"Readers of Montesquieu will through this study discover a new Persian Letters, as the exquisite subtlety of its construction is laid bare for the first time. It should find a new appreciation as a work of art, and not merely as a precursor to the author's Of the Spirit of the Laws. The Letters will henceforth be read in the light of similarly composite texts, from Montaigne's Essays to Baudelaire's Fleurs du mal."--Jacket.
Persian Letters is a satirical work by Charles de Secondat, baron de Montesquieu, recounting the experiences of two Persian noblemen, Usbek and Rica, who are traveling through France. In 1711 Usbek leaves his seraglio in Isfahan to undertake the long journey to France, accompanied by his young friend Rica. He leaves behind five wives (Zachi, Zéphis, Fatmé, Zélis, and Roxane) in the care of a number of black eunuchs, one of whom is the head or first eunuch. During the trip and their long stay in Paris (1712-1720), they comment, in letters exchanged with friends and mullahs, on numerous aspects of Western, Christian society, particularly French politics and mores, ending with a biting satire of the System of John Law. Over time, various disorders surface back in the seraglio, and beginning in 1717 (Letter 139 [147]), the situation there rapidly unravels. Usbek orders his head eunuch to crack down, but his message does not arrive in time and a revolt brings about the death of his wives, including the vengeful suicide of his favorite, Roxane, and, it appears, most of the eunuchs... About the author: Charles-Louis de Secondat, baron de La Brède et de Montesquieu (18 January 1689, La Brède, Gironde - 10 February 1755), was a French social commentator and political thinker who lived during the Era of the Enlightenment. He is famous for his articulation of the theory of separation of powers, taken for granted in modern discussions of government and implemented in many constitutions throughout the world. He was largely responsible for the popularization of the terms feudalism and Byzantine Empire. Persian Letters is a satirical work by Montesquieu, recounting the experiences of two Persian noblemen, Usbek and Rica, who are traveling through France.
A treatment of Montesquieu's Persian Letters, which argues that the novel is a philosophic critique of despotism in all its forms: domestic, political and religious. It shows that Montesquieu believed that the Enlightenment failed as a philosophy by not recognising man as an erotic being.
A classic work of the European Enlightenment--and one of the most popular, if scandalous, in its day--the Persian Letters captures, in an engaging epistolary format, the transformational spirit of the era. Amid an ongoing tale rife with sex, violence, and wit, the work addresses a diverse range of topics from human nature and the origins of society, to the nature and role of religious belief, the role of women, statecraft, justice, morality, and human identity. With skill and artistry, Raymond MacKenzie’s stunning new translation accurately reflects the mood and character of the work. In his richly conceived Introduction, MacKenzie seamlessly weaves together an overview of the period with details of Montesquieu’s life, including the influences that inspired the Persian Letters, the character and power of the book, and its reception. This edition also includes a Calendar of the Persian Letters, a Bibliography of Works in English, and a Bibliography of Works in French. Related texts provide insight into the legacy of the Persian Letters. They include selections from works by George Lyttelton, Voltaire, Oliver Goldsmith, and Maria Edgeworth.
This volume puts together a first-of-a-kind handbook, and contains the most important termini technici, expressions, and techniques connected to the traditional art of Persian calligraphy, calligraphy as well as related arts, like illumination, historiated painting, book binding, etc. The content is based on thirty prominent classical Persian treatises, composed between twelfth and twentieth centuries.
'Loathsomeness waits and dreams in the deep, and decay spreads over the tottering cities of men. A time will come - but I must not and cannot think!' H. P. Lovecraft (1890-1937) was a reclusive scribbler of horror stories for the American pulp magazines that specialized in Gothic and science fiction in the interwar years. He often published in Weird Tales and has since become the key figure in the slippery genre of 'weird fiction'. Lovecraft developed an extraordinary vision of feeble men driven to the edge of sanity by glimpses of malign beings that have survived from human prehistory or by malevolent extra-terrestrial visitations. The ornate language of his stories builds towards grotesque moments of revelation, quite unlike any other writer. This new selection brings together nine of his classic tales, focusing on the 'Cthulhu Mythos', a cycle of stories that develops the mythology of the Old Ones, the monstrous creatures who predate human life on earth. It includes the Introduction from Lovecraft's critical essay, 'Supernatural Horror in Literature', in which he gave his own important definition of 'weird fiction'. In a fascinating contextual introduction, Roger Luckhurst gives Lovecraft the attention he deserves as a writer who used pulp fiction to explore a remarkable philosophy that shockingly dethrones the mastery of man.
