On the abysmal fringes of sanity itself lies a repository of tales from realms untold. The Bizarchives: Weird Tales of Monsters, Magic and Machines holds secrets of far flung galaxies, haunted dimensions and fantastical heroes. Inspired by the works of HP Lovecraft and Robert E Howard, this compilation of short stories takes a reader through all things strange and exhilarating. 15 stories written by lifelong enthusiasts of the sci-fi, fantasy and horror genres The Bizarchives is an unapologetic homage to the golden era of pulp fiction. If you love Conan, Cthulhu and everything in between you won't want to miss this.
The Bizarchives is back! In issue 2 we bring to you a dozen more strange tales from up and coming new authors in the genres of fantasy, sci-fi and cosmic horror. Several of your favorite authors from our debut issue return alongside some fresh faces making their debut in print. And to top it all off, this issue features full interior art from the mighty Donald Kent!
A FICTION HOUSE PRESS REPRINT: An outlaw of space, she was, with the strength of ten men. Here is an interplanetary story that will fill you with enthusiasm. She whipped the man she loved ... then rescued him from death. This is the Golden Amazon in all of her original pulp adventures with the original illustrations.
A deadly new drug has hit the streets of Scarmouth, one which turns users into bloodthirsty maniacs with superhuman tolerance for pain. Through insidious design a large quantity has fallen into the hands of squatters occupying the derelict Victoria cliff hotel. It's a bad place for a group of woke, virtue-signalling social media influencers to promote their new homeless charity, but they've got a PR story in the making. One of their party is searching for a long-lost sister and if they can find her they believe the stunt could bring them international attention. Rhonda Caine doesn't care at all about the group's motives. She just wants to find her sister. The girl's been missing for weeks now and her life had been on a steady decline for a long time before that. She's not the only one looking for something. Hired muscle, Fred and Pinkie have been tasked to recover that lost drug shipment. They know what it's doing to people. What they don't know is just how many have been affected already, but within the bowels of that derelict hotel breeds a mindless, homicidal legion. Scarmouth is known as the coastal town they forgot to burn down. It'll only take a few hot doses to finally set it alight.
"Advances in machine learning and neural networks had opened new doors in languages processing, in genetic science, in art, and in music. Behind the final door we had hoped to find desire itself, and lust, and carnality more carnal than carnal. Since then we have learned that some doors should stay closed forever."[[ Follow Zero HP Lovecraft* on Twitter @0x49fa98 ]]THIS WORK IS AVAILABLE ENTIRELY FOR FREE ON THE AUTHOR`S WEBSITE*Please note that this publication has been authorized by, but is not associated with the author of the work and is sold at cost to print.๐ฐ๐ณ๐ช๐จ๐ช๐ฏ๐ข๐ญ๐ญ๐บ ๐ฑ๐ถ๐ฃ๐ญ๐ช๐ด๐ฉ๐ฆ๐ฅ ๐๐ฆ๐ค๐ฆ๐ฎ๐ฃ๐ฆ๐ณ 29๐ต๐ฉ, 2020. ๐ต๐ฉ๐ช๐ด ๐ท๐ฆ๐ณ๐ด๐ช๐ฐ๐ฏ ๐ง๐ช๐น๐ฆ๐ด ๐ฎ๐ช๐ฏ๐ฐ๐ณ ๐ต๐บ๐ฑ๐ฐ๐ด ๐ข๐ด ๐ธ๐ฆ๐ญ๐ญ ๐ข๐ด ๐ข ๐ฎ๐ช๐ด๐ข๐ญ๐ช๐จ๐ฏ๐ฎ๐ฆ๐ฏ๐ต ๐ฐ๐ง ๐ต๐ฉ๐ฆ ๐ต๐ฆ๐น๐ต ๐ฐ๐ฏ ๐ต๐ฉ๐ฆ ๐ฃ๐ข๐ค๐ฌ ๐ค๐ฐ๐ท๐ฆ๐ณ
The Citadel of Fear, an anthology showcasing the work of Gertrude Barrows Bennett, who wrote under the pseudonym Francis Stevens, is a cornerstone in the foundation of science fiction literature. Within its pages, readers will discover an array of speculative narratives that transcend time and space, weaving together elements of fantasy, horror, and early science fiction. The collection encapsulates the diverse and groundbreaking storytelling techniques of its era, offering a splendid display of Stevens' pioneering imagination and mastery over the speculative. Its standout pieces not only explore the unknown but also delve into the complexities of human emotion and the interplay between fear and curiosity, making it a significant contribution to the genre's evolution. The authors behind these narratives, particularly Stevens, are considered trailblazers in science fiction. Bennett, an unsung heroine of her time, effectively laid the groundwork for future generations of writers within these genres. Through her unique lens, readers are offered a glimpse into the early 20th century's burgeoning fascination with the speculative and the fantastic. The anthology aligns with pivotal moments in literary history, where the boundaries of reality are pushed, and new worlds are conceived, cementing its place within the pantheon of science fiction classics. This collection is recommended for those intrigued by the roots of science fiction and the remarkable breadth of themes it encompasses. It offers a unique opportunity to experience the visionary work of Gertrude Barrows Bennett, whose contributions have significantly shaped the landscape of speculative fiction. The Citadel of Fear serves not only as a portal to imaginative realms but also as a critical resource for understanding the evolution of science fiction. Readers, scholars, and enthusiasts alike will find value in this anthology, for it fosters a greater appreciation of the genre's complexities and the diverse perspectives that have contributed to its enduring legacy.
This study investigates social and environmental impacts caused by an ecolabeled notebook along its entire life cycle. In order to analyse the divers effects of the laptop, a social life cycle assessment and an environmental life cycle assessment were performed in parallel. Both assessments together provide a holistic overview of positive and negative impacts in regard to social and environmental sustainability.This book contains the complete final report written by GreenDeltaTC on behalf of the Belgian Federal Public Planning Service Sustainable Development. It comprises the methodological background, the social inventory, process modifications with regard to the environmental inventory, and detailed results of the impact assessment phase. Further, a newly developed social impact assessment method is presented and applied. In addition, recommendations on company and policy level were derived.
Having outlined a theory of bullshit and falsehood, Harry G. Frankfurt turns to what lies beyond them: the truth, a concept not as obvious as some might expect.Our culture's devotion to bullshit may seem much stronger than our apparently halfhearted attachment to truth. Some people (professional thinkers) won't even acknowledge "true" and "false" as meaningful categories, and even those who claim to love truth cause the rest of us to wonder whether they, too, aren't simply full of it. Practically speaking, many of us deploy the truth only when absolutely necessary, often finding alternatives to be more saleable, and yet somehow civilization seems to be muddling along. But where are we headed? Is our fast and easy way with the facts actually crippling us? Or is it "all good"? Really, what's the use of truth, anyway?With the same leavening wit and commonsense wisdom that animates his pathbreaking work On Bullshit, Frankfurt encourages us to take another look at the truth: there may be something there that is perhaps too plain to notice but for which we have a mostly unacknowledged yet deep-seated passion. His book will have sentient beings across America asking, "The truthโwhy didn't I think of that?"
The financial crisis is destroying wealth but is also a remarkable opportunity to uncover the ways by which debt can be used to regulate the economic system. This book uses four case studies of cooperatives to give an in-depth analysis on how they have braved the crisis and continued to generate wealth.
About the loss of Western art to a false art philosophy, nihilism, industrialization, and a corrupt art establishment. Art, tasteful รฆsthetics, high culture, & standards have all but vanished from the modern world. An ancient tradition has been carelessly discarded and is close to being lost forever. Why is this? Why were beauty values important to our ancestors? What was their philosophy of art, and what is ours? Can we bring back real art?
