The British as Art Collectors

The British as Art Collectors

Author: James Stourton

Publisher: Scala Arts Publishers Incorporated

Published: 2012

Total Pages: 0

ISBN-13: 9781857597493

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To see the great art galleries, stately homes and museums up and down Britain today is to witness the rich story of the British as art collectors, a narrative that mirrors the history of the country. In this remarkable new book, James Stourton and Charles Sebag-Montefiore present a comprehensive survey of British art collectors down the centuries. The major collecting landmarks covered include Henry VIII, who harnessed the arts in the service of the crown, Charles I and the Whitehall Circle, the Grand Tour and the country house boom, the bonanza created by the Napoleonic Wars and the Industrial Revolution, French taste, the collecting of Spanish art, the passion for Florence, the 19th-century heyday for the creation of museums, the private collectors who sparked the belated British love affair with Impressionism, the State's role in patronage and collecting after World War II, and the manner in which London has recently become a metropolis of contemporary art. Yet the authors' strengths lie not only in these grand themes, but also in their mastery of detail through the different eras. They write with equal authority about the royal patronage and collecting of the Tudor period, with which they begin, and the collectors of today. Includes over 300 illustrations, including many of the greatest works of art to have featured in British collections. AUTHOR: James Stourton is Chairman of Sotheby's UK. He is the author of Great Collectors of Our Time and Great Smaller Museums of Europe and frequently writes on the history of collecting. Charles Sebag-Montefiore has spent 40 years creating the definitive library on British patronage and collecting, a unique resource that has enabled the research for this book. He is a Director of Ludgate Investments Ltd and other companies and Treasurer of the Friends of the National Libraries, the Friends of Lambeth Palace Library, the Walpole Society and of other charities. He was a Trustee of the National Art Collections Fund between 2000 and 2011. 320 colour & 30 b/w illustrations


The Art Collector's Handbook

The Art Collector's Handbook

Author: Mary Rozell

Publisher: Lund Humphries Publishers Limited

Published: 2020

Total Pages: 0

ISBN-13: 9781848224018

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With the rapid and unprecedented global expansion of the art market, new collectors are emerging every day. When buying art, whether for pure enjoyment, for investment or some other motive, few art collectors consider the practical and financial implications of owning and maintaining art, and many do not have a plan for how they might eventually dispose of it. This book, probing a number of resources and incorporating advice from top experts in the field, offers guidance on collection management and care, and serves as an important reference guide for collectors and those charged with managing.


Collecting Art for Love, Money and More

Collecting Art for Love, Money and More

Author: Ethan Wagner

Publisher: Phaidon Press

Published: 2013-04-02

Total Pages: 0

ISBN-13: 9780714849775

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"This book offers clear advice on how to navigate the contemporary art world, from assessing sales information and dealing with galleries to discovering new talent and accessing the best work."--P. [4] of cover.


Private Collectors of Islamic Art in Late Nineteenth-Century London

Private Collectors of Islamic Art in Late Nineteenth-Century London

Author: Isabelle Gadoin

Publisher: Routledge

Published: 2021-09-09

Total Pages: 232

ISBN-13: 1000437000

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This book examines British collectors of so-called Persian art (a broad umbrella term then covering a large portion of Islamic art) in the late 19th century, including ceramics, metalwork, carpets, textiles and woodwork. Based on a foundational event, the very first exhibition of “Persian and Arab Art” held by a London Gentlemen’s Club in 1885, this book follows one generation of men, retracing the subtle shades of difference among “amateurs,” “connoisseurs,” “experts” and “collectors,” and exploring all the mechanisms of the construction of a collective fascination for the Orient. Isabelle Gadoin uncovers some of the first “scientific” analyses of Islamic objects and of the first private notebooks or exhibition catalogues, to provide an in-depth study of the way Westerners talked about Islamic objects and began to define what would become Islamic art history. All the while, Gadoin unravels the skein of Western prejudice, Romantic fancy, sincere admiration and ruthless appropriation, in art collecting, to write a new chapter of Orientalist history. The book will be of interest to scholars working in art history, history of collecting, colonialism and postcolonialism, and Orientalism.


British Models of Art Collecting and the American Response

British Models of Art Collecting and the American Response

Author: Dr Inge Reist

Publisher: Ashgate Publishing, Ltd.

Published: 2014-10-28

Total Pages: 289

ISBN-13: 147243806X

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This collection of fourteen essays by distinguished art and cultural historians examine points of similarity and difference in British and American art collecting. Half the essays examine the trends that dominated the British art collecting scene of the nineteenth century. Others focus on American collectors, using biographical sketches and case studies to demonstrate how collectors in the United States embellished the British model to develop their own, often philanthropic approach to art collecting.


Could Have, Would Have, Should Have

Could Have, Would Have, Should Have

Author: Tiqui Atencio

Publisher: Art / Books

Published: 2016

Total Pages: 0

ISBN-13: 9781908970244

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What does it take to be a serious art collector? What drives someone to go after a particular work regardless of the cost? What form of addiction or compulsion causes an individual to devote vast amounts of time, money and emotional energy in pursuit of something that is unobtainable to most of us? Tiqui Atencio has been collecting since she was eighteen years old. Decades later she is one of the most prominent collectors of contemporary art, on the boards of international museums and art-world power lists. For Could Have, Would Have, Should Have, she has interviewed more than eighty of the world's most influential collectors - from financiers to artists - and asked them to tell their own story of how they started to collect and what continues to motivate them. In a series of thirty chapters - among them 'Serendipity', 'Obsessions', 'Auction moments', 'What was I thinking?', 'To sell or not sell', 'Being custodians' - they reveal their highs and lows, the successes and regrets, the shared passions and intense rivalries, the works that got away ... and the ones that perhaps should have done. Their anecdotes and recollections reveal the many practical and emotional aspects of collecting art, all the unexpected pleasures and challenges. What emerges is a frank and honest, surprising and eye-opening, and sometimes hilarious account of a lifelong dedication that is described by some as a heroic commitment and by others as a crazy sickness. Cartoons throughout the book by celebrated artist and satirist Pablo Helguera complement the humorous and entertaining tone of the text.


Owning Art

Owning Art

Author: Louisa Buck

Publisher: Cultureshock Media

Published: 2006

Total Pages: 0

ISBN-13: 9780954699918

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Owning Art offers an informative, authoritative and richly anecdotal route through the minefield of the contemporary art world. This entertaining and easy-to-use handbook is set to become every collector's indispensable companion.


Treasures of British Art

Treasures of British Art

Author: Robert Upstone

Publisher: Abbeville Press

Published: 1998-09

Total Pages: 0

ISBN-13: 9780789205414

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This richly illustrated Tiny Folio(TM) volume surveys British painting, watercolors, and sculpture from the sixteenth century to the present. With masters such as William Blake, William Hogarth, George Stubbs, Thomas Gainsborough, Joseph Mallord William Turner, Dante Gabriel Rossetti, James McNeill Whistler, John Singer Sargent, Henry Moore, Francis Bacon, Lucian Freud, and David Hockney, the Tate Gallery offers work to please every taste. The gallery, which was opened in London in the summer of 1897 by the Prince of Wales, is best known for its modern art collections, but-as this little compendium makes wonderfully clear-it encompasses the full sweep of British art, from ornate aristocratic portraits and vivacious hunting scenes to the Pre-Raphaelites languid femmes fatales.