The Bloodiest Thing That Ever Happened In Front Of A Camera
The Bloodiest Thing That Ever Happened In Front Of A Camera

Author: Stephen Milligen

Publisher: SCB Distributors

Published: 2017-04-06

Total Pages: 443

ISBN-13: 1909394092

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How porno chic became porno hell. In the early 1970s, outrageous claims were made of a new blood-spattered cinematic extreme. This was the legend of the ‘snuff movie’, which promoted the inhuman notion that a woman had been murdered to satisfy the sexual appetite of a jaded public. The story was produced by a kind of madness incarnate, but it reflected the desperation of America in cultural turmoil. ‘Snuff’ was a backlash against the naïve liberalism of the counterculture, embraced by people who preferred to believe the worst about their society. Once unleashed the concept was embraced and manipulated by the tabloid media and a variety of political and social crusaders, each using it to further their own cause. Brutal, evil, ghastly beyond belief, snuff became an iconic urban legend. This book is the true, startling and hideously exploitative history of that legend and how it was created. SNUFF—THE BLOODIEST THING THAT EVER HAPPENED IN FRONT OF A CAMERA!

The New Censors
The New Censors

Author: Charles Lyons

Publisher: Temple University Press

Published: 1997

Total Pages: 252

ISBN-13: 9781566395120

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Amid ongoing debates over a wide variety of art and how it should be regulated, Charles Lyons focuses on the movie industry and the role pressure groups and government has played in shaping contemporary images

Shocking Cinema of the 70s
Shocking Cinema of the 70s

Author: Julian Petley

Publisher: Bloomsbury Publishing

Published: 2021-11-18

Total Pages: 336

ISBN-13: 1350136298

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This collection focuses on 1970s films from a variety of countries, and from the marginal to the mainstream, which, by tackling various 'difficult' subjects, have proved to be controversial in one way or another. It is not an uncritical celebration of the shocking and the subversive but an attempt to understand why this decade produced films which many found shocking, and what it was that made them shocking to certain audiences. To this end it includes not only films that shocked the conventionally minded, such as hard core pornography, but also those that outraged liberal opinion – for example, Death Wish and Dirty Harry. The book does not simply cast a critical light on a series of controversial films which have been variously maligned, misinterpreted or just plain ignored, but also assesses how their production values, narrative features and critical receptions can be linked to the wider historical and social forces that were dominant during this decade. Furthermore, it explores how these films resonate in our own historical moment – replete as it is with shocks of all kinds.

Censorship
Censorship

Author: Derek Jones

Publisher: Routledge

Published: 2001-12-01

Total Pages: 6858

ISBN-13: 1136798633

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First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Cutting Edge
Cutting Edge

Author: Joan Hawkins

Publisher: U of Minnesota Press

Published: 2000

Total Pages: 352

ISBN-13: 9781452904306

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Snuff
Snuff

Author: Mark McKenna

Publisher: Liverpool University Press

Published: 2022-10-15

Total Pages: 113

ISBN-13: 180085854X

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Snuff (1976) occupies a unique place in cinematic history, as the first commercially successful film to capitalise upon the myth of the ‘snuff’ movie. By blending cinema verité styling with a media moral panic, savvy producer Allan Shackleton’s blending of a long-forgotten exploitation film with a newly filmed bloody, if unconvincing conclusion, only served to consolidate the belief that somewhere, at some time, someone was killed on camera in an attack that was as much about the sexual gratification of the film’s intended audience, as it was about the commercial rewards for those producing the film. In the years since its release, the film has been routinely cited as ‘evidence’ of the snuff movie’s existence, contributing to a cultural history that exists outside of the film. This book explores the production, distribution and exhibition of the film Snuff, alongside that cultural history, considering how a scarcely seen exploitation film contributed to a popular understanding of the snuff movie. It assesses the cultural, cinematic and political legacy of the film and asks whether the established definition of what might constitute a snuff movie, that was defined 45 years ago, is sufficient in an attention economy that is based upon participatory culture.

Lost Illusions
Lost Illusions

Author: David A. Cook

Publisher: Univ of California Press

Published: 2002-03-15

Total Pages: 722

ISBN-13: 9780520232655

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This volume examines the development of film and the film industry during the 1970s and the political and economic background that influenced it.

Freedom and Entertainment
Freedom and Entertainment

Author: Stephen Vaughn

Publisher: Cambridge University Press

Published: 2006

Total Pages: 360

ISBN-13: 9780521852586

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This is a story that Jack Valenti has long tried to keep secret. Freedom and Entertainment is the first book to offer a behind-the-scenes account of the motion picture rating system and the Motion Picture Association of America under Valenti's leadership. The book is based on the private papers and oral history of Richard D. Heffner, who headed the Classification and Rating Administration for two decades, from 1974 to 1994, and who was once called 'the least-known most powerful person in Hollywood.' The story chronicles the often tense working relationship between Heffner and Valenti, and the sometimes bruising encounters Heffner had with such Hollywood heavyweights as Clint Eastwood, Oliver Stone, Michael Douglas, George C. Scott, Lew Wasserman, Arthur Krim, Jerry Weintraub, and many others.

killing for culture
killing for culture

Author: David Kerekes

Publisher: SCB Distributors

Published: 2016-06-03

Total Pages: 756

ISBN-13: 1909394351

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Unlike images of sex, which were clandestine and screened only in private, images of death were made public from the onset of cinema. The father of the modern age, Thomas Edison, fed the appetite for this material with staged executions on film. Little over a century later the executions are real and the world is aghast at brutalities freely available online at the click of a button. Some of these films are created by lone individuals using shaky camera phones: Luka Magnotta, for instance, and the teenagers known as the Dnipropetrovsk maniacs. Others are shot on high definition equipment and professionally edited by organized groups, such as the militant extremists ISIS. KILLING FOR CULTURE explores these images of death and violence, and the human obsession with looking — and not looking — at them. Beginning with the mythology of the so-called ‘snuff’ film and its evolution through popular culture, this book traces death and the artifice of death in the ‘mondo’ documentaries that emerged in the 1960s, and later the faux snuff pornography that found an audience through Necrobabes and similar websites. However, it is when videos depicting the murders of Daniel Pearl and Nick Berg surfaced in the 2000s that an era of genuine atrocity commenced, one that has irrevocably changed the way in which we function as a society.

Death's Door
Death's Door

Author: Michael Slade

Publisher: Open Road Media

Published: 2024-08-06

Total Pages: 467

ISBN-13: 1504095839

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“A Grade A thriller . . . twisted, near-omnipotent villains, brutal violence, sharp plot twists, solid (and enthralling) historical research.” —The Vancouver Sun Canadian Mountie Robert DeClercq and his Special X team are facing down a stolen mummy with a trail of corpses in its wake. The question is: Is this the work of one killer? Or is it some sort of diabolical conspiracy? DeClercq’s investigation leads him to a local porn king who specializes in snuff videos and a fresh trail of mutilated female bodies being dumped around the Gulf Islands. But just when DeClercq narrows in on the criminality behind these abominable murders, an old enemy returns. Not only is Mephisto determined to destroy DeClercq once and for all, but this megalomaniac won’t stop until he puts all of humanity at the brink of Death’s Door. . . . “There are psycho thrillers and there are psycho thrillers, and the ones to watch are those by Michael Slade. This high-powered mystery stars a psycho so heinous that you might want to take a deep breath before starting this baffling case. [Death’s Door is] a story to be read with caution.” —Ottawa Citizen “There isn’t a precedent for the barbaric brilliance of a Slade novel. With its well-researched, candid ventures into the most deranged of sick psyches, Death’s Door is a witches’ brew of intense intellectualism, police procedure, and white-knuckle, wince-inducing gore.” —Rue Morgue “Slade has finely honed his skills . . . You’ll be up all night reading it and, before you finally sleep, you’ll check under the bed.” —The Vancouver Sun/DESC