The Boyce Papers
The Boyce Papers

Author: Sue Bradbury

Publisher: Boydell & Brewer

Published: 2019

Total Pages: 1198

ISBN-13: 1783270500

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The first full edition of the correspondence, between three artists Joanna Boyce, her brother George P. Boyce and Henry Wells, who she eventually married. It dates from the period 1845 to 1861, and covers artistic life in both Paris and London, including the Pre-Raphaelites.

Sessional Papers
Sessional Papers

Author: Canada. Parliament

Publisher:

Published: 1907

Total Pages: 1178

ISBN-13:

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"Report of the Dominion fishery commission on the fisheries of the province of Ontario, 1893", issued as an addendum to vol. 26, no. 7.

Film Blackness
Film Blackness

Author: Michael Boyce Gillespie

Publisher: Duke University Press

Published: 2016-08-25

Total Pages: 253

ISBN-13: 0822373882

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In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.