The Art of Nigerian Women by Chukwuemeka Bosah is a tightly packaged tome--an astonishingly delightful companion to a meme that was broached in the author's A Celebration of Modern Nigerian Art: 101 Nigerian Artists, published in 2010. In the current volume, Bosah marshals the intellectual capacity of some of the best scholars and curatorial impresarios in the field to contextualize the diversity of works of the artists featured. This work is a feat that must be acknowledged by students of Nigerian art for a number of reasons. First, this book contributes significantly to our knowledge of Nigerian art by its lasered focus on Nigerian women. Second, the author brings to the fore, in the process, a smorgasbord of creative enactments and analyses in an assortment of media by our womenfolk. Third, while Nigeria now boasts of a budding tribe of scholars on the visual arts, this is the first time, to my knowledge, that a book of this type has been published. And this brings us to the fourth reason: this book is the irrefutable demonstration of the maxim about lions having their own historians to obviate distortions that hunters would bring to the history of the hunt. This is a pioneering work, one that deserves a prominent place on the shelves of corporate, institutional, college, and personal libraries. Bosah deserves our admiration for the courage and resources ploughed into this work.
In analysing a range of materials that testify to the wide spectrum of women's experiences in Nigeria, this groundbreaking collection seeks to draw attention to neglected aspects of women's lives in Nigerian society as a whole. Exploring the historical, developmental and socio-cultural experiences of women across Nigeria's cultures, it reappraises their role as historical actors and helps to facilitate a more encompassing view of their place in society and their still underestimated contribution to social development.
While providing critical perspectives on women, gender, sex and sexuality, and the colonial encounter, she considers how it was possible for this woman to take on the office and responsibilities of a traditionally male role.
The moving story of a group of Nigerian women which follows their lives from their schooldays together through the trials and tribulations of their adult lives. Through their stories we see some of the universal problems faced by women everywhere: the struggle for financial independence and a rewarding career, the difficulties of relationships, and the dilemmas of bringing up a family, often without a partner. Set against the background of a developing Nigeria, this novel shows Nwapa at her finest.
The "woman question", this book asserts, is a Western one, and not a proper lens for viewing African society. A work that rethinks gender as a Western contruction, The Invention of Women offers a new way of understanding both Yoruban and Western cultures. Oyewumi traces the misapplication of Western, body-oriented concepts of gender through the history of gender discourses in Yoruba studies. Her analysis shows the paradoxical nature of two fundamental assumptions of feminist theory: that gender is socially constructed in old Yoruba society, and that social organization was determined by relative age.
Ogunyemi uses the novels to trace a Nigerian women's literary tradition that reflects an ideology centered on children and community. Of prime importance is the paradoxical Mammywata figure, the independent, childless mother, who serves as a basis for the postcolonial woman in the novels and in society at large. Ogunyemi tracks this figure through many permutations, from matriarch to writer, her multiple personalities reflecting competing loyalties. This sustained critical study counters prevailing "masculinist" theories of black literature in a powerful narrative of the Nigerian world.
A collection of charmingly illustrated and inspiring profiles of fifty pioneering female artists, from the eleventh century to today—by the New York Times bestselling author of Women in Science “A beautifully illustrated, fact-filled breath of fresh air! Countless women have been left out of art history, but thanks to gorgeous books like this, future generations will begin to know their stories.”—Danielle Krysa, founder of The Jealous Curator Women make masterpieces! Through fifty fascinating profiles, Women in Art highlights the achievements and stories of fifty notable women in the arts—from well-known figures like painters Frida Kahlo and Georgia O'Keefe, to lesser-known names like nineteenth-century African American quilter Harriet Powers and Hopi-Tewa ceramic artist Nampeyo. Covering a wide array of artistic mediums, Women in Art also contains infographics about artistic movements throughout history, statistics about women’s representation in museums, and notable works by women. This fascinating book celebrates the success of the bold female creators who inspired the world and paved the way for the next generation of artists.
Charts the development of modern Nigerian art, analyzing the achievements of leading artists while exploring arts movements within and surrounding the country throughout the past century, in a volume that includes coverage of the works of Olowere and Uche Okeke.
Editor Biography:Josefa Ros Velasco (1987) received degrees in Philosophy (2010) and in Advertising and Public Relations (2011) with Honors from the University of Murcia. She also received a Master's in Contemporary Thought (2011) and in Teacher Education (2012) with Honors from the same institution. Excellent Program of Doctor in Philosophy at University Complutense of Madrid. She is FPU scholar by Spanish Ministry of Education, Culture and Sports in the Department of the History of Philosophy (UCM). DAAD scholar at Internationales Zentrum f�r Kultur und Technikforschung (IZKT Stuttgart Universit�t) in 2013; Deutsches Literatur-Archiv Marbach (DLA) "Einmonatiges" Scholar in 2014; FPU short-term research scholar at DLA in 2014. Research groups: "Saavedra Fajardo Library of Hispanic Political Thought" (HUM2007-60799); "History and Videogames: the impact of new media entertainment on the medieval past knowledge" (HAR2011-25548). Research areas: Hans Blumenberg's philosophy, Anthropology, Prehistory, Hipochondria, Boredom. Papers (selection): Paradigms for a Metaphorology of the Cosmos, Studies in History and Philosophy of Physics, 52 (2015); The Evolution of Language: An Anthropological Approach, Evolutionary Anthropology, 25 (2016).Book Description:Presently, our concern for the social, political and economic situation of women remains as valid as it was in the last century. Despite the progress made worldwide, we continue to witness a reality in which gender issues generate injustice, lack of freedom and violation of human rights. Researchers constantly strive to analyze women phenomena and denounce its consequences in the attempt to achieve an egalitarian world in which differences are understood and respected. This book is one of the fruits of such efforts. Scholars interested in women's issues have joined in this volume in order to register, through their work, a commitment to progress towards a better society. With this work, the authors attempt to promote the voice of women who, even in the twenty-first century, feel deprived of their well-deserved security. At the same time, they attempt not only to keep alive the awareness about women's situation, but also create an academic meeting point that shows the most current areas of research around women's issue. Through this collaboration, the authors hope to achieve a review of contemporary approaches to women's studies. It is for all the above that they have entitled this book Feminism: Past, Present, and Future Perspectives, because the authors are going to address how humanity is coping with the proposals of the last century. The authors want to show the most current points of view on women's issues through researches that are taking place in different geographic places, thanks to a procedure based on the case studies and methods. Finally, they will attempt to clarify what the future holds for women and state their demands firsthand.Target Audience:i)
“Powerfully magnetic. . . . In the lineage of great works by Chinua Achebe and Chimamanda Ngozi Adichie. . . . A thoroughly contemporary—and deeply moving—portrait of a marriage.” —The New York Times Book Review Ilesa, Nigeria. Ever since they first met and fell in love at university, Yejide and Akin have agreed: polygamy is not for them. But four years into their marriage—after consulting fertility doctors and healers, and trying strange teas and unlikely cures—Yejide is still not pregnant. She assumes she still has time—until her in-laws arrive on her doorstep with a young woman they introduce as Akin’s second wife. Furious, shocked, and livid with jealousy, Yejide knows the only way to save her marriage is to get pregnant. Which, finally, she does—but at a cost far greater than she could have dared to imagine. The unforgettable story of a marriage as seen through the eyes of both husband and wife, Stay With Me asks how much we can sacrifice for the sake of family. A New York Times Notable Book One of the Best Books of the Year: NPR, The Wall Street Journal, The Economist, Chicago Tribune, BuzzFeed, Entertainment Weekly, The New York Post, Southern Living, The Skimm A 2017 BEA Buzz Panel Selection A Belletrist Book-of-the-Month A Sarah Jessica Parker Book Club Selection Shortlisted for the 2017 Baileys Women’s Prize for Fiction Shortlisted for the Wellcome Book Prize and the 9mobile Prize for Literature Longlisted for the International Dylan Thomas Prize
