The Battle of Dorking: Reminiscences of a Volunteer is an 1871 novella by George Tomkyns Chesney, starting the genre of invasion literature and an important precursor of science fiction. Written just after the Prussian victory in the Franco-Prussian War, it describes an invasion of Britain by a German-speaking country referred to in oblique terms as The Other Power or The Enemy. Excerpt: "You ask me to tell you, my grandchildren, something about my share in the great events that happened fifty years ago. 'Tis sad work turning back to that bitter page in our history, but you may perhaps take profit in your new homes from the lesson it teaches. For us, in England, it came too late. And yet we had plenty of warnings if we had only made use of them."
This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. Set several years the future, after a war between Germany and Great Britain in which the Germans won, "When William Came" chronicles life in London under German occupation and the changes that come with a foreign army's invasion and triumph. The "William" is actually Kaiser Wilhelm II of the House of Hohenzollern.
The literature of future wars is an exciting and popular genre embracing classics such as The War of the Worlds and mass-market bestsellers such as The Amtrak Wars. Here sci-fi meets the spy thriller, the war novel meets the novel of dystopia, quality fiction meets the bestseller. Orwell's Nineteen Eighty-Four, Erskine Childer's The Riddle of the Sands, and Ray Bradbury's Fahrenheit 451 are typical in combining critical and commercial success. This new edition of Voices Prophesying War shows how the genre developed, accounts for its success, and describes how it is still changing. The first examples of such fiction are as much concerned with politics as with war. The Anonymous Reign of George VI, published in 1763 and set in 1918 describes the triumphant imperialism of an English monarch who still leads his troops into battle on horseback. A century later the first recognizable classic of the genre, The Battle of Dorking, played on the theme of unpreparedness for war, describing a Prussian invasion of the British Isles. Imaginary invasions by the French, Germans, Americans, Russians, Soviets, and, of course, Martians, followed in huge numbers. Throughout the nineteenth century novelists wrote with increasing sophistication on the technology of war; often, as in the case of Conan Doyle and H. G. Wells, they were in advance of the generals and scientists, and their prophesies were fulfilled, in terrible fashion, by two world wars. Since the Second World War American authors have come to the fore, and the nuclear age has produced such classics as Nevil Shute's On the Beach. The Cold War has also given rise to a great many bestsellers, some, like General Sir John Hackett's The Third WorldWar, marking a return to an older theme - of predictions of war by professional soldiers. This new edition of Voices Prophesying War examines recent work in detail and includes a unique checklist of all major future war fiction (in English, French, and German) to have appeared since the eighteenth century.
"No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's..." So begins H. G. Wells' classic novel in which Martian lifeforms take over planet Earth. As the Martians emerge, they construct giant killing machines - armed with heatrays - that are impervious to attack. Advancing upon London they destroy everything in their path. Everything, except the few humans they collect in metal traps. Victorian England is a place in which the steam engine is state-of-the-art technology and powered flight is just a dream. Mankind is helpless against the killing machines from Mars, and soon the survivors are left living in a new stone age. Includes the original Warwick Goble illustrations.
The bitter Battle of Stalingrad was the turning point of WWII on the Eastern Front. The relentless and unstoppable German advances that had seen the panzers sweep hundreds of miles into Russia was finally brought to a halt at Stalingrad. The elite German 6th Army was first fought to a standstill, then surrounded and forced to surrender. For the ...
The Invasion is about a fictional German invasion and subsequent battles on the English east coast. You will love reading about the formation of the English resistance movement and various other war tactics in this realistic and thrilling action tale based on actual military history.
‘The Brotherhood of Freedom’ is out to take over the world using airship warfare. The group is led by a brilliant Russian Jew and his daughter, the 'angel' Natasha. They manage to establish a 'pax aeronautica' over the earth after a young inventor masters the technology of flight in 1903, and the war progresses to the heart of Russia and against the Russian Czar.
The Invasion of 1910 is a 1906 novel written mainly by William Le Queux (with H. W. Wilson providing the naval chapters). It is one of the more famous examples of Invasion literature. It is viewed by some as an example of pre-World War I Germanophobia. It can also be viewed as prescient, as it preached the need to prepare for war with Germany. The novel was originally commissioned by Alfred Harmsworth as a serial which appeared in the Daily Mail from 19 March 1906. The story rewritten to feature towns and villages with high Daily Mail readership, greatly increased the newspaper's circulation and made a small fortune for Le Queux; it was translated into twenty-seven languages, and over one million copies of the book edition were sold. The idea for the novel is alleged to have originated from Field Marshal Earl Roberts, who regularly lectured English schoolboys on the need to prepare for war. The book takes the form of a military history. William Tufnell Le Queux (1864-1927) was an Anglo-French journalist and writer. He was also a diplomat, a traveller, a flying buff who officiated at the first British air meeting at Doncaster in 1909, and a wireless pioneer who broadcast music from his own station long before radio was generally available.
