The Gow Collection of Scottish Dance Music
The Gow Collection of Scottish Dance Music

Author: Neil Gow

Publisher: Oak Publications

Published: 2007-01-26

Total Pages: 253

ISBN-13: 1783234911

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An essential addition to the dance tune library and an important milestone in traditional music publishing. This volume of almost 600 strathspeys, jigs and reels has been compiled from the original collections published between 1784 and 1822 by Niel and Nathaniel Gow, the father and son violinist/composers. Niel Gow revolutionized Scottish music by inventing a new style of bowing, known as the ‘up-driven’ technique, that accented the unique strathspey rhythm. Besides the invaluable contributions of the Gows, other important Scottish composers such as William Marshall and Donald Dow are featured, as well as some of the more important tunes in the traditional Scottish repertoire. This unique collection also features detailed notes on the life and times of Niel and Nathaniel Gow, an analysis of the ‘up-driven’ bow technique, the origination of the strathspey as well as a complete discography and bibliography. This book will prove an invaluable addition to your repertoire and home library.

Dance Legacies of Scotland
Dance Legacies of Scotland

Author: Mats Melin

Publisher: Routledge

Published: 2020-12-30

Total Pages: 271

ISBN-13: 1000334333

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Dance Legacies of Scotland compiles a collage of references portraying percussive Scottish dancing and explains what influenced a wide disappearance of hard-shoe steps from contemporary Scottish practices. Mats Melin and Jennifer Schoonover explore the historical references describing percussive dancing to illustrate how widespread the practice was, giving some glimpses of what it looked and sounded like. The authors also explain what influenced a wide disappearance of hard-shoe steps from Scottish dancing practices. Their research draws together fieldwork, references from historical sources in English, Scots, and Scottish Gaelic, and insights drawn from the authors’ practical knowledge of dances. They portray the complex network of dance dialects that existed in parallel across Scotland, and share how remnants of this vibrant tradition have endured in Scotland and the Scottish diaspora to the present day. This book will be of interest to scholars and students of Dance and Music and its relationship to the history and culture of Scotland.

Airs and Dances
Airs and Dances

Author: Mara Shea

Publisher: Mel Bay Publications

Published: 2011-04-15

Total Pages: 119

ISBN-13: 161065966X

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Compiled by Mara Shea, a Scottish dance fiddler with a classical violin background, this book will appeal to the classically-trained violinist or musician, intermediate to advanced, who would like to learn something about the type of music unique to Scotland-the strathspey. It will also appeal to Scottish dance musicians who would like to know a little about the history of some of the tunes and their composers. Each of the strathspeys is recorded by Mara Shea and accessible online for listening. Chords are provided by Julie Gorka. Sketches and illustrations are by Lisa McDonald.

The Glengarry Collection, Volume 1
The Glengarry Collection, Volume 1

Author: Aonghas Grant

Publisher: Mel Bay Publications

Published: 2010-10-20

Total Pages: 137

ISBN-13: 1619115018

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The Glengarry Collection contains 164 Slow Airs, Marches, Strathspeys, Reels, Jigs and Hornpipes with Stories, History and Photographs. It focuses on the coreof Aonghas' music: Highland fiddling, with its links to pipe tunes andGaelic songs. Some of these tunes have never been published before, while others are available only in out-of-print books or in pipe settings, and the collection also includes a number of tunes composed by Aonghas himself, andtunes composed in honor of Aonghas. The tunes are fully chorded in a style appropriate to Aonghas' band experience. All these are richly illustrated by transcriptions of Aonghas' bowings, grace-notes, stories, and photos of scenes and people from Aonghas' varied life careers, including old family photos. Finally, there is an accompanying online videos of Aonghas' impromptu and passionateperformances of 61 of the tunes in the collection. Inlcudes access to online video

Understanding Scotland Musically
Understanding Scotland Musically

Author: Simon McKerrell

Publisher: Routledge

Published: 2018-02-15

Total Pages: 310

ISBN-13: 1315467550

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Scottish traditional music has been through a successful revival in the mid-twentieth century and has now entered a professionalised and public space. Devolution in the UK and the surge of political debate surrounding the independence referendum in Scotland in 2014 led to a greater scrutiny of regional and national identities within the UK, set within the wider context of cultural globalisation. This volume brings together a range of authors that sets out to explore the increasingly plural and complex notions of Scotland, as performed in and through traditional music. Traditional music has played an increasingly prominent role in the public life of Scotland, mirrored in other Anglo-American traditions. This collection principally explores this movement from historically text-bound musical authenticity towards more transient sonic identities that are blurring established musical genres and the meaning of what constitutes ‘traditional’ music today. The volume therefore provides a cohesive set of perspectives on how traditional music performs Scottishness at this crucial moment in the public life of an increasingly (dis)United Kingdom.

The High-Kilted Muse
The High-Kilted Muse

Author: Murray Shoolbraid

Publisher: Univ. Press of Mississippi

Published: 2010-04-02

Total Pages: 323

ISBN-13: 1604734310

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In 1832 the Scottish ballad collector Peter Buchan of Peterhead, Aberdeenshire, presented an anthology of risqué‚ and convivial songs and ballads to a Highland laird. When Professor Francis James Child of Harvard was preparing his magisterial edition of The English and Scottish Popular Ballads, he made inquiries about it, but it was not made available in time to be considered for his work. On his death it was presented to the Child Memorial Library at Harvard. Because of its unseemly materials, the manuscript languished there since, unprinted, though referred to now and again, and a few items from time to time made an appearance. The manuscript has now been transcribed with full annotation and with an introduction on the compiler, his times, and the Scottish bawdy tradition. It contains the texts (without tunes) of seventy-six bawdy songs and ballads, along with a long-lost scatological poem attributed to the Edinburgh writer James “Balloon” Tytler. Appendices give details of Buchan's two published collections of ballads. Additionally, there is a list of tale types and motifs, a glossary of Scots and archaic words, a bibliography, and an index. The High-Kilted Muse brings to light a long-suppressed volume and fills in a great gap in published bawdy songs and ballads.