The first book written and printed in the New World, the Bay Psalm Book holds a unique place in our cultural history. A group of New England Clergy, believed led by Richard Mather, transcribed psalms into metered verse and, in 1640, printed it in Cambridge, Mass. Originals are extremely rare. With this reproduction of the first edition, the earliest book published in America will finally be available again to a modern audience.
'The Bay Psalm Book' was the first book to be printed in North America, twenty years after the arrival of the Pilgrim Fathers in Massachusetts. Now extremely rare - only eleven copies survive - it is also the most expensive book in the world, fetching over $14.2 million at auction.Worship in the 'mother tongue' and congregational hymns had become key tenets of Puritanism following the Reformation. New England Puritans were unhappy with contemporary translations of the Psalms and decided that they needed their own version, which would better represent their beliefs. A team of writers in the Massachusetts Bay settlement, including John Cotton and Richard Mather, set about translating the psalms into English from the original Hebrew, and setting the lyrics to a metre so that they could easily be sung in congregation. The resulting translation, 'The Whole Booke of Psalmes Faithfully Translated into English Metre,' was published in 1640 on a printing press brought over from Surrey. It became known as the Bay Psalm Book after the name of the colony that was home to its translators.Every page of this extraordinarily influential book, including the translators' preface, is faithfully reproduced here, complete with original printer's errors and binding marks. An introduction by Diarmaid MacCulloch sets the book in context and explains how this unassuming Psalter came to have a profound effect on the course of the Protestant faith in America. This edition is made from the original held at the Bodleian Library, one of the best preserved of the surviving copies, despite its accidental submersion in the river Thames in 1731, when the barge carrying it to Oxford unexpectedly sank.
"The first edition of the Bay Psalm Book, or New England version of the Psalms, printed by Stephen Daye at Cambridge, Massachusetts, in 1640, has the distinction of being the first book printed in English America. When the Pilgrims landed at Plymouth in 1620, and founded the first permanent colony in New England, they brought with them Henry Ainsworth's version of the Psalms in prose and metre, with the printed tunes. This version was used in the church at Plymouth until 1692. Elsewhere, the Puritan colonists of the Massachusetts Bay, coming over in 1629 and 1630, sang the words and tunes of Sternhold and Hopkins' Psalms, which for many years had been published with the ordinary editions of the English Bible"--Introduction.
Hugh Amory (1930-2001) was at once the most rigorous and the most methodologically sophisticated historian of the book in early America. Gathered here are his essays, articles, and lectures on the subject, two of them printed for the first time. An introduction by David D. Hall sets this work in context and indicates its significance; Hall has also provided headnotes for each of the essays. Amory used his training as a bibliographer to reexamine every major question about printing, bookmaking, and reading in early New England. Who owned Bibles, and in what formats? Did the colonial book trade consist of books imported from Europe or of local production? Can we go behind the iconic status of the Bay Psalm Book to recover its actual history? Was Michael Wigglesworth's Day of Doom really a bestseller? And why did an Indian gravesite contain a scrap of Psalm 98 in a medicine bundle buried with a young Pequot girl? In answering these and other questions, Amory writes broadly about the social and economic history of printing, bookselling and book ownership. At the heart of his work is a determination to connect the materialities of printed books with the workings of the book trades and, in turn, with how printed books were put to use. This is a collection of great methodological importance for anyone interested in literature and history who wants to make those same connections.
Psalms in the Early Modern World is the first book to explore the use, interpretation, development, translation, and influence of the Psalms in the Atlantic world, 1400-1800. In the age of Reformation, when religious concerns drove political, social, cultural, economic, and scientific discourse, the Bible was the supreme document, and the Psalms were arguably its most important book.The Psalms played a central role in arbitrating the salient debates of the day, including but scarcely limited to the nature of power and the legitimacy of rule; the proper role and purpose of nations; the justification for holy war and the godliness of peace; and the relationship of individual and community to God. Contributors to the collection follow these debates around the Atlantic world, to pre- and post-Hispanic translators in Latin America, colonists in New England, mystics in Spain, the French court during the religious wars, and both Protestants and Catholics in England. Psalms in the Early Modern World showcases essays by scholars from literature, history, music, and religious studies, all of whom have expertise in the use and influence of Psalms in the early modern world. The collection reaches beyond national and confessional boundaries and to look at the ways in which Psalms touched nearly every person living in early modern Europe and any place in the world that Europeans took their cultural practices.
Psalm Culture and Early Modern English Literature examines the powerful influence of the biblical Psalms on sixteenth- and seventeenth-century English literature. It explores the imaginative, beautiful, ingenious and sometimes ludicrous and improbable ways in which the Psalms were 'translated' from ancient Israel to Renaissance and Reformation England. No biblical book was more often or more diversely translated than the Psalms during the period. In church psalters, sophisticated metrical paraphrases, poetic adaptations, meditations, sermons, commentaries, and through biblical allusions in secular poems, plays, and prose fiction, English men and women interpreted the Psalms, refashioning them according to their own personal, religious, political, or aesthetic agendas. The book focuses on literature from major writers like Shakespeare and Milton to less prominent ones like George Gascoigne, Mary Sidney Herbert and George Wither, but it also explores the adaptations of the Psalms in musical settings, emblems, works of theology and political polemic.
Widely regarded as the modern C. S. Lewis, N. T. Wright, one of the world’s most trusted and popular Bible scholars and the bestselling author of Simply Christian and Surprised by Hope, presents a manifesto urging Christians to live and pray the Bible’s Psalms in The Case for the Psalms. Wright seeks to reclaim the power of the Psalms, which were once at the core of prayer life. He argues that, by praying and living the Psalms, we enter into a worldview, a way of communing with God and knowing him more intimately, and receive a map by which we understand the contours and direction of our lives. For this reason, all Christians need to read, pray, sing, and live the Psalms. By providing the historical, literary, and spiritual contexts for reading these hymns from ancient Israel’s songbook, The Case for the Psalms provides the tools for incorporating these divine poems into our sacred practices and into our spirituality itself.
[The author] traces the way the Psalms exemplify and create a grammar for living a life of faith. He explores both the genre and shape of the Psalter and focuses upon the themes of lament and of praise. He concludes that the Psalter directs readers to use the psalms of lament and praise as models for life, depending on God's justice in times of anger, singing God's praise in times of thanksgiving, and always acknowledging God as Lord over hardships and blessings. Only in this way, he argues, can humans live the faith of the Psalms -- a faith defined by complete dependence on God. -- paraphrased from jacket.
