Collecting ten case histories along with over ninety illustrations, this title focuses on the author's anthropological synthesis of psychoanalysis and art theory.
High schooler Natalie Cordova has just been diagnosed with Bipolar disorder. Her mom insists she keep it secret. Putting up a front and hiding her mental illness from her classmates is going to be the hardest thing high schooler Natalie Cordova has ever done. It’s her senior year, and she’s just been selected to present her artwork at a prestigious show. With the stress of performing on her shoulders, it doesn’t help when Natalie notices a boy who makes her heart leap. And then there’s fellow student Ella, who confronts Natalie about her summer car “accident” and pressures her into caring for the world’s ugliest dog. Now Natalie finds herself juggling all kinds of feels and responsibilities. Surely her newly prescribed medication is to blame for the funk she finds herself in. But as Natalie’s plan to self-treat unravels, so does the perfect façade she’s been painting for everyone else. Written from experience, this heartfelt and candid contemporary YA novel explores the stigma surrounding mental illness and offers an uplifting narrative of resilience.
No one is more conscious of the faults of this work than the author. Therefore some self -criticism should be woven into this foreward. There are two possible methodologically pure solutions to this book's theme: a de scriptive catalog of the pictures couched in the language of natural science and accom panied by a clinical and psychopathological description of the patients, or a completely metaphysically based investigation of the process of pictorial composition. According to the latter, these unusual works, explained psychologically, and the exceptional circum stances on which they are based would be integrated as a playful variation of human expression into a total picture of the ego under the concept of an inborn creative urge, behind which we would then only have to discover a universal need for expression as an instinctive foundation. In brief, such an investigation would remain in the realm of phenomenologically observed existential forms, completely independent of psychiatry and aesthetics. The compromise between these two pure solutions must necessarily be piecework and must constantly defend itself against the dangers of fragmentation. We are in danger of being satisfied with pure description, the novelistic expansion of details and questions of principle; pitfalls would be very easy to avoid if we had the use of a clearly outlined method. But the problems of a new, or at least never seriously worked, field defy the methodology of every established subject.
Madness and Modernism provides a phenomenological study of schizophrenic disorders, criticizing some standard conceptions of these disorders. Sass argues that many aspects of this group of disorders can actually involve more sophisticated (albeit dysfunctional) forms of mind and experience.
Being ill isn t a cause for joy, I nevertheless have no right to complain about it, for it seems to me that nature sees to it that illness is a means of getting us back on our feet, of healing us, rather than an absolute evil. --Vincent van Gogh to John Peter Russell, Saint-Remy-de-Provence, February 1, 1890"
Rob was an ordinary college sophomore when a pitch-back portal opened up on campus and tried to kidnap his best friend. An act of heroism resulted in him being taken instead, and he was rewarded for his efforts by being transported to another world with nothing but a sword and the clothes on his back. On the first day, he almost died. On the second day, he almost died. On the third, he began to notice a worrying trend. And almost died Whether he encounters wolves, cliffs, dungeons, monsters, or diseases, every day is a struggle to survive. The one advantage he has is his newfound ability to gain Levels and Stats, making himself stronger in order to survive the hostile lands that he was unceremoniously dumped into. He'll have to gain knowledge of the innerworkings of the world and its magic - progressing both his strength and his knowledge - in order to stay alive long enough to get revenge on whoever kidnapped him away from everything he knew and loved. Overcoming the wilds is just the first step in his journey; the locals aren't fond of humans, and discovering the dark past behind this new world's history of war and strife changes everything. As far as isekai adventures go, Rob drew the short straw in many ways, but it'll take more than danger at every corner to keep him down. He'll carve out a place in this world with his bare hands if necessary. He'll survive, and then he'll thrive. Whether anyone wants him to or not. -- An Outcast On Another World puts a great focus on story and characterization, making it perfect for fans of traditional fantasy stories, while still including plenty of skills, stats, classes, and progression for LitRPG-lovers to enjoy. The LitRPG elements are incorporated into the main story to construct a cohesive world that's easy to immerse yourself in. Rob's progression is weak to strong, and victories aren't handed to him on a silver platter. No matter how powerful he gets, mid-combat ingenuity is essential to achieving victory. An Outcast In Another World has dark elements to its narrative, but I've included appropriate humor as a balance, and many readers have told me that some parts made them burst out laughing while other parts tugged at their heartstrings. I truly believe that I've constructed a memorable fantasy RPG story that all types can love, and that you'll enjoy reading it as much as I enjoyed writing it.
Is insanity a myth? Does it exist merely to keep psychiatrists in business? In Insanity: The Idea and Its Consequences, Dr. Szasz challenges the way both science and society define insanity; in the process, he helps us better understand this often misunderstood condition. Dr. Szasz presents a carefully crafted account of the insanity concept and shows how it relates to and differs from three closely allied ideas—bodily illness, social deviance, and the sick role.