The Black Cultural Front

The Black Cultural Front

Author: Brian Dolinar

Publisher: Univ. Press of Mississippi

Published: 2012-04-27

Total Pages: 289

ISBN-13: 1617032697

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This book examines the formation of a black cultural front by looking at the works of poet Langston Hughes, novelist Chester Himes, and cartoonist Ollie Harrington. While none of these writers were card-carrying members of the Communist Party, they all participated in the Left during their careers. Interestingly, they all turned to creating popular culture in order to reach the black masses who were captivated by movies, radio, newspapers, and detective novels. There are chapters on Hughes's "Simple" stories, Himes's detective fiction, and Harrington's "Bootsie" cartoons. Collectively, the experience of these three figures contributes to the story of a "long" movement for African American freedom that flourished during the 1930s, 1940s, and 1950s. Yet this book also stresses the impact that McCarthyism had on dismantling the Black Left and how it affected each individual involved. Each was radicalized at a different moment and for different reasons.


The Black Cultural Front

The Black Cultural Front

Author: Brian Dolinar

Publisher: Univ. Press of Mississippi

Published: 2012-07-09

Total Pages: 386

ISBN-13: 1626744149

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The Black Cultural Front describes how the social and political movements that grew out of the Depression facilitated the left turn of several African American artists and writers. The Communist-led John Reed Clubs brought together Black and white writers in writing collectives. The efforts of the Congress of Industrial Organizations (CIO) to recruit Black workers inspired growing interest in the labor movement. One of the most concerted efforts was made by the National Negro Congress (NNC), a coalition of civil rights and labor organizations, which held cultural panels at its national conferences, fought segregation in the culture industries, promoted cultural education, and involved writers and artists in staging mass rallies during World War II. The formation of a black cultural front is examined by looking at the works of poet Langston Hughes, novelist Chester Himes, and cartoonist Ollie Harrington. While none of them were card-carrying members of the Communist Party, they all participated in the Left at one point in their careers. Interestingly, they all turned to creating popular culture in order to reach the black masses who were captivated by the movies, radio, newspapers, and detective novels. There are chapters on the Hughes’ “Simple” stories, Himes’ detective fiction, and Harrington’s Bootsie cartoons. Collectively, the experience of these three figures contributes to the story of a “long” movement for African American freedom that flourished during the 1930s, 1940s, and 1950s. Yet this book also stresses the impact that McCarthyism had on dismantling the Black Left and how it affected everyone involved. Each was radicalized at a different moment and for varied reasons. Each suffered for their past allegiances, whether fleeing to the haven of the “Black Bank” in Paris or staying home and facing the House Un-American Activities Committee (HUAC). Yet the lasting influence of the Depression in their work was evident for the rest of their lives.


The Cultural Front

The Cultural Front

Author: Michael Denning

Publisher: Verso

Published: 1998

Total Pages: 596

ISBN-13: 9781859841709

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As garment workers, longshoremen, autoworkers, sharecroppers and clerks took to the streets, striking and organizing unions in the midst of the Depression, artists, writers and filmmakers joined the insurgent social movement by creating a cultural front. Disney cartoonists walked picket lines, and Billie Holiday sand 'Strange Fruit' at the left-wing cabaret, Café Society. Duke Ellington produced a radical musical, Jump for Joy, New York garment workers staged the legendary Broadway revue Pins and Needles, and Orson Welles and his Mercury players took their labor operas and anti-fascist Shakespeare to Hollywood and made Citizen Kane. A major reassessment of US cultural history, The Cultural Front is a vivid mural of this extraordinary upheaval which reshaped American culture in the twentieth century.


The Other Blacklist

The Other Blacklist

Author: Mary Washington

Publisher: Columbia University Press

Published: 2014-04-22

Total Pages: 370

ISBN-13: 0231152701

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Revealing the formative influence of 1950s leftist radicalism on African American literature and culture.


Half in Shadow

Half in Shadow

Author: Shanna Greene Benjamin

Publisher: UNC Press Books

Published: 2021-04-01

Total Pages: 277

ISBN-13: 1469661896

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Nellie Y. McKay (1930–2006) was a pivotal figure in contemporary American letters. The author of several books, McKay is best known for coediting the canon-making with Henry Louis Gates Jr., which helped secure a place for the scholarly study of Black writing that had been ignored by white academia. However, there is more to McKay's life and legacy than her literary scholarship. After her passing, new details about McKay's life emerged, surprising everyone who knew her. Why did McKay choose to hide so many details of her past? Shanna Greene Benjamin examines McKay's path through the professoriate to learn about the strategies, sacrifices, and successes of contemporary Black women in the American academy. Benjamin shows that McKay's secrecy was a necessary tactic that a Black, working-class woman had to employ to succeed in the white-dominated space of the American English department. Using extensive archives and personal correspondence, Benjamin brings together McKay’s private life and public work to expand how we think about Black literary history and the place of Black women in American culture.


The Black Book

The Black Book

Author: M. A. Harris

Publisher: Random House (NY)

Published: 1974

Total Pages: 218

ISBN-13:

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Copiously illustrated scrap-book on folk culture of Black people from early days of slavery through the present. Includes photographs, illustrations, advertisements, plans, form documents, sheet music, and more all printed in facsimile.


The Negro Motorist Green Book

The Negro Motorist Green Book

Author: Victor H. Green

Publisher: Colchis Books

Published:

Total Pages: 222

ISBN-13:

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The Negro Motorist Green Book was a groundbreaking guide that provided African American travelers with crucial information on safe places to stay, eat, and visit during the era of segregation in the United States. This essential resource, originally published from 1936 to 1966, offered a lifeline to black motorists navigating a deeply divided nation, helping them avoid the dangers and indignities of racism on the road. More than just a travel guide, The Negro Motorist Green Book stands as a powerful symbol of resilience and resistance in the face of oppression, offering a poignant glimpse into the challenges and triumphs of the African American experience in the 20th century.


Crip Theory

Crip Theory

Author: Robert McRuer

Publisher: NYU Press

Published: 2006-06

Total Pages: 299

ISBN-13: 081475712X

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McRuer makes a case that queer and disabled identities, politics, and cultural logics are inexorably intertwined, and that queer and disability theory need one another. Crip theory makes clear that no cultural analysis is complete without attention to the politics of bodily ability and 'alternative corporealities'.


Dear Hero

Dear Hero

Author: Jason McCall

Publisher:

Published: 2013

Total Pages: 0

ISBN-13: 9780984635399

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Poetry. African American Studies. DEAR HERO, is a crime scene investigation disguised as a love letter. The Hero's Journey is lined with caution tape. Our prayers have been subpoenaed. The bloodstained altars are being processed for DNA. Immortals lie on the autopsy table, and our narrator is checking the gods' entrails for clues, for any signs of hope. Like Gary Jackson's Missing You, Metropolis, Jason McCall is a poet who walks around with a book full of lyrical needles, letting the air out of heroicballoons, not because he can, but to help us see the outlines of ourselves sharper, clearer. What the Gods calls flaws, this fast-talking yet tender poet calls living.--Cornelius Eady McCall's DEAR HERO, follows the melancholy heartbeat behind our love of superheroes--the brokenness of humanity, our struggles with power and powerlessness, the fate of the outsider to long to be a savior. His forthright language is laced with both humor and longing, the desire to break boundaries and limitations almost palpable.--Jeannine Hall Gailey


The Negro in Illinois

The Negro in Illinois

Author: Brian Dolinar

Publisher: University of Illinois Press

Published: 2013-07-01

Total Pages: 338

ISBN-13: 0252094956

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A major document of African American participation in the struggles of the Depression, The Negro in Illinois was produced by a special division of the Illinois Writers' Project, one of President Roosevelt's Works Progress Administration programs. The Federal Writers' Project helped to sustain "New Negro" artists during the 1930s and gave them a newfound social consciousness that is reflected in their writing. Headed by Harlem Renaissance poet Arna Bontemps and white proletarian writer Jack Conroy, The Negro in Illinois employed major black writers living in Chicago during the 1930s, including Richard Wright, Margaret Walker, Katherine Dunham, Fenton Johnson, Frank Yerby, and Richard Durham. The authors chronicled the African American experience in Illinois from the beginnings of slavery to Lincoln's emancipation and the Great Migration, with individual chapters discussing various aspects of public and domestic life, recreation, politics, religion, literature, and performing arts. After the project was canceled in 1942, most of the writings went unpublished for more than half a century--until now. Working closely with archivist Michael Flug to select and organize the book, editor Brian Dolinar compiled The Negro in Illinois from papers at the Vivian G. Harsh Collection of Afro-American History and Literature at the Carter G. Woodson Library in Chicago. Dolinar provides an informative introduction and epilogue which explain the origins of the project and place it in the context of the Black Chicago Renaissance. Making available an invaluable perspective on African American life, this volume represents a publication of immense historical and literary importance.