"Prima ballerina Allegra's spent her life on stage ... So when she's offered a week on a tropical island, for survival expert Finn McLeod's TV show, she leaps at it! Finn's frankly unimpressed--how will this fragile-looking girl survive life in the wild? But for Allegra, it's not the island that's the problem, but her all-consuming crush on the unavailable Finn"--P. [4] of cover.
A jewelry empire CEO falls for a simple salesgirl who was once in the spotlight in this sparkling romance from the USA Today–bestselling author. Debonair Artem Drake has had tongues wagging all over New York since he became surprise CEO of Drake Diamonds. This playboy hopes to bring new life to the storied old business before those rumored bad investments sink the family ship. He’s even plucked an ambitious salesgirl out of the shadows to become the store’s new star designer. But Ophelia Rose isn’t the ingenue she seems. The swanlike beauty’s hiding a past that glimmers as bright as a Drake diamond—she once graced the stage as a professional ballerina . . . until she was forced to take her final curtsy and hide from the limelight. Now can Artem bring her back to center stage? Or will their glittering future together wither under the secrets of the past?
USA Today–Bestselling Author:Love strikes a chord that makes the heart dance . . . “Like journeying through a dream that I never wanted to end.” —Night Owl Reviews Ballerina Tessa Wilde had a glittering career in front of her—and then the accident happened. She’d gotten used to hiding her deafness from the world. She’d been able to teach children at her mother’s dance school, and she had her beloved hearing-assistance dog to help her through the day. But now, she’s managed to land the role of a lifetime. If only Julian Shine, brooding piano accompanist, would leave her alone. Or if she could leave him alone. When he played, she could hear . . . every note. Could it be real? Or was it the music of her heart?
This engaging book is a welcome guide to the most successful and loved ballets seen on the stage today. Dance writer and critic Zoe Anderson focuses on 140 ballets, a core international repertory that encompasses works from the ethereal world of romantic ballet to the edgy, muscular works of modern choreographers. She provides a wealth of facts and insights, including information familiar only to dance world insiders, and considers such recent works as Alexei Ramansky's Shostakovich Trilogy and Christopher Wheeldon's The Winter's Tale as well as older ballets once forgotten but now returned to the repertory, such as Sylvia. To enhance enjoyment of each ballet, Anderson also offers tips on what to look for during a performance. Each chapter introduces a period of ballet history and provides an overview of innovations and advancement in the art form. In the individual entries that follow, Anderson includes essential facts about each ballet’s themes, plot, composers, choreographers, dance style, and music. The author also addresses the circumstances of each ballet’s creation and its effect in the theater, and she recounts anecdotes that illuminate performance history and reception. Reliable, accessible, and fully up to date, this book will delight anyone who attends the ballet, participates in ballet, or simply loves ballet and wants to know much more about it.
USA Today–Bestselling Author: A New York billionaire’s birthday party gets crashed—by a woman in a big white dress . . . “If we’re not married by thirty, we’ll marry each other . . .” Allegra Clark doesn’t expect to be a runaway bride . . . till she’s about to say, “I do.” Then the commitment-phobe bolts—straight into the adjacent thirtieth birthday party of the man she’d once vowed to wed. Billionaire hotelier Zander Wilde can hardly believe his eyes. The woman he never forgot, more beautiful than ever, in a gown and veil. And she’s just days away from her thirtieth birthday . . . Praise for RITA Award winner Teri Wilson’s novels “Charming and unexpectedly touching.” —Kirkus Reviews “Like journeying through a dream that I never wanted to end.” —Night Owl Reviews
The perfect guide to help you choose the right suppliers for your wedding - full of handy hints and tips to guide you through the biggest day of your life
From the heavily beaded tubular dress of the 1920s through to the body-skimming shift dress of the 1960s, this book looks at and celebrates the historic shapes, detailing and romance of vintage wedding gowns. Equipped with instructions, patterns and photos, it explores the history of wedding wear and explains how to make a vintage wedding gown inspired by historical fashions and trends. A beautiful and practical book, it will inspire everyone who wants to express themself through timeless and elegant styles. Step-by-step instructions are given for making each dress and are complemented by close-up photographs of historic details and decoration. This beautiful book will be of particular interest to wedding dress designers, seamstresses and brides, vintage enthusiasts of 1920s-60s and theatre designers. Beautifully illustrated with 105 colour close-up photographs of historic details and 21 patterns with step-by-step instructions.
The Oxford Handbook of Screendance Studies offers a full overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance, visual art, cinema and media arts articulate the practice of screendance as an interdisciplinary, hybrid form that has yet to be correctly sited as an academic field worthy of critical investigation. Each chapter discusses and reframe current issues, as a means of promoting and enriching dialogue within the wider community of dance and the moving image. Topics addressed embrace politics of the body; agency, race, and gender in screendance; the relationship of choreography to image; constructs of space and time; representation and effacement; production and curatorial practice; and other areas of intersecting disciplines. The Oxford Handbook of Screendance Studies features newly-commissioned and original scholarship that will be essential reading for all those interested in the intersection of dance and the moving image, including film and video-makers, dance artists, screendance artists, academics and writers, producers, composers, as well as the wider interested public. It will become an invaluable resource for researchers and professionals in the field.
MEN of mystery Three men with secret identities and hidden agendas—sworn to loyalty and tamed by love. Her life depended on a stranger… On the morning of her wedding, Tyler Stewart looked out the wrong window and witnessed a murder. Running for her life, she opened Lucas Hawkins's door—and found her true heart's desire. But Lucas—his identity destroyed by the government he'd served—was a man with nothing. Yet something about his cool blue eyes and unreadably handsome face told Tyler that his secrets were as haunting as her own—and infinitely more dangerous…. When both their secrets eventually caught up with them, only Lucas's skills could keep them alive. But would the truth of who and what he was drive Tyler away?
Classical ballet was perhaps the most visible symbol of aristocratic culture and its isolation from the rest of Russian society under the tsars. In the wake of the October Revolution, ballet, like all of the arts, fell under the auspices of the Soviet authorities. In light of these events, many feared that the imperial ballet troupes would be disbanded. Instead, the Soviets attempted to mold the former imperial ballet to suit their revolutionary cultural agenda and employ it to reeducate the masses. As Christina Ezrahi's groundbreaking study reveals, they were far from successful in this ambitious effort to gain complete control over art. Swans of the Kremlin offers a fascinating glimpse at the collision of art and politics during the volatile first fifty years of the Soviet period. Ezrahi shows how the producers and performers of Russia's two major troupes, the Mariinsky (later Kirov) and the Bolshoi, quietly but effectively resisted Soviet cultural hegemony during this period. Despite all controls put on them, they managed to maintain the classical forms and traditions of their rich artistic past and to further develop their art form. These aesthetic and professional standards proved to be the power behind the ballet's worldwide appeal. The troupes soon became the showpiece of Soviet cultural achievement, as they captivated Western audiences during the Cold War period. Based on her extensive research into official archives, and personal interviews with many of the artists and staff, Ezrahi presents the first-ever account of the inner workings of these famed ballet troupes during the Soviet era. She follows their struggles in the postrevolutionary period, their peak during the golden age of the 1950s and 1960s, and concludes with their monumental productions staged to celebrate the fiftieth anniversary of the revolution in 1968.
