This latest in Smith and Kraus's popular series is a terrific collection of scenes for two men, for two women, and for one man and one woman, all from plays first published and/or produced in 2006/2007 and most are appropriate for use by young actors. Scenes are taken from:ALL THAT I WILL EVER BE by Alan Ball ALL THIS INTIMACY by Rajiv Joseph ASYLUM by Keith Aisner BFF by Anna Ziegler BHUTAN by Daisy Foote BLUR by Melanie Marnich BYE, BYE, MARGARITA by Gavin Lawrence.CHECK PLEASE: TAKE 2 by Jonathan Rand THE DEAD GUY by Eric Coble DOG SEES GOD: CONFESSIONS OF A TEENAGED BLOCKHEAD by Bert V by Royal LEVITTOWN by Marc Palmieri LIFE SCIENCE by Anna ZieglerMANUSCRIPT by Paul GrellongTHE MISTAKES MADELINE MADE by Elizabeth Meriwether PUBLIC TRANSPORTATION by Warren C by Bowles STRAIGHT ON TIL MORNING by Trish Harnetiaux STRIKE/SLIP by Naomi Iizuka THEY'RE JUST LIKE US by Boo Killebrew VICTORIA MARTIN: MATH TEAM QUEEN by Kathryn Walat ASYLUM by Keith Aisner COUNTY LINE by Christina Hamm DARK PLAY; OR, STORIES FOR BOYS by Carlos Murillo DUES by Dwight Hobbes INDIAN BLOOD by A by R by Gurney LEADING LADIES by Ken Ludwig OVER THE TAVERN by Tom Dudzick POOF! Lynn Nottage THE RADIANT ABYSS by Angus MacLachlan SECRETARY OF SHAKE by Eisa Davis THE SPIRIT IS WILLING by Nicole Quinn Stage Directions - Off The Shelf, May 2008
In these pages you will find a rich and varied selection of scenes from recent plays, for a wide variety of age groups. Many are comic (laughs), many are dramatic (generally, no laughs). Some are rather short, some are rather long. All represent the best in contemporary playwriting. Several of these pieces are by playwrights whose work may be familiar to you such as Don Nigro, Theresa Rebeck, Adam Bock, José Rivera, Peter Parnell and Aaron Sorkin; others are by exciting up-and-comers like Jim Knable, Hilary Bettis, Rogelio Martinez, Mike Batistick, Catherine Trieschmann, Anne Garcia-Romero, Jenny Lyn Bader and David Davalos. All are representative of the best of contemporary writing for the stage. Most of the plays from which these scenes have been culled have been published and, hence, are readily available either from the publisher/licensor or from a theatrical book store such as Drama Book Shop in New York. A few plays may not be published for a while, in which case contact the author or his agent for a copy of the entire text of the play which suits your fancy. Information on publishers/rights holders may be found in the Rights and Permissions section in the back of this anthology. Break a leg in that audition! Knock 'em dead in class! Lawrence Harbison Brooklyn, NY
The scenes contained in this volume are presented exactly as written by the playwrights, with no internal deletions. The introductions to each follow the headings "Characters," "Scene," and "Time"; the playwrights' stage directions are contained in parent
This year Smith and Kraus has decided to combine its annual best monologues and best scenes anthologies. The scenes included in this book are either for two men or for one man and one woman. The latter are scenes in which the male role is predominant.Here you will find a rich and varied selection of monologues and scenes from plays that were produced and/or published in the 2008-2009 theatrical season. Most are for younger performers (teens through thirties), but there are also some excellent pieces for men in their forties and fifties, and even a few for older performers. Some are comic (laughs), some are dramatic (generally, no laughs). Some are rather short, some are rather long. All represent the best in contemporary playwriting.Several of the monologues are by playwrights whose work may be familiar to you, such as Don Nigro, A. R. Gurney, Sam Bobrick, Terrence McNally, Adam Rapp, Steven Dietz, Itamar Moses, Stephen Belber, Keith Reddin, Naomi Iizuka, Michael Weller, Roberto Aguirre-Sacasa, Richard Vetere, Bruce Graham, Jacquelyn Reingold, Sam Shepard, and Nicky Silver; others are by exciting up-and-comers like Octavio Solis, Lydia Stryk, Michael Vukadinovich, Liz Flahive, John Kolvenbach, Sylvia Reed, Barton Bishop, Padraic Lillis, Michael Golamco, and Lucy Thurber.The scenes are by master playwrights, such as Itamar Moses, Noah Haidle, Aguirre-Sacasa, and Silver, and by exciting new writers, such as Saviana Stanescu, E. M. Lewis, Jonathan Rand, Kolvenbach, Golamco, Larry Kunofsky, and Susan Bernfield. About the AuthorFor over thirty years Lawrence Harbison was in charge of new play acquisition for Samuel French, Inc., during which time his work on behalf of playwrights resulted in the first publication of such subsequent luminaries as Jane Martin, Don Nigro, Tina Howe, Theresa Rebeck, Jose Rivera, William Mastrosimone, Charles Fuller, and Ken Ludwig, among many others; and the acquisition of musicals such as Smoke of the Mountain, A...My Name Is Alice, Little Shop of Horrors and Three Guys Naked from the Waist Down. He is a now a free-lance editor, primarily for Smith and Kraus, Inc., for whom he edits annual anthologies of best plays by new playwrights and women playwrights, best ten-minute plays and best monologues and scenes for men and for women. For many years he wrote a weekly column on his adventures in the theater for two Manhattan Newspapers, the Chelsea Clinton News and The Westsider. His new column, On the Aisle with Larry, is a weekly feature at the Smith and Kraus website. He works with individual playwrights to help them develop their plays (visit Lawrence's website for details). He has also served as literary manager or literary consultant for several theatres, such as Urban Stages and American Jewish Theatre. He is a member of the NYC press corps and is an Outer Critics Circle member. He has served many times over the years as a judge and commentator for various national play contests and lectures regularly at colleges and universities. He holds a B.A. from Kenyon College and an M.A. from the University of Michigan. He is currently working on a book, Masters of the Contemporary American Drama.
This new collection brings together plays and monologues from the National Black Theatre Festival, one of the most historic and culturally significant events—not only in the history of Black theater but in American theater. Held every two years in Winston-Salem, North Carolina, this gathering of Black theater companies and artists from around the country and across the globe features an extraordinary array of performances, workshops, films, spoken-word poetry, and more. Established in 1989 by Larry Leon Hamlin and the North Carolina Black Repertory Company, this volume includes three full-length plays produced at the Festival: Maid’s Door by Cheryl L. Davis Berta, Berta by Angelica Chéri Looking for Leroy by Larry Muhammad This collection also includes seventeen monologues and scenes selected from each year of the Festival, featuring the artists and playwrights: Jackie Alexander, Ifa Bayeza, Pearl Cleage, Kamilah Forbes, Endesha Ida Mae Holland, Javon Johnson, Rhodessa Jones, and others.
Wilson's Public Library Core Collection: Nonfiction (13th Edition, 2008) recommends reference and nonfiction books for the general adult audience. It is a guide to over 9,000 books (over 6,500 titles are new to this edition), plus review sources and other professional aids for librarians and media specialists. Acquisitions librarians, reference librarians and cataloguers can all use this reliable guide to building and maintaining a well-rounded collection of the most highly recommended reference and nonfiction books for adults. All titles are selected by librarians, editors, advisors, and nominators-all of them experts in public library services. The collection is a valuable tool for collection development and maintenance, reader's advisory, weeding your collection, and curriculum support. Richly enhanced records provide a wealth of useful information. All entries include complete bibliographic data as well as price, subject headings, annotations, grade level, Dewey classification, cover art, and quotations from reviews. Many entries also list awards, best-book lists, and starred reviews. Save Time: Efficiently organised and includes ""Starred"" titles Save Money: Allocate your resources to the best materials available Stay Relevant: Discover the best in important, contemporary categories Complete Coverage: Includes recommendations on periodicals and electronic resources, too Four-Year Subscription This Core Collection was originally sold as a four-year subscription. The core edition, published in 2008, delivers a library-bound volume with an extensive, selective list of recommended books. From 2009 to 2011 Wilson published extensive paperback supplements to the 2008 edition. A new cycle of materials will begin in 2012. However, the 2008 to 2011 materials are currently available. Buyers of them will receive all these materials immediately. All four years are only $420. Uniquely Valuable There is nothing quite like Wilson Core Collections. The accumulated expertise of our selectors, and the unquestioned reputation of these collections, is invaluable. Wilson Core Collections are universally recognised as impartial and expert aids to collection development that assist and reinforce the judgement of librarians everywhere. Selection to a Wilson Core Collection is strong support to any challenged purchase. Contemporary Relevance This Core Collection includes broad updates in the areas of crafts; terrorism, and international security; environment and global warming; diseases and medicine; and religion, plus other contemporary topics that keep the library's collection as current as today's headlines. Other Key Features Classified Catalogue - A list arranged by Dewey Decimal Classification, with complete cataloguing information for each book. Author, Title, Subject and Analytical Index - An in-depth key to the information in Classified Catalogue-including author and title analytics for works contained in anthologies and collections. Richly enhanced records provide complete bibliographic data, price, subject headings, descriptive annotations, grade level, Dewey classification, evaluative quotations from a review, when available. Listing works published in the United States, or published in Canada or the United Kingdom and distributed in the United States, Public Library Core Collection: Nonfiction features extensive revisions in the areas of health, science and technology, personal finance, sports, cooking and gardening, and handicrafts. Biography, poetry and literary criticism continue to receive comprehensive treatment. Reference works in all subject fields are included.
Live theatre was once the main entertainment medium in the United States and the United Kingdom. The preeminent dramatists and actors of the day wrote and performed in numerous plays in which crime was a major plot element. This remains true today, especially with the longest-running shows such as The Phantom of the Opera, Les Miserables and Sweeney Todd. While hundreds of books have been published about crime fiction in film and on television, the topic of stage mysteries has been largely unexplored. Covering productions from the 18th century to the 2013-2014 theatre season, this is the first history of crime plays according to subject matter. More than 20 categories are identified, including whodunits, comic mysteries, courtroom dramas, musicals, crook plays, social issues, Sherlock Holmes, and Agatha Christie. Nearly 900 plays are described, including the reactions of critics and audiences.
The Art Gallery on Stage is the first book to consider the representation of the art gallery on the contemporary British stage and to discuss how playwrights have begun to regard it as inspiration, location, focus or theme in an ever-more intense game of cross-fertilization. The study analyzes the impact on dramatic form and theatrical presentation of what has been a paradigmatic shift in the way art galleries and museums display their collections and how these are perceived, establishing a hitherto unexplored connection between modes of exhibiting and modes of representation. It traces a trajectory from plays that were initially performed in traditional theatres in accordance with a naturalistic play structure to plays that favour of a radical reconfiguration of visual representation. Indeed, since the beginning of the new millennium, playwrights and theatre-makers have increasingly experimented with new dramatic forms and site-specific venues, while forging collaborations with art makers and curators. The book focuses on plays from the 1980s onwards, such as Howard Barker's Scenes from an Execution, Nick Dear's The Art of Success, Alan Bennett's A Question of Attribution, Timberlake Wertenbaker's Three Birds Alighting on a Field and The Line, David Edgar's Pentecost, Martin Crimp's Attempt on Her Life, Rebecca Lenkiewicz's Shoreditch Madonna and The Painter, David Leddy's Long Live the Little Knife, and Tim Crouch's My Arm, An Oak Tree and England, and considers the vital contribution to the field made by set designers. Ultimately, through this study, we come to understand how modern drama can offer a set of interpretative tools to enhance our understanding of the mechanisms underlying the social construction of art and, furthermore, the potential of theatre and the gallery space to question our fundamental cultural assumptions and values.
