Lopez reveals unexpected points of instability and contradiction in the Heart Sutra, which, in the end, turns out to be the most malleable of texts, where the logic of commentary serves as a tool of both tradition and transgression.
Martha Sweezy and Ellen L. Ziskind’s Internal Family Systems Therapy: New Dimensions quickly established itself as essential reading for clinicians who are interested in IFS by illustrating how the model can be applied to a variety of therapy modalities and patient populations. Sweezy and Ziskind’s newest volume, Innovations and Elaborations in Internal Family Systems Therapy, is the natural follow-up to that text. Here Richard Schwartz and other master IFS clinicians illustrate how they work with a wide variety of problems: racism, perpetrator parts, trauma, addiction, eating disorders, parenting, and grief. The authors also show creative ways of putting into practice basic IFS techniques that help parts to unblend and to unburden both personal and legacy burdens.
"The writing lessons in this book are organized to quickly unpack the detail move, explain when and why the strategy works well, share how I have taught it to my students, and offer ways to make it your own." -Rozlyn Linder Have you ever told a writer to add more details, only to see their writing get longer not better? That's why Roz Linder wrote The Big Book of Details. "To help our students use details and elaborate effectively," she writes, "we need to find out what they want their writing to do, and then show them explicit moves to make it happen." Roz breaks elaboration into 5 categories and shares 46 lessons based on the moves that professional writers use. With if-then charts that connect student needs to just-right strategies, you'll help writers master details that: Describe: for people, places, and things Dance: for showing action and sequencing events Convince: for questions, persuasion, and arguments Inform: for defining, comparing, and clarifying Speak: for conversation and speech. The Big Book of Details supports planning and on-the-go teaching for one-on-one conferences, whole-class instruction, or commercial writing programs. Its lessons are organized to help kids understand each move quickly. Roz's strategy lessons include: examples from real-world writers the reason writers use the strategy advice for introducing it to writers ideas for guided practice with writers examples of one of Roz's famous classroom charts "This is what I want for my students," writes Roz Linder, "to use details in their writing in a meaningful way that conveys their ideas and their purpose." If you want that too, then make her Big Book of Details part of your teaching toolkit.
Desperate Storytelling demonstrates how writers from Byron to Saul Bellow have embraced Cervantes's vision of the artist as creative exile, born to tell tales of valor and nobility yet doomed to recognize the world's banal reality. Forced to portray adventure in a reductive voice, these writers have immersed heroism in madness and narrative in mockery. Their fictions reflect an awareness of life's absurdities, yet a refusal to forsake the ideal. Reassessing the post-Romantic literary consciousness, Roger B. Salomon explores the many permutations of the mock-heroic mode, the complex aesthetic instrument brought into being by Cervantes, one by which a writer takes on a dual role as both nostalgic creator and ironic critic. The mock hero is almost by definition an outdated one, aligning his deepest emotional attachments to dead mythologies and forgotten codes of ethics; he is an alienated figure in a landscape hostile to the possibility of any kind of attainment. Just as Don Quixote's noble madness in an ignoble age invites both sympathy and derision, so later incarnations of the mock hero immerse the reader in a dialogue between the real and a faded ideal, between the sensible and the admirable. Describing a literary mode that joins heroic endeavor with its deflating results, Desperate Storytelling traces the adventures of literature's misplaced heroes from Nabokov's Berlin to Saul Bellow's Chicago, from James Joyce's Dublin to Mark Twain's Mississippi.
This collection contains key critical essays and assessments of the writings of Canadian communications thinker Marshall McLuhan selected from the voluminous output of the past forty years. McLuhan's famous aphorisms and uncanny ability to sense megatrends are once again in circulation across and beyond the disciplines. Since his untimely death in 1980, McLuhan's ideas have been rediscovered and redeployed with urgency in the age of information and cybernation.Together the three volumes organise and present some forty years of indispensable critical works for readers and researchers of the McLuhan legacy. The set includes critical introductions to each section by the editor.Forthcoming titles in this series include Walter Benjamin (0-415-32533-1) December 2004, 3 vols, Theodor Adorno (0-415-30464-4) April 2005, 4 vols and Jean-Francois Lyotard (0-415-33819-0) 2005, 3 vols.