Since 1066 when William the Conqueror (alias William the Bastard) took the throne, English and Scottish kings have sired at least 150 children out of wedlock. Many were acknowedged at court and founded dynasties of their own - several of today's dukedoms are descended from them. Others were only acknowledged grudgingly or not at all. In the twentieth century this trend for royals to father illegitimate children continued, but the parentage, while highly probably, has not been officially recognised. This book - split into four sections: Tudor, Stuart, Henoverian and, perhaps most fascinating, Royal Loose Ends - is a genuinely fresh approach to British kings and queens, examining their lives and times through the unfamiliar perspective of their illegitimate children.
A survey of the quirks and quandaries of the English language, focusing on our strange and wonderful grammar Why do we say “I am reading a catalog” instead of “I read a catalog”? Why do we say “do” at all? Is the way we speak a reflection of our cultural values? Delving into these provocative topics and more, Our Magnificent Bastard Language distills hundreds of years of fascinating lore into one lively history. Covering such turning points as the little-known Celtic and Welsh influences on English, the impact of the Viking raids and the Norman Conquest, and the Germanic invasions that started it all during the fifth century ad, John McWhorter narrates this colorful evolution with vigor. Drawing on revolutionary genetic and linguistic research as well as a cache of remarkable trivia about the origins of English words and syntax patterns, Our Magnificent Bastard Tongue ultimately demonstrates the arbitrary, maddening nature of English— and its ironic simplicity due to its role as a streamlined lingua franca during the early formation of Britain. This is the book that language aficionados worldwide have been waiting for (and no, it’s not a sin to end a sentence with a preposition).
"Bastard Countryside collects together 15 years worth of exploration within the British landscape, dwelling on what Victor Hugo called the ‘bastard countryside’: “somewhat ugly but bizarre, made up of two different natures”. Friend’s large-format colour images scrutinise these inbetween, unkempt, and often surreal marginal areas of the country, highlighting frictions between the pastoral sublime and the discarded, often polluted reality of the present.Starting from a classical landscape tradition, Friend’s meticulous 5x4 photographs are given heightened effect through exaggerations of colour and composition, embodying a friction between British pastoral ideals and present reality. In particular, Friend follows moments in which the expected narrative of the landscape is rudely interrupted: often through leakage, pollution, or the wreckage and containment of nature.In his accompanying essay, writer Robert Macfarlane describes Bastard Countryside as “a vision par excellence of our synthetic ‘modern nature’– produced by assemblage and entanglement rather than purity and distinction”. Contained within Friend’s photographs are “hard questions [...] about what kinds of landscape one might wish either to pass through or to live in; about what versions of ‘modern nature’ might be worth fighting for, and why.” -- Publisher's website.
Brooke Chapman-Powell takes her position as the Earl of Englefield’s personal secretary very seriously. This job is what keeps her sister in her university for the deaf and the town from completely shutting down. But the earl’s dying, and they have only one hope. An American. From some place called Salvation, Virginia. Now she’ll have to teach the in-all-likelihood-uncouth-and-lazy half American how to be a proper earl if they hope to save the village. God help them all. Nick Vane has about two gazillion things that land higher on his to-do list than becoming an English earl. Things like naps. Hosting poker nights. Oh, and raking in the profits from his latest invention. Accepting the title his grandfather has denied him since birth? Doesn’t. Even. Register. But Miss Prim and Proper won’t give up, and before he knows what’s what, he’s on a plane to London. He’s got too much pride to go down easily, and she’s got too much propriety to ever break the rules. They are as different as a cocktail fork and a bread knife...and the clash between them lands these two in the most unexpected positions.
An exquisite sequel to "The Secret Diary of Anne Boleyn", "Maxwell's second novel breathes extraordinary life into the scandals, political intrigue, and gut-wrenching battles that typified Queen Elizabeth's reign" ("Publishers Weekly").
Matilda of Flanders, queen to William the Conqueror was beautiful, exquisitely small, clever, with a perfect courtesy trained in the rigid school of medieval manners. But within lay a root of darkness - inheritance, perhaps, of Viking ancestors. Twice, at least, in her lifetime the Viking streak broke through, in vengeance on a faithless lover, in fury wreaked on a rival of the marriage bed. The marriage, though fruitful of so many children, was on her side no match of love. But a passionate loyalty to her husband, an equally passionate ambition, together with her own sense of justice, gave her the will and the skill to dissemble her feelings and to make her the praise of Christendom. No Queen ever wielded so much power as she in the long years she ruled Normandy; before her no woman in England was ever crowned or was known as Queen.
A “vivid and entertaining” (Chicago Tribune) tale about the tangled history of two families, from the author of The Island of Missing Trees (a Reese's Book Club Pick) "Zesty, imaginative . . . a Turkish version of Amy Tan's The Joy Luck Club." —USA Today As an Armenian American living in San Francisco, Armanoush feels like part of her identity is missing and that she must make a journey back to the past, to Turkey, in order to start living her life. Asya is a nineteen-year-old woman living in an extended all-female household in Istanbul who loves Jonny Cash and the French existentialists. The Bastard of Istanbul tells the story of their two families--and a secret connection linking them to a violent event in the history of their homeland. Filed with humor and understanding, this exuberant, dramatic novel is about memory and forgetting, about the need to examine the past and the desire to erase it, and about Turkey itself.
Forget everything you thought you knew about Henry the Eighth. While Henry VIII has frequently been portrayed as a womanizer, author Philippa Jones reveals a new side to his character. Although he was never faithful, Jones sees him as a serial monogamist: he spent his life in search of a perfect woman, a search that continued even as he lay dying. This book brings together for the first time the 'other women' of King Henry VIII. When he first came to the throne, Henry VIII's mistresses were dalliances, the playthings of a powerful and handsome man. However, when Anne Boleyn disrupted that pattern, ousting Katherine of Aragon to become Henry's wife, a new status quo was established. Suddenly noble families fought to entangle the king with their sisters and daughters; if wives were to be beheaded or divorced so easily, the mistress of the king was in an enviable position. Yet he loved each of his wives and mistresses, he was a romantic who loved being in love, but none of these loves ever fully satisfied him; all were ultimately replaced. "The Other Tudors" examines the extraordinary untold tales of the women who Henry loved but never married, the mistresses who became queens and of his many children, both acknowledged and unacknowledged. Philippa Jones takes us deep into the web of secrets and deception at the Tudor Court and explores another, often unmentioned, side to the King's character.