The Black Female Body in American Literature and Art

The Black Female Body in American Literature and Art

Author: Caroline Brown

Publisher: Routledge

Published: 2013-02-28

Total Pages: 341

ISBN-13: 1136289194

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This book examines how African-American writers and visual artists interweave icon and inscription in order to re-present the black female body, traditionally rendered alien and inarticulate within Western discursive and visual systems. Brown considers how the writings of Toni Morrison, Gayl Jones, Paule Marshall, Edwidge Danticat, Jamaica Kincaid, Andrea Lee, Gloria Naylor, and Martha Southgate are bound to such contemporary, postmodern visual artists as Lorna Simpson, Carrie Mae Weems, Kara Walker, Betye Saar, and Faith Ringgold. While the artists and authors rely on radically different media—photos, collage, video, and assembled objects, as opposed to words and rhythm—both sets of intellectual activists insist on the primacy of the black aesthetic. Both assert artistic agency and cultural continuity in the face of the oppression, social transformation, and cultural multiplicity of the late twentieth and early twenty-first centuries. This book examines how African-American performative practices mediate the tension between the ostensibly de-racialized body politic and the hyper-racialized black, female body, reimagining the cultural and political ground that guides various articulations of American national belonging. Brown shows how and why black women writers and artists matter as agents of change, how and why the form and content of their works must be recognized and reconsidered in the increasingly frenzied arena of cultural production and political debate.


Skin Deep, Spirit Strong

Skin Deep, Spirit Strong

Author: Kimberly Wallace-Sanders

Publisher: University of Michigan Press

Published: 2002

Total Pages: 368

ISBN-13: 9780472067077

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Traces the evolution of the black female body in the American imagination


Recovering the Black Female Body

Recovering the Black Female Body

Author: Michael Bennett

Publisher: Rutgers University Press

Published: 2001

Total Pages: 354

ISBN-13: 9780813528397

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Recovering the Black Female Body recognizes the pressing need to highlight through scholarship the vibrant energy of African American women's attempts to wrest control of the physical and symbolic construction of their bodies away from the distortions of others.


The Black Female Body in American Literature and Art

The Black Female Body in American Literature and Art

Author: Caroline A. Brown

Publisher:

Published: 2012

Total Pages: 289

ISBN-13: 9780203113981

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This book examines how African-American writers and visual artists interweave icon and inscription in order to re-present the black female body, traditionally rendered alien and inarticulate within Western discursive and visual systems. Brown considers how the writings of Toni Morrison, Gayl Jones, Paule Marshall, Edwidge Danticat, Jamaica Kincaid, Andrea Lee, Gloria Naylor, and Martha Southgate are bound to such contemporary, postmodern visual artists as Lorna Simpson, Carrie Mae Weems, Kara Walker, Betye Saar, and Faith Ringgold. While the artists and authors rely on radically different media--photos, collage, video, and assembled objects, as opposed to words and rhythm--both sets of intellectual activists insist on the primacy of the black aesthetic. Both assert artistic agency and cultural continuity in the face of the oppression, social transformation, and cultural multiplicity of the late twentieth and early twenty-first centuries. This book examines how African-American performative practices mediate the tension between the ostensibly de-racialized body politic and the hyper-racialized black, female body, reimagining the cultural and political ground that guides various articulations of American national belonging. Brown shows how and why black women writers and artists matter as agents of change, how and why the form and content of their works must be recognized and reconsidered in the increasingly frenzied arena of cultural production and political debate. mediate the tension between the ostensibly de-racialized body politic and the hyper-racialized black, female body, reimagining the cultural and political ground that guides various articulations of American national belonging. Brown shows how and why black women writers and artists matter as agents of change, how and why the form and content of their works must be recognized and reconsidered in the increasingly frenzied arena of cultural production and political debate.


Fearing the Black Body

Fearing the Black Body

Author: Sabrina Strings

Publisher: NYU Press

Published: 2019-05-07

Total Pages: 292

ISBN-13: 1479886750

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Winner, 2020 Body and Embodiment Best Publication Award, given by the American Sociological Association Honorable Mention, 2020 Sociology of Sex and Gender Distinguished Book Award, given by the American Sociological Association How the female body has been racialized for over two hundred years There is an obesity epidemic in this country and poor Black women are particularly stigmatized as “diseased” and a burden on the public health care system. This is only the most recent incarnation of the fear of fat Black women, which Sabrina Strings shows took root more than two hundred years ago. Strings weaves together an eye-opening historical narrative ranging from the Renaissance to the current moment, analyzing important works of art, newspaper and magazine articles, and scientific literature and medical journals—where fat bodies were once praised—showing that fat phobia, as it relates to Black women, did not originate with medical findings, but with the Enlightenment era belief that fatness was evidence of “savagery” and racial inferiority. The author argues that the contemporary ideal of slenderness is, at its very core, racialized and racist. Indeed, it was not until the early twentieth century, when racialized attitudes against fatness were already entrenched in the culture, that the medical establishment began its crusade against obesity. An important and original work, Fearing the Black Body argues convincingly that fat phobia isn’t about health at all, but rather a means of using the body to validate race, class, and gender prejudice.


The Cambridge Companion to American Literature and the Body

The Cambridge Companion to American Literature and the Body

Author: Travis M. Foster

Publisher: Cambridge University Press

Published: 2022-06-30

Total Pages: 305

ISBN-13: 1108841929

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This volume offers a rigorous yet accessible overview of the key questions and intersectional approaches pertaining to American literature and the body. The chapters have been written in an accessible style, making them useful for undergraduates as well as for more experienced researchers.


Reading Contemporary African American Literature

Reading Contemporary African American Literature

Author: Beauty Bragg

Publisher: Lexington Books

Published: 2014-11-12

Total Pages: 141

ISBN-13: 0739188798

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Reading Contemporary African American Literature focuses on the subject of contemporary African American popular fiction by women. Bragg’s study addresses why such work should be the subject of scholarly examination, describes the events and attitudes which account for the critical neglect of this body of work, and models a critical approach to such narratives that demonstrates the distinctive ways in which this literature captures the complexities of post-civil rights era black experiences. In making her arguments regarding the value of popular writing, Bragg argues that black women’s popular fiction foregrounds gender in ways that are frequently missing from other modes of narrative production. They exhibit a responsiveness and timeliness to the shifting social terrain which is reflected in the rapidly shifting styles and themes which characterize popular fiction. In doing so, they extend the historical function of African American literature by continuing to engage the black body as a symbol of political meaning in the social context of the United States. In popular literature Beauty Bragg locates a space from which black women engage a variety of public discourses.


Female Body Image in Contemporary Art

Female Body Image in Contemporary Art

Author: Emily L. Newman

Publisher: Routledge

Published: 2018-05-23

Total Pages: 308

ISBN-13: 1351859153

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Numerous contemporary artists, particularly female artists, have chosen to examine the idealization of the female body. In this crucial book, Emily L. Newman focuses on a number of key themes including obesity, anorexia, bulimia, dieting, self-harm, and female body image. Many artists utilize their own bodies in their work, and in the act of trying to critique the diet industry, they also often become complicit, as they strive to lose weight themselves. Making art and engaging eating disorder communities (in real life and online) often work to perpetuate the illnesses of themselves or others. A core group of artists has worked to show bodies that are outside the norm, paralleling the rise of fat activism in the 1990s and 2000s. Interwoven throughout this inclusive study are related interdisciplinary concerns including sociology, popular culture, and feminism.


Black Female Sexualities

Black Female Sexualities

Author: Trimiko Melancon

Publisher: Rutgers University Press

Published: 2015-01-26

Total Pages: 243

ISBN-13: 0813571758

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Western culture has long regarded black female sexuality with a strange mix of fascination and condemnation, associating it with everything from desirability, hypersexuality, and liberation to vulgarity, recklessness, and disease. Yet even as their bodies and sexualities have been the subject of countless public discourses, black women’s voices have been largely marginalized in these discussions. In this groundbreaking collection, feminist scholars from across the academy come together to correct this omission—illuminating black female sexual desires marked by agency and empowerment, as well as pleasure and pain, to reveal the ways black women regulate their sexual lives. The twelve original essays in Black Female Sexualities reveal the diverse ways black women perceive, experience, and represent sexuality. The contributors highlight the range of tactics that black women use to express their sexual desires and identities. Yet they do not shy away from exploring the complex ways in which black women negotiate the more traumatic aspects of sexuality and grapple with the legacy of negative stereotypes. Black Female Sexualities takes not only an interdisciplinary approach—drawing from critical race theory, sociology, and performance studies—but also an intergenerational one, in conversation with the foremothers of black feminist studies. In addition, it explores a diverse archive of representations, covering everything from blues to hip-hop, from Crash to Precious, from Sister Souljah to Edwidge Danticat. Revealing that black female sexuality is anything but a black-and-white issue, this collection demonstrates how to appreciate a whole spectrum of subjectivities, experiences, and desires.


Summoning Our Saints

Summoning Our Saints

Author: John Wharton Lowe

Publisher: Rowman & Littlefield

Published: 2019-09-17

Total Pages: 212

ISBN-13: 1498581609

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Summoning Our Saints: The Poetry and Prose of Brenda Marie Osbey celebrates and illuminates the poetry and prose of one of the South’s and the nation’s most notable writers. A native of New Orleans and a former poet laureate of Louisiana who served magnificently in that function during the dark days after Hurricane Katrina, Osbey has summoned up a magical, beguiling, sometimes chilling and appalling portrait of the myriad chapters of New Orleans, Southern, and hemispheric history. Her dazzling narratives offer apertures into desire, death and remembrance, often through the voices of neglected and abused citizens. The essays in this collection examine Osbey’s essays and poetry collections, situating them within greater traditions of African American women’s writing, blues music, and West African religious traditions and Catholicism. The chapters are punctuated throughout with Osbey’s own reflections on her work and bring a long-needed and appreciative critical focus to a great artist, elucidating her contributions to our common cultural heritage. The book examines Osbey’s meditations on topics such as colonization, the African diaspora, the circumCaribbean, and contemporary parallels between Europe and the United States to showcase the ways in which they add valuable new insights to transnational studies.