This book collects together the two most vital "automatic" texts Surrealism. Breton's prefatory essay The Automatic Message relates this technique to the underlying concepts and aesthetic of the Surrealist movement. The Magnetic Fields (1919) was the first work of literary Surrealism and is thus one of the foundations of modern European thought and writing. This authorised translation is by the poet David Gascoyne, himself a member of the group and a friend of both authors. The Immaculate Conception (1930) traces the interior and exterior life of man from Conception and Intra-Uterine Life to Death and The Original Judgement. The central section is a celebrated series of "simulations" of various types of mental instability.
“This book will challenge you to rethink what it takes to make remote work work—not just for companies, but for people.” —Adam Grant, #1 New York Times bestselling author of Think Again and host of the TED podcast WorkLife The future isn’t about where we will work, but how. For years we have struggled to balance work and life, with most of us feeling overwhelmed and burned out because our relationship to work is broken. This “isn't just a book about remote work. It's a book that helps us imagine a future where our lives—at the office and home—are happier, more productive, and genuinely meaningful” (Charles Duhigg, best-selling author of The Power of Habit). Out of Office is a book for every office worker – from employees to managers – currently facing the decision about whether, and how, to return to the office. The past two years have shown us that there may be a new path forward, one that doesn’t involve hellish daily commutes and the demands of jam-packed work schedules that no longer make sense. But how can we realize that future in a way that benefits workers and companies alike? Based on groundbreaking reporting and interviews with workers and managers around the world, Out of Office illuminates the key values and questions that should be driving this conversation: trust, fairness, flexibility, inclusive workplaces, equity, and work-life balance. Above all, they argue that companies need to listen to their employees – and that this will promote, rather than impede, productivity and profitability. As a society, we have talked for decades about flexible work arrangements; this book makes clear that we are at an inflection point where this is actually possible for many employees and their companies. Out of Office is about so much more than zoom meetings and hybrid schedules: it aims to reshape our entire relationship to the office.
Now in its Third Edition, the Communications Standard Dictionary maintains its position as the most comprehensive dictionary covering communications technologies available. A one-of-a-kind reference, this dictionary remains unmatched in the breadth and scope of its coverage nd its pprimary reference for communications, computer, data processing, and control systems professionals.
"This is a kind of "essence of Breton", variously translated by some of our finest writers, each of whom highlights different facets of Breton's complex work. Mark Polizzotti's useful introduction provides context and a brief analysis of the artist and his times."—Diane di Prima, author of Recollections of My Life as a Woman "Mark Polizzotti, who is a poet, a translator, and the author of the definitive biography of André Breton, has chosen stellar translations of Breton's dazzling poetry and placed it in its lively context. This shapely introduction to the life and work of André Breton is smart, concise, and exciting. I cannot imagine a better one."—Ron Padgett, poet and translator of The Complete Poems of Blaise Cendrars "The Poets for the Millennium Series generally and André Breton's Selected Works specifically offers a workable image of an author and the work and the conjuncture, all at once. What comes across is a vivid presentation of Andre Breton not just as an art czar, a manifesto merchant, but a serious, haunted, inventive and strangely profound poet of the imagination, who invented or archeologized new ways of dreaming, but insisted on bearing witness with them in the actual world. Polizzotti does justice--as I think no other writer has--to the double burden of Breton's work."—Robert Kelly "A superbly chosen selection of Breton's poetry and prose, translated in every case with an elegant intelligence, and preceded by an unusually thorough introduction showing quite exactly how the poet's life informed each epoch of his work. It proves again the remarkable un-boringness of Breton, and how important he is now to our own poetry and to us.—Mary Ann Caws, author of The Surrealist Look: An Erotics of Encounter and editor of The Surrealist Painters and Poets
From the creator of the popular website Ask a Manager and New York’s work-advice columnist comes a witty, practical guide to 200 difficult professional conversations—featuring all-new advice! There’s a reason Alison Green has been called “the Dear Abby of the work world.” Ten years as a workplace-advice columnist have taught her that people avoid awkward conversations in the office because they simply don’t know what to say. Thankfully, Green does—and in this incredibly helpful book, she tackles the tough discussions you may need to have during your career. You’ll learn what to say when • coworkers push their work on you—then take credit for it • you accidentally trash-talk someone in an email then hit “reply all” • you’re being micromanaged—or not being managed at all • you catch a colleague in a lie • your boss seems unhappy with your work • your cubemate’s loud speakerphone is making you homicidal • you got drunk at the holiday party Praise for Ask a Manager “A must-read for anyone who works . . . [Alison Green’s] advice boils down to the idea that you should be professional (even when others are not) and that communicating in a straightforward manner with candor and kindness will get you far, no matter where you work.”—Booklist (starred review) “The author’s friendly, warm, no-nonsense writing is a pleasure to read, and her advice can be widely applied to relationships in all areas of readers’ lives. Ideal for anyone new to the job market or new to management, or anyone hoping to improve their work experience.”—Library Journal (starred review) “I am a huge fan of Alison Green’s Ask a Manager column. This book is even better. It teaches us how to deal with many of the most vexing big and little problems in our workplaces—and to do so with grace, confidence, and a sense of humor.”—Robert Sutton, Stanford professor and author of The No Asshole Rule and The Asshole Survival Guide “Ask a Manager is the ultimate playbook for navigating the traditional workforce in a diplomatic but firm way.”—Erin Lowry, author of Broke Millennial: Stop Scraping By and Get Your Financial Life Together
This issue of Yale French Studies on "Surrealism and Its Others"examines the works and theories of writers, artists, and thinkers who positioned themselves and their productions in dialogue with Breton's surrealism. Although surrealism always sought to distinguish itself from other movements and ideologies, its members often celebrated their commonality with many "others" outside of the official group with whom they shared their passions: Marxists, visual artists, filmmakers, psychiatrists, and ethnographers. Each of the writers, artists, and thinkers examined here were either temporarily associated with surrealism or were influenced by its collective and open spirit, even if in a primarily opposing or questioning role. In some cases, this outside perspective came from as close as Belgium and other European countries. In other cases, it came from farther away - from North Africa or North America - which reveals surrealism's engagement with non-European, formerly colonized cultures, reflects its staunchly anti-colonial stance, and confirms the movement as something more than an aesthetic phenomenon. Along with its aesthetic mission, surrealism was also, and perhaps more importantly, a powerful political and social reality. This issue examines works by artists, writers, and theorists who were all, in their own ways, located outside of yet close to surrealism and who provide us with a new perspective on this avant-garde and modernist movement. Martine Antle Surrealism and the Orient Adam Jolles The Tactile Turn: Envisioning a Post-Colonial Aesthetic in France Jonathan P. Eburne Automatism and Terror: Surrealism, Theory, and the Postwar Left Pierre Taminiaux Breton and Trotsky: The Revolutionary Memory of Surrealism Richard Stamelman Photography: The Marvelous Precipitate of Desire Robert Harvey Where's Duchamp?--Out Queering the Field Raphaelle Moine From Surrealist Cinema to Surrealism in the Cinema: Does a Surrealist Genre Exist in Film? Georgiana M. M. Colvile Between Surrealism and Magic Realism: The Early Feature Films of André Delvaux, 1926-2002--the Other Delvaux Katharine Conley Surrealism and Outsider Art: From the Automatic Message to André Breton's Collection
“A rollicking history of the telephone system and the hackers who exploited its flaws.” —Kirkus Reviews, starred review Before smartphones, back even before the Internet and personal computers, a misfit group of technophiles, blind teenagers, hippies, and outlaws figured out how to hack the world’s largest machine: the telephone system. Starting with Alexander Graham Bell’s revolutionary “harmonic telegraph,” by the middle of the twentieth century the phone system had grown into something extraordinary, a web of cutting-edge switching machines and human operators that linked together millions of people like never before. But the network had a billion-dollar flaw, and once people discovered it, things would never be the same. Exploding the Phone tells this story in full for the first time. It traces the birth of long-distance communication and the telephone, the rise of AT&T’s monopoly, the creation of the sophisticated machines that made it all work, and the discovery of Ma Bell’s Achilles’ heel. Phil Lapsley expertly weaves together the clandestine underground of “phone phreaks” who turned the network into their electronic playground, the mobsters who exploited its flaws to avoid the feds, the explosion of telephone hacking in the counterculture, and the war between the phreaks, the phone company, and the FBI. The product of extensive original research, Exploding the Phone is a groundbreaking, captivating book that “does for the phone phreaks what Steven Levy’s Hackers did for computer pioneers” (Boing Boing). “An authoritative, jaunty and enjoyable account of their sometimes comical, sometimes impressive and sometimes disquieting misdeeds.” —The Wall Street Journal “Brilliantly researched.” —The Atlantic “A fantastically fun romp through the world of early phone hackers, who sought free long distance, and in the end helped launch the computer era.” —The Seattle Times
Communications * Standard Dictionary is a comprehensive compilation of terms and definitions used in communications and related fields. Communications is defined as the branch of science and technology concerned with the process of representing, transferring, and interpreting the meaning as signed to data by and among persons, places, or machines. Communication is defined as the transfer of information between a source (trans mitter, light source) and a sink (receiver, photodetector) over one or more chan nels in accordance with a protocol, and in a manner suitable for interpretation or comprehension by the receiver; or as a method or means of conveying informa tion of any kind from one person or place to another. In short, communications is a branch of science and technology, whereas com munication pertains to the actual transfer of information. Thus, the word com munication should be used as a modifier, as in communication center, communi cation deception, and communication line, just as in the field of electronics one speaks of electronic devices and electronic circuits.
