphic evidence.


Early Buddhist Architecture in Context

Early Buddhist Architecture in Context

Author: Akira Shimada

Publisher: BRILL

Published: 2012-11-09

Total Pages: 328

ISBN-13: 9004233261

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Since the dramatic discovery and tragic destruction of the monument in the 19th century, the Amarāvatī stūpa in the south-east Deccan has attracted many scholars but has also left many unanswered questions. Akira Shimada's Early Buddhist Architecture in Context provides an updated and comprehensive chronology of the stūpa and its architectural development based on the latest sculptural, epigraphic and numismatic evidence combined with the survey of the early excavation records. It also examines the wider social milieu of the south-east Deccan by exploring archaeological, epigraphic and related textual evidence. These analyses reveal that the flowering of the stūpa was not a simple accomplishment of the powerful Sātavāhana dynasty, but was the result of the long-term development of urbanization of this region between ca. 200 BCE-250 CE.


The Buddhist Art of Nāgārjunakoṇḍa

The Buddhist Art of Nāgārjunakoṇḍa

Author: Elizabeth Rosen Stone

Publisher:

Published: 1994

Total Pages: 326

ISBN-13:

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Nagarjunakonda is one of the richest sources of Buddhist narrative sculpture discovered in India during the twentieth century. The Buddhist Art of Nagarjunakonda is the first book to discuss Nagarjunakonda from the art historical point of view, and est


The Buddhist Architecture of Gandhāra

The Buddhist Architecture of Gandhāra

Author: Kurt Behrendt

Publisher: BRILL

Published: 2003-11-01

Total Pages: 464

ISBN-13: 9047412575

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Gandhara, with its wide variety of architectural remains and sculptures, has for many decades perplexed students of South and Central Asia. Kurt Behrendt in this volume for the first time and convincingly offers a description of the development of 2nd century B.C.E. to 8th century C.E. Buddhist sacred centers in ancient Gandhara, today northwest Pakistan. Regional variations in architecture and sculpture in the Peshawar basin, Swat, and Taxila are discussed. At last a chronological framework is given for the architecture and the sculpture of Gandhara, but also light is being shed on how relic structures were utilized through time, as devotional imagery became increasingly significant to Buddhist religious practice. With an important comparative overview of architectural remains, it is indispensable for all those interested in the development of the early Buddhist tradition of south and central Asia and the roots of Buddhism elsewhere in Asia.


Buddhism in the Krishna River Valley of Andhra

Buddhism in the Krishna River Valley of Andhra

Author: Sree Padma Holt

Publisher: State University of New York Press

Published: 2008-08-07

Total Pages: 232

ISBN-13: 0791478149

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Explores the importance of Buddhism as it developed in the Krishna River Valley of Andhra (modern-day Andhra Pradesh) and its influence.


The Buddhist Caves at Aurangabad: Transformations in Art and Religion

The Buddhist Caves at Aurangabad: Transformations in Art and Religion

Author: Pia Brancaccio

Publisher: BRILL

Published: 2010-12-17

Total Pages: 354

ISBN-13: 9004192123

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This is a study that focuses on the art and architecture of a group of Buddhist rock-cut monuments excavated on the western edge of the Deccan Plateau in India. It analyses the various cultural, historical and religious phenomena that shaped the caves at Aurangabad through the first seven centuries of the Common Era and it comments on the Buddhist tradition of the western Deccan as a whole. The result is a comprehensive work that does not address exclusively iconography and chronology, but looks beyond Aurangabad to the larger artistic and religious traditions of the Indian Subcontinent.


The Art of Ancient India

The Art of Ancient India

Author: Susan L. Huntington

Publisher: Motilal Banarsidass

Published: 2014-01-01

Total Pages: 849

ISBN-13: 8120836170

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To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.


Amaravati

Amaravati

Author: Robert Knox

Publisher:

Published: 1992

Total Pages: 256

ISBN-13:

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Fully Illustrated Catalogue Of The Remarkable Sculptures From The Great Stupa At Amaravati In South East India, Which Were Brought To The British Museum In 1880. Dating Predominantly From The Second And Third Centuries Ad, They Provide A Marvellous Demonstration Of Buddhist Art And Iconography.