THE SEQUEL OF THE WORLD'S MOST FAMOUS SHOCKER Vaunting ambition led FRANKENSTEIN to try and outdo Nature. He created a MONSTER. In this sequel FRANKENSTEIN is compelled to repeat his experiment and create a bride for the monster. He hesitates-but his task-master, by most dastardly threats, forces him to complete the work with the result that - - A terrifying story which contains an underlying idea that is particularly applicable at the present time when machinery, has become a MONSTER-a dominating and revolutionizing power in the economics of the MODERN WORLD HORROR - FASCINATION - ROMANCE
Includes Mary Shelley's Frankenstein—two gothic novels in one! In this chilling sequel to Mary Shelley's famous horror classic, Hilary Bailey imagines what might have happened if Dr. Frankenstein had created a female companion for his monster. Years after he inadvertently set in motion the events that caused a series of deranged murders, Dr. Frankenstein, now living a happy and privileged life, sets to work on restoring the voice of beautiful young opera singer Maria Clementi. But things are not always as they seem, and soon the rumors about Victor Frankenstein begin to worry his new assistant, Jonathan Goodall. When Jonathan spies a mysterious figure lurking near Maria's theatre, and later discovers his own wife and child murdered in cold blood, he knows he'll do anything to uncover the truth of Frankenstein and his newest experiments—a truth he knows will change everything... For more than two hundred years, Mary Shelley's Frankenstein; or, The Modern Prometheus has kept readers enthralled. Shelley brought to life not only Frankenstein's monster, but also a masterpiece that authors have reimagined again and again. Frankenstein's Bride is perfect for seekers of the supernatural, classic horror fans, and readers of gothic fiction.
There have always been some pretty weird grown-ups in Bailey City, but the new woman working at the snack bar at the ice skating rink takes the cake. Could she really be the Bride of Frankenstein?
Attempting to create life through dreadful experiments, Henry Frankenstein and Dr. Pretorius instead created unspeakable horror: two misshapen monsters, a brutish male and his female mate, stitched together from the bodies of cadavers. Crafted to be the monster's bride - an undead Eve to an equally accursed Adam - the female creature was destroyed mere minutes after taking its first breath - or was it? This new novel by the critically acclaimed Elizabeth Hand reinterprets the memorable characters from Universal Picture's classic 1935 film for a new generation of horror fans. Detailing the bride of Frankenstein's secret history, from the shadows of forgotten laboratories to the streets of Weimar Germany, Hand creates a richly atmospheric tale of horror, mystery, and tragedy as chilling as the creature itself. Elizabeth Hand's novels and short story collections include Mortal Love, Black Light, Bibliomancy and the cult classic Waking the Moon. A longtime contributor to the Washington Post Book World and the Village Voice Literary Supplement, she lives in Maine.
Hybrid films that straddle more than one genre are not unusual. But when seemingly incongruous genres are mashed together, such as horror and comedy, filmmakers often have to tread carefully to produce a cohesive, satisfying work. Though they date as far back as James Whale’s Bride of Frankenstein (1935), horror-comedies have only recently become popular attractions for movie goers. In The Laughing Dead: The Horror-Comedy Film from Bride of Frankenstein to Zombieland, editors Cynthia J. Miller and A. Bowdoin Van Riper have compiled essays on the comic undead that look at the subgenre from a variety of perspectives. Spanning virtually the entire sound era, this collection considers everything from classics like The Canterville Ghost to modern cult favorites like Shaun of the Dead. Other films discussed include Abbott and Costello Meet Frankenstein, Beetlejuice, Ghostbusters, House on Haunted Hill, ParaNorman, Scream, Vampire’s Kiss, and Zombieland. Contributors in this volume consider a wide array of comedic monster films—from heartwarming (The Book of Life) to pitch dark (The Fearless Vampire Killers) and even grotesque (Frankenhooker). The Laughing Dead will be of interest to scholars and fans of both horror and comedy films, as well as those interested in film history and, of course, the proliferation of the undead in popular culture.
No one ever said it was easy being a monster. Take Frankenstein, for instance: He just wants to marry his undead bride in peace, but his best man, Dracula, is freaking out about the garlic bread. Then there’s the Headless Horseman, who wishes everyone would stop drooling over his delicious pumpkin head. And can someone please tell Edgar Allan Poe to get the door already before the raven completely loses it? Sheesh. In a wickedly funny follow-up to the bestselling Frankenstein Makes a Sandwich, Adam Rex once again proves that monsters are just like you and me. (Well, sort of.)
"Being known as "The Bride of Frankenstein" is an unusual form of fame, but for Elsa Lanchester the unusual came naturally. Born to radical socialist parents, Elsa attended an all-boys school and later "studied" in Paris with dance pioneer Isadora Duncan. At 17, she opened her own theater, which was frequented by writers such as H. G. Wells, Aldous Huxley, and Evelyn Waugh. She began performing with and then fell in love with a brilliant young actor named Charles Laughton. Soon after their marriage he revealed his homosexuality. Though it made their union shaky at times, it did not overshadow their common love of art, music, and nature, and their marriage endured for 36 years until Laughton's death. Elsa Lanchester, Herself presents the story of a woman ahead of her time: independent, iconoclastic, liberated. It is the chronicle of a life filled with famous people (from Bertolt Brecht to Henry Fonda), and of a career that spanned almost seven decades. It is also a warm, truthful account of a very special marriage. Witty and wise, Elsa Lanchester's account of her life and times is a delight."--Provided by publisher.
Retells, in graphic novel format, Mary Shelley's classic tale of a monster, assembled by a scientist from parts of dead bodies, who develops a mind of his own as he learns to loathe himself and hate his creator.
