America's foremost folk-detective is back, sniffing out those zany but dubious stories that "really happened" to your sister's boyfriend's accountant. Here, Brunvand tracks the tales making today's dinner party circuit - tales such as "The Body in the Bed"
"Here he [the author] looks in detail at a dozen rampant and long-lived examples of this vigorous category of contemporary folklore, tracing their historyies, variations, sources, and meanings."--Jacket.
This revised edition of the original reference standard for urban legends provides an updated anthology of common myths and stories, and presents expanded coverage of international legends and tales shared and popularized online. From roasted babies to vanishing hitchhikers to housewives in football helmets, this exhaustive and highly readable encyclopedia provides descriptions of hundreds of individual legends and their variations, examines legend themes, and explains scholarly approaches to the genre. Revised and expanded to include updated versions of the entries from the award-winning first edition, this work provides additional entries on a wide range of new topics that include terrorism, recent political events, and Hurricane Katrina. Entries in Encyclopedia of Urban Legends, Updated and Expanded Edition discuss the presence of urban legends in comic books, literature, film, music, and many other areas of popular culture, as well as the existence of "too good to be true" stories in Argentina, China, Italy, Japan, Mexico, and several other countries. Serving as both an anthology of stories as well as a reference work, this encyclopedia will serve as a valuable resource for students and a source book for journalists, professional folklorists, and others who are researching or interested in urban legends.
Part of every legend is true. Or so argues Jody Enders in this fascinating look at early French drama and the way it compels us to consider where the stage ends and where real life begins. This ambitious and bracing study explores fourteen tales of the theater that are at turns dark and dangerous, sexy and scandalous, humorous and frightening—stories that are nurtured by the confusion between truth and fiction, and imitation and enactment, until it becomes impossible to tell whether life is imitating art, or art is imitating life. Was a convicted criminal executed on stage during a beheading scene? Was an unfortunate actor driven insane while playing a madman? Did a theatrical enactment of a crucifixion result in a real one? Did an androgynous young man seduce a priest when portraying a female saint? Enders answers these and other questions while presenting a treasure trove of tales that have long seemed true but are actually medieval urban legends. On topics ranging through politics, religion, marriage, class, and law, these tales, Enders argues, do the cultural work of all urban legends: they disclose the hopes, fears, and anxieties of their tellers. Each one represents a medieval meditation created or dramatized by the theater with its power to blur the line between fiction and reality, engaging anyone who watches, performs, or is represented by it. Each one also raises pressing questions about the medieval and modern world on the eve of the Reformation, when Europe had never engaged more anxiously and fervently in the great debate about what was real, what was pretend, and what was pretense. Written with elegance and flair, and meticulously researched, Death by Drama and Other Medieval Urban Legends will interest scholars of medieval and Renaissance literature, history, theater, performance studies, and anyone curious about urban legends.
This text presents an historical examination of political fact-checking, highlighting how this is part of a larger phenomenon of online scrutiny that manifests itself in multiple forms. Reflecting the long history of “fake facts” in America, the book discusses important developments in this area from the emergence of the public Internet in the 1990s to the start of the Trump-Clinton presidential election campaigns. Topics and features: describes how some of the major players in political fact-checking began with the purpose of scrutinizing and debunking of urban legends; considers how this was part of a wider culture, encompassing B-grade horror movies, truth-or-fiction television shows, and groups warning about computer viruses; explains how such developments are connected, revealing political fact-checking as one of many forms of scrutiny applied in the face of a complex, dangerous world; provides a range of detailed case studies, covering such topics as the rumors surrounding the 9/11 terrorist attacks, and academic interest in contemporary legends; discusses how pre-Internet technologies such as bulletin boards, Usenet, and proprietary online service providers such as CompuServe and AOL were used to both disseminate and debunk urban legends; examines the rise of political fact-checking, reviewing all of the major initiatives in this area undertaken in the United States. This timely study touches on issues of popular culture and major events, and offers profiles of colorful individuals and organizations, and as such will appeal to a broad audience interested in the history of fact-checking and efforts to protect the political process from falsehoods.
As a genre, the urban legend was recognised and named only in the mid-1970s. This book brings together a rich variety of these tales which continued to flourish and circulate, classified under different headings for ease of reference, and linked together by the author's narrative. Uncle Joe's ashes baked in a cake (Delicious!); Granny's corpse stolen along with the family car; sewers alive with alligators...all these alleged occurrences - and many, many others - are the stuff of urban legend: the extraordinary things that you're told happen to that elusive 'friend of a friend' (foaf); someone whom you can never pin down, however hard you try.
This book examines both 'old media' treatment of crime legends: news reports, fictional film and television depictions, as well as 'new' media interactive discussions of them via the Internet and electronic mail.
"Explores gender stereotypes and the transgression of these gender stereotypes in recent films, television series and music videos. Films that are cited include Pride and Prejudice, Bridget Jones' Diary, Bride and Prejudice, Magnolia, American Beauty, Fight Club, High Noon, Brokeback Mountain and the Shrek movies. Sex and the City and Desperate Housewives, and the music videos of 50 Cent and the G Unit are also explored."--Source inconnue.
Mining a mountain of folklore publications, North American Monsters unearths decades of notable monster research. Nineteen folkloristic case studies from the last half-century examine legendary monsters in their native habitats, focusing on ostensibly living creatures bound to specific geographic locales. A diverse cast of scholars contemplate these alluring creatures, feared and beloved by the communities that host them—the Jersey Devil gliding over the Pine Barrens, Lieby wriggling through Lake Lieberman, Char-Man stalking the Ojai Valley, and many, many more. Embracing local stories, beliefs, and traditions while neither promoting nor debunking, North American Monsters aspires to revive scholarly interest in local legendary monsters and creatures and to encourage folkloristic monster legend sleuthing.