Ben Calder is an artist teaching at one of Canada's oldest independent girl's school but Ben is beginning to unravel. A former high school sweetheart arrives in Toronto to be with her eighteen year old daughter. The daughter becomes jealous precipiating Ben's fall.
From the celebrated author of The English Patient and In the Skin of a Lion comes a remarkable novel of intersecting lives that ranges across continents and time. In the 1970s in northern California, near Gold Rush country, a father and his teenage daughters, Anna and Claire, work their farm with the help of Coop, an enigmatic young man who makes his home with them. Theirs is a makeshift family, until it is riven by an incident of violence—of both hand and heart—that sets fire to the rest of their lives. Divisadero takes us from the city of San Francisco to the raucous backrooms of Nevada’s casinos, and eventually to the landscape of south central France. It is here, outside a small rural village, that Anna becomes immersed in the life and the world of a writer from an earlier time—Lucien Segura. His compelling story, which has its beginnings at the turn of the century, circles around “the raw truth” of Anna’s own life, the one she’s left behind but can never truly leave. And as the narrative moves back and forth in time and place, we discover each of the characters managing to find some foothold in a present rough-hewn from the past. Breathtakingly evoked and with unforgettable characters, Divisadero is a multi-layered novel about passion, loss, and the unshakable past, about the often discordant demands of family, love, and memory.
While Ben Cartwright crosses paths with San Francisco's waterfront king of crime during a visit there and must fight for his life, Ben's sons are driven from their ranch.
The concluding volume to the first biography of one of the most important, influential, and beloved twentieth-century sculptors, and one of the greatest artists in the cultural history of America--is a vividly written, illuminating account of his triumphant later years. The second and final volume of this magnificent biography begins during World War II, when Calder--known to all as Sandy--and his wife, Louisa, opened their home to a stream of artists and writers in exile from Europe. In the postwar decades, they divided their time between the United States and France, as Calder made his first monumental public sculptures and received blockbuster commissions that included Expo '67 in Montreal and the 1968 Olympics in Mexico City. Jed Perl makes clear how Calder's radical sculptural imagination shaped the minimalist and kinetic art movements that emerged in the 1960s. And we see, as well, that through everything--their ever-expanding friendships with artists and writers of all stripes; working to end the war in Vietnam; hosting riotous dance parties at their Connecticut home; seeing the "mobile," Calder's essential artistic invention, find its way into Webster's dictionary--Calder and Louisa remained the risk-taking, singularly bohemian couple they had been since first meeting at the end of the Roaring Twenties. The biography ends with Calder's death in 1976 at the age of seventy-eight--only weeks after an encyclopedic retrospective of his work opened at the Whitney Museum in New York--but leaves us with a new, clearer understanding of his legacy, both as an artist and a man.
Long before he was one of America's leading yachting writers, Nigel Calder was a novice cruiser with ambitions grander than his experience. Nigel and his partner Terrie were young and foolish, with a home-built boat that was new and untested, one child already and another on the way - but they were determined to complete an adventurous 18-month voyage from New Orleans to Venezuela and back. It was the voyage that made Calder the yachtsman he is today, a marvellous romp through the West Indies, seeing an unspoilt Caribbean, while learning hard-won lessons from direct experience - troubleshooting engines, kedging off shoals and reefs, and most importantly navigating Nada, a yacht that quickly became very much part of the burgeoning Calder family too. An adventure story and a colourful travelogue in one, Shakedown Cruise is a must-read for all who are curious about what it takes to become a cruising sailor or create an adventurous life, as well as those who are just looking to sail along with Nigel and his family.
Named a Best Book of the Year by The Guardian ● Esquire ● The White Review ● NPR Jem Calder's Reward System is a set of ultra-contemporary and electrifyingly fresh fictions about a generation on the cusp, enmeshed in Zooms and lockdowns, loneliness and love. Audacious fictions for a generation wondering: What now? Julia has landed a fresh start at an up-and-coming city restaurant. "Imagine that," says her mother. "I’m imagining." Her ex-boyfriend Nick is flirting with sobriety and nobody else. Did you know that adults his age are more likely to live with their parents than with a romantic partner? Life should have started to take shape by now—but instead we’re trying on new versions of ourselves, swiping left and right, searching for a good answer to the question "What do you do?"
It was the fabulous summer of 1929 when the literary capital of North America moved to La Rive Gauche—the Left Bank of the Seine River—in Paris. Ernest Hemingway was reading proofs of A Farewell to Arms, and a few blocks away F. Scott Fitzgerald was struggling with Tender Is the Night. As his first published book rose to fame in New York, Morley Callaghan arrived in Paris to share the felicities of literary life, not just with his two friends, Hemingway and Fitzgerald, but also with fellow writers James Joyce, Ford Madox Ford, and Robert McAlmon. Amidst these tangled relations, some friendships flourished while others failed. This tragic and unforgettable story comes to vivid life in Callaghan's lucid, compassionate prose.
The first biography of America's greatest twentieth-century sculptor, Alexander Calder: an authoritative and revelatory achievement, based on a wealth of letters and papers never before available, and written by one of our most renowned art critics. Alexander Calder is one of the most beloved and widely admired artists of the twentieth century. Anybody who has ever set foot in a museum knows him as the inventor of the mobile, America's unique contribution to modern art. But only now, forty years after the artist's death, is the full story of his life being told in this biography, which is based on unprecedented access to Calder's letters and papers as well as scores of interviews. Jed Perl shows us why Calder was--and remains--a barrier breaker, an avant-garde artist with mass appeal. This beautifully written, deeply researched book opens with Calder's wonderfully peripatetic upbringing in Philadelphia, California, and New York. Born in 1898 into a family of artists--his father was a well-known sculptor, his mother a painter and a pioneering feminist--Calder went on as an adult to forge important friendships with a who's who of twentieth-century artists, including Joan Miró, Marcel Duchamp, Georges Braque, and Piet Mondrian. We move through Calder's early years studying engineering to his first artistic triumphs in Paris in the late 1920s, and to his emergence as a leader in the international abstract avant-garde. His marriage in 1931 to the free-spirited Louisa James--she was a great-niece of Henry James--is a richly romantic story, related here with a wealth of detail and nuance. Calder's life takes on a transatlantic richness, from New York's Greenwich Village in the Roaring Twenties, to the Left Bank of Paris during the Depression, and then back to the United States, where the Calders bought a run-down old farmhouse in western Connecticut. New light is shed on Calder's lifelong interest in dance, theater, and performance, ranging from the Cirque Calder, the theatrical event that became his calling card in bohemian Paris to collaborations with the choreographer Martha Graham and the composer Virgil Thomson. More than 350 illustrations in color and black-and-white--including little-known works and many archival photographs that have never before been seen--further enrich the story.
Ripe with love, money, and power, the story of 35-year-old Rudolf--set in a fast-paced, urban environment--begs the question Do we only think we exist? Rudolf and his wife work day and night hoping for a better life--he is a philosophy graduate student and the manager of a car dealership. He also keeps up a heart-wrenching relationship with the chic Wanda. Then there is Nina, who studies logic but is secretly a prostitute, and Alfred, owner of a car-leasing company, seemingly upright, but actually an embezzler. Each character conceals something. Be it in Hungary or North America, the craving for existential clarity remains strong.