Stretching from the colonial era to 9/11 and beyond, New York at War is that most rare of books: a work of history that is at once local and international, timely and timeless. Bringing a unique lens to bear on the world's most celebrated and contested city, Jaffe reveals the unimaginable ways the city has changed -- and how it has stubbornly endured -- under threats both external and internal.
In the 1970s, New York City hit rock bottom. Crime was at its highest, the middle class exodus was in high gear, and bankruptcy loomed. Many people credit New Yorks ''master builder'' Robert Moses with turning Gotham around, despite his brutal, undemocratic. and demolition-heavy ways. Urban critic and journalist Roberta Brandes Gratz contradicts this conventional view. New York City, Gratz argues, recovered precisely because of the waning power of Moses. His decline in the late 1960s and the drying up of big government funding for urban renewal projects allowed New York to organically regenerate according to the precepts defined by Jane Jacobs in her classic, The Death and Life of Great American Cities, and in contradiction to Mosess urban philosophy. As American cities face a devastating economic crisis, Jacobss philosophy is again vital for the redevelopment of metropolitan life. Gratz who was named as one of Planetizens Top 100 Urban Thinkers gives an on-the-ground account of urban renewal and community success.
New York City, 1845. Timothy Wilde, a 27-year-old Irish immigrant, joins the newly formed NYPD and investigates an infanticide and the body of a 12-year-old Irish boy whose spleen has been removed.
The first detailed study of "Neo-Antique" architecture applies an archaeological lens to the study of New York City's structures Since the city's inception, New Yorkers have deliberately and purposefully engaged with ancient architecture to design and erect many of its most iconic buildings and monuments, including Grand Central Terminal and the Soldiers' and Sailors' Memorial Arch in Brooklyn, as well as forgotten gems such as Snug Harbor on Staten Island and the Gould Memorial Library in the Bronx. Antiquity in Gotham interprets the various ways ancient architecture was re-conceived in New York City from the eighteenth century to the early twenty-first century. Contextualizing New York's Neo-Antique architecture within larger American architectural trends, author Elizabeth Macaulay-Lewis applies an archaeological lens to the study of the New York buildings that incorporated these various models in their design, bringing together these diverse sources of inspiration into a single continuum. Antiquity in Gotham explores how ancient architecture communicated the political ideals of the new republic through the adaptation of Greek and Roman architecture, how Egyptian temples conveyed the city's new technological achievements, and how the ancient Near East served many artistic masters, decorating the interiors of glitzy Gilded Age restaurants and the tops of skyscrapers. Rather than classifying neo-classical (and Greek Revival), Egyptianizing, and architecture inspired by the ancient Near East into distinct categories, Macaulay-Lewis applies the Neo-Antique framework that considers the similarities and differences--intellectually, conceptually, and chronologically--among the reception of these different architectural traditions. This fundamentally interdisciplinary project draws upon all available evidence and archival materials--such as the letters and memos of architects and their patrons, and the commentary in contemporary newspapers and magazines--to provide a lively multi-dimensional analysis that examines not only the city's ancient buildings and rooms themselves but also how New Yorkers envisaged them, lived in them, talked about them, and reacted to them. Antiquity offered New Yorkers architecture with flexible aesthetic, functional, cultural, and intellectual resonances--whether it be the democratic ideals of Periclean Athens, the technological might of Pharaonic Egypt, or the majesty of Imperial Rome. The result of these dialogues with ancient architectural forms was the creation of innovative architecture that has defined New York City's skyline throughout its history.
Gotham City may be protected by the Dark Knight, but this major metropolitan destination is also plagued by some of the deadliest, most nefarious villains in the DC Universe! In this oversize anniversary giant, DC Comics proudly presents tales of Batman’s deadliest foes written and drawn by some of the biggest, most exciting names in comics! 2021 marks an anniversary year for the Scarecrow, Poison Ivy, Ra’s al Ghul, Talia al Ghul, the Mad Hatter, Killer Moth, and the original Red Hood, and Gotham City Villains Anniversary Giant #1 brings these baddies to life in some big ways! Also featuring the anniversary celebration of the Penguin, written by none other than the man who brought Oswald Cobblepot to life in Batman Returns, star of the silver screen Danny DeVito!
From the pages of Geoff Johns’s best-selling storyline in JUSTICE LEAGUE, it’s the Justice League like you’ve never seen them before—with the power of gods! The greatest evil in the universe has been wiped out. Darkseid, lord of Apokolips, is dead. But the death of a god carries great consequences. Now the Justice League, Earth’s greatest heroes, find themselves with more power than they’ve ever imagined. But all power has a price—and for the heroes of the Justice League, the price may just be their humanity. Now, Batman is driven non-stop by his power as the God of Knowledge. Superman, the God of Strength, begins to view humans as inferior. The Flash tries to outrun his fate as the God of Death. Green Lantern struggles with his newfound power as the God of Light. Shazam embraces a new pantheon as the God of Gods. And Lex Luthor… …where Darkseid fell, Lex Luthor may rise to take his place! If Earth’s greatest heroes can’t find their way back to their humanity, they may bring about their own destruction. Written by an all-star team including Geoff Johns, Tom King, Peter J. Tomasi, Rob Williams, Francis Manapul and Steve Orlando, this graphic novel is an integral companion piece to JUSTICE LEAGUE VOL. 7: DARKSEID WAR. Collects JUSTICE LEAGUE: GODS AND MEN SUPERMAN #1, JUSTICE LEAGUE: GODS AND MEN BATMAN #1, JUSTICE LEAGUE: GODS AND MEN THE FLASH #1, JUSTICE LEAGUE: GODS AND MEN GREEN LANTERN #1, JUSTICE LEAGUE: GODS AND MEN SHAZAM! #1 and JUSTICE LEAGUE: GODS AND MEN LEX LUTHOR #1.
Written by Justin Gray & Jimmy Palmiotti Art by Dan Jurgens, Gordon Purcell and Palmiotti Cover by Daniel Acu�a Collecting the acclaimed 6-issue miniseries! Bl�dhaven becomes a battlefield for Robin, Green Lantern, Cyborg, the Atomic Knights and more! This volume features the introduction of the Freedom Fighters and the new Monarch, making this a must-have for DCU fans!
A surprising history unfolded in New Deal– and World War II–era New York City under Mayor Fiorello La Guardia. Throughout the late nineteenth and early twentieth centuries, members of the NYPD had worked to enforce partisan political power rather than focus on crime. That changed when La Guardia took office in 1934 and shifted the city's priorities toward liberal reform. La Guardia's approach to low-level policing anticipated later trends in law enforcement, including "broken windows" theory and "stop and frisk" policy. Police officers worked to preserve urban order by controlling vice, including juvenile delinquency, prostitution, gambling, and the "disorderly" establishments that officials believed housed these activities. This mode of policing was central to La Guardia's influential vision of urban governance, but it was met with resistance from the Black New Yorkers, youth, and working-class women it primarily targeted. The mobilization for World War II introduced new opportunities for the NYPD to intensify policing and criminalize these groups with federal support. In the 1930s these communities were framed as perils to urban order; during the militarized war years, they became a supposed threat to national security itself. Emily M. Brooks recasts the evolution of urban policing by revealing that the rise of law-and-order liberalism was inseparable from the surveillance, militarism, and nationalism of war.
In the 1970s, New York City hit rock bottom. Crime was at its highest, the middle class exodus was in high gear, and bankruptcy loomed. Many people credit New York's "master builder" Robert Moses with turning Gotham around, despite his brutal, undemocratic. and demolition-heavy ways. Urban critic and journalist Roberta Brandes Gratz contradicts this conventional view. New York City, Gratz argues, recovered precisely because of the waning power of Moses. His decline in the late 1960s and the drying up of big government funding for urban renewal projects allowed New York to organically regenerate according to the precepts defined by Jane Jacobs in her classic, The Death and Life of Great American Cities, and in contradiction to Moses's urban philosophy. As American cities face a devastating economic crisis, Jacobs's philosophy is again vital for the redevelopment of metropolitan life. Gratz who was named as one of Planetizen's Top 100 Urban Thinkers gives an on-the-ground account of urban renewal and community success.
