Nuclear Realism

Nuclear Realism

Author: Rens van Munster

Publisher: Routledge

Published: 2016-04-14

Total Pages: 290

ISBN-13: 1317751426

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What is a realist response to nuclear weapons? This book is animated by the idea that contemporary attempts to confront the challenge of nuclear weapons and other global security problems would benefit from richer historical foundations. Returning to the decade of deep, thermonuclear anxiety inaugurated in the early 1950s, the authors focus on four creative intellectuals – Günther Anders, John H. Herz, Lewis Mumford and Bertrand Russell – whose work they reclaim under the label of ‘nuclear realism’. This book brings out an important, oppositional and resolutely global strand of political thought that combines realist insights about nuclear weapons with radical proposals for social and political transformation as the only escape from a profoundly endangered planet. Nuclear Realism is a highly original and provocative study that will be of great use to advanced undergraduates, graduates and scholars of political theory, International Relations and Cold War history.


Biographical Memoirs

Biographical Memoirs

Author: National Academy of Sciences

Publisher: National Academies Press

Published: 1997-05-23

Total Pages: 392

ISBN-13: 0309057388

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Biographic Memoirs: Volume 71 contains the biographies of deceased members of the National Academy of Sciences and bibliographies of their published works. Each biographical essay was written by a member of the Academy familiar with the professional career of the deceased. For historical and bibliographical purposes, these volumes are worth returning to time and again.


Historical Painting Techniques, Materials, and Studio Practice

Historical Painting Techniques, Materials, and Studio Practice

Author: Arie Wallert

Publisher: Getty Publications

Published: 1995-08-24

Total Pages: 241

ISBN-13: 0892363223

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Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.


United States Foreign Policy 1945-1968

United States Foreign Policy 1945-1968

Author: Michael Wayne Santos

Publisher: Rowman & Littlefield

Published: 2020-01-17

Total Pages: 359

ISBN-13: 1793602182

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Between 1945 and 1968, the possibility of Mutual Assured Destruction led to a host of odd realities, including the creation of an affable cartoon turtle named Bert who taught millions of school children that nuclear war was survivable if they simply learned how to “duck and cover.” Meanwhile, fear of Communism played out against the backdrop of potential Armageddon to provide justification for a variety of covert operations involving regime change, political assassination, and sometimes bizarre plot twists. United States Foreign Policy 1945-1968: The Bomb, Spies, Stories, and Lies takes a fresh look at this complex, often confusing, and frequently farcical period in American and world history.