Contemporary British Novelists
Contemporary British Novelists

Author: Nick Rennison

Publisher: Routledge

Published: 2004-12-31

Total Pages: 361

ISBN-13: 1134604696

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Featuring a broad range of contemporary British novelists from Iain Banks to Jeanette Winterson, Louis de Bernieres to Irvine Welsh and Salman Rushdie, this book offers an excellent introductory guide to the contemporary literary scene. Each entry includes concise biographical information on each of the key novelists and analysis of their major works and themes. Fully cross-referenced and containing extensive guides to further reading, Fifty Contemporary British Novelists is the ideal guide to modern British fiction for both the student and the contemporary fiction buff alike.

The Modern British Novel
The Modern British Novel

Author: Malcolm Bradbury

Publisher: Penguin Group

Published: 2001

Total Pages: 660

ISBN-13:

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Bradbury argues that almost a century since the emergence of Modernism, it is now possible to see the entire period in perspective. It is clear that the first 50 years - from Henry James, Wilde and Stevenson, through James Joyce, Lawrence, Forster, to Huxley, Isherwood and Orwell - have been extensively discussed in print. The years since World War II, though, have not been examined in depth, yet have produced talents such as Graham Greene, Angus Wilson, Beckett, Doris Lessing, Margaret Drabble, Angela Carter, Ian McEwan, Kingsley and Martin Amis, Julian Barnes, Fay Weldon, Salman Rushdie and Timothy Mo.

Contemporary British Novel Since 2000
Contemporary British Novel Since 2000

Author: James Acheson

Publisher: Edinburgh University Press

Published: 2017-01-17

Total Pages: 224

ISBN-13: 1474403743

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Focuses on the novels published since 2000 by twenty major British novelistsThe Contemporary British Novel Since 2000 is divided into five parts, with the first part examining the work of four particularly well-known and highly regarded twenty-first century writers: Ian McEwan, David Mitchell, Hilary Mantel and Zadie Smith. It is with reference to each of these novelists in turn that the terms arealist, apostmodernist, ahistorical and apostcolonialist fiction are introduced, while in the remaining four parts, other novelists are discussed and the meaning of the terms amplified. From the start it is emphasised that these terms and others often mean different things to different novelists, and that the complexity of their novels often obliges us to discuss their work with reference to more than one of the terms.Also discusses the works of: Maggie OFarrell, Sarah Hall, A.L. Kennedy, Alan Warner, Ali Smith, Kazuo Ishiguro, Kate Atkinson, Salman Rushdie, Adam Foulds, Sarah Waters, James Robertson, Mohsin Hamid, Andrea Levy, and Aminatta Forna.

Dangerous Intimacies
Dangerous Intimacies

Author: Lisa Moore

Publisher:

Published: 1997

Total Pages: 208

ISBN-13:

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Examines accounts of sapphic relations in eighteenth-century and early nineteenth-century texts, both to show how such stories were used to help consolidate more bourgeois values, and to widen our idea of what kinds of relationships existed between women

The English Major
The English Major

Author: Jim Harrison

Publisher: Open Road + Grove/Atlantic

Published: 2009-10-13

Total Pages: 276

ISBN-13: 155584829X

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From the New York Times–bestselling author of Legends of the Fall: “Harrison spins the common chaff of a road trip into gold” (Tim McNulty, The Seattle Times). “It used to be Cliff and Vivian and now it isn’t.” With these words, Jim Harrison begins a riotous, moving novel that sends a sixty-something man, divorced and robbed of his farm by a late-blooming real estate shark of an ex-wife, on a road trip across America. Cliff is armed with a childhood puzzle of the United States and a mission to rename all the states and state birds, the latter of which have been unjustly saddled with white men’s banal monikers up until now. His adventures take him through a whirlwind affair with a former student from his high-school-teacher days twenty-some years before, to a “snake farm” in Arizona owned by an old classmate, and to the high-octane existence of his son, a big-time movie producer who has just bought an apartment over the Presidio in San Francisco. Jim Harrison’s riotous and moving cross-country novel, The English Major, is the map of a man’s journey into, and out of, himself. It is vintage Harrison—reflective, big-picture American, and replete with wicked wit. “The English Major is to midlife crisis what The Catcher in the Rye is to adolescence.” —Susan Salter Reynolds, Los Angeles Times

Granta 123
Granta 123

Author: John Freeman

Publisher: Granta

Published: 2013-04-16

Total Pages: 386

ISBN-13: 1905881681

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Barker, Barnes, Hollinghurst, Ishiguro, Mitchell, Rushdie, Smith, Tremain, Winterson . . . Long before they were household names, they were Granta Best of Young British Novelists. With each Young Novelist list - in 1983, 1993, and 2003 - came new ways of witnessing the world, introductions to unforgettable characters and mysterious and addictive voices. In 2013, thirty years after the first collection, the magazine asked once again: which writers are setting the bar for a new decade in British literature?

The Road Home
The Road Home

Author: Jim Harrison

Publisher: Open Road + Grove/Atlantic

Published: 2007-12-01

Total Pages: 470

ISBN-13: 1555847935

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In one of Jim Harrison’s greatest works, five members of the Northridge family narrate the tangled epic of their history on the Nebraska plains. The Road Home continues the story of the captivating heroine Dalva and her peculiar and remarkable family. It encompasses the voices of Dalva’s grandfather John Northridge, the austere, hard-living half-Sioux patriarch; Naomi, the widow of his favorite son and namesake; Paul, the first Northridge son, who lived in the shadow of his brother; and Nelse, the son taken from Dalva at birth, who now has returned to find her. It is haunted by the hovering spirits of the father and the lover Dalva lost to this country’s wars. It is a family history drenched in suffering and joy, imbued with fierce independence and love, rooted in the Nebraska soil, and intertwined with the destiny of whites and native Americans in the American West. Epic in scope, stretching from the close of the nineteenth century to the present day, The Road Home is a stunning and trenchant novel, written with the humor, humanity, and inimitable evocation of the American spirit that have delighted Jim Harrison’s legion of fans. “A graceful novel . . . To read this book is to feel the luminosity of nature in one’s own being.” —The New York Times Book Review “The Road Home confirms what his longtime fans already know: Harrison is on the short list of American literary masters.” —The Denver Post “Demonstrates why [Harrison] is considered one of the best storytellers around.” —The Washington Post “The Road Home is Harrison at the peak of his powers, a splendid combined prequel and sequel . . . very much alive and probably his best novel.” —Boston Sunday Herald

Masculinity and Patriarchal Villainy in the British Novel
Masculinity and Patriarchal Villainy in the British Novel

Author: Sara Martín

Publisher: Routledge

Published: 2019-11-28

Total Pages: 234

ISBN-13: 1000763315

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Masculinity and Patriarchal Villainy in the British Novel: From Hitler to Voldemort sits at the intersection of literary studies and masculinity studies, arguing that the villain, in many works of contemporary British fiction, is a patriarchal figure that embodies an excess of patriarchal power that needs to be controlled by the hero. The villains' stories are enactments of empowerment fantasies and cautionary tales against abusing patriarchal power. While providing readers with in-depth studies of some of the most popular contemporary fiction villans, Sara Martín shows how current representations of the villain are not only measured against previous literary characters but also against the real-life figure of the archvillain Adolf Hitler.