The ghost of dashing explorer Brendan Tyrell haunts Marissa Erickson, his biographer. Their meeting stirs up dangerous currents from the past as well as unsolved mysteries. What happened to Brendan
With four elegant and beautifully crafted novels Julien Gracq has established himself as one of France's premier postwar novelists. A mysterious and retiring figure, Gracq characteristically refused the Goncourt, France's most distinguished literary prize, when it was awarded to him in 1951 for this book. As the latest work in the Twentieth-Century Continental Fiction Series, Gracq'a masterpiece is now available for the first time in English. Set in a fictitious Mediterranean port city, The Opposing Shore is the first-person account of a young aristocrat sent to observe the activities of a naval base. The fort lies at the country's border; at its feet is the bay of Syrtes. Across the bay is territory of the enemy who has, for three hundred years, been at war with the narrator's countrymen; the battle has become a complex, tacit game in which no actions are taken and no peace declared. As the narrator comes to understand, everything depends upon a boundary, unseen but certain, separating the two sides. Besides the narrator there are two other main characters, the dark and laconic captain of the base and a woman whose compex relations to both sides of the war brings the narator deeper into the story's web. For many French readers The Opposing Shore (published as Le rivage des Syrtes ), with its theme of transgressions and boundaries, spoke to the issue of defeat and the desire to fail: a paticularly sensitive motif in postwar French literature. But there is nothing about the novel tying it either to France or to the 1950s; in fact, Gracq's novel, with its elaborate, richly detailed prose, will be of greater interest now than at any point in the last twenty years.
"Miles ahead of the average ghost-story" — Sunday Times. A novelist retreats to an abandoned house in the heart of London, where he becomes enthralled by an 18th-century spirit — and where his contact with the outside world gradually diminishes. Acclaimed by such masters as Lovecraft as one of the best ghost stories in the English language.
Move over, Christmas Carol—here’s a new holiday ghost story! It's Christmas Eve, and Kaye’s family is on the way to her grandmother’s house in a swirling snowstorm. Suddenly the car hits a patch of ice. It slides across the road and skids into a snow-filled ditch! Through the car window, Kaye spots a light in the woods. Its glow leads her and her parents through the blizzard. They find a warm cabin and a kindly old woman named Elsa. And Kaye finds something else—a green ghost who needs her help! Newbery Honor–winning author Marion Dane Bauer spins a third spooky tale to complement her previous stories, The Blue Ghost and The Red Ghost.
With entries that range from specific works to authors, folklore, and popular culture (including music, film, television, urban legend, and gaming), this book provides a single-volume resource on all things ghostly in the United States and in other countries. The concept of ghosts has been an ongoing and universal element in human culture as far back as recorded history can document. In more modern popular culture and entertainment, ghosts are a popular mainstay—from A Christmas Carol and Casper the Friendly Ghost to The Amityville Horror, Ghostbusters, Poltergeist, The Sixth Sense, and Ghost Whisperer. This book comprehensively examines ghost and spirit phenomena in all its incarnations to provide readers with a holistic perspective on the subject. It presents insightful information about the contribution of a specific work or author to establish or further the evolution of ghost lore, rather than concentrating solely on the film, literature, music, or folklore itself. The book focuses on ghosts in western culture but also provides information about spirit phenomena and lore in international settings, as many of the trends in popular culture dealing with ghosts and spirits are informed by authors and filmmakers from Germany, Japan, Korea, and the United Kingdom. The writers and editors are experts and scholars in the field and enthusiastic fans of ghost lore, ghost films, ghost hunting, and urban legends, resulting in entries that are informative and engaging—and make this the most complete and current resource on ghost and spirit lore available.