Written by a team of internationally renowned sociologists with experience in both the field and the classroom, The Art and Science of Social Research offers authoritative and balanced coverage of the full range of methods used to study the social world. The authors highlight the challenges of investigating the unpredictable topic of human lives while providing insights into what really happens in the field, the laboratory, and the survey call center.
""One of our most original social thinkers,"" according to the New York Times, Robert Nisbet offers a new approach to sociology. He shows that sociology is indeed an art form, one that has a strong kinship with literature, painting, Romantic history, and philosophy in the nineteenth century, the age in which sociology came into full stature. Sociology as an Art Form is an introduction for the initiated and the uninitiated in so-ciology.Nisbet explains the degree to which sociology draws from the same creative impulses, themes and styles (rooted in history), and actual modes of representa-tion found in the arts. He shows how the founding sociologists such as Marx, Weber, Durkheim, and Simmel constructed portraits (of the bourgeois, the worker, and the intellectual) and landscapes (of the masses, the poor, the factory system), all reflecting and contribut-ing to identical portraits and landscapes found in the literature and art of the period. In addition to marking the similarities between sociologists' and artists' efforts to depict motion or movement, Nisbet emphasizes the relation of sociology to the fin de siecle in art and literature, with examples such as alienation, anomie, and degeneration. He creates an elegant, brilliantly reasoned appraisal of sociology's contribution to modern culture.This book will be of interest to sociologists, artists, and anyone interested in how the fields relate to one another.
Explains the key concepts, theories, and studies in the sociology of the arts—the fully updated new edition of the classic textbook Sociology of the Arts is a comprehensive yet accessible review of sociological approaches to studying the fine, popular, and folk arts. Integrating scholarly literature, theoretical models, and empirical studies, this authoritative textbook provides balanced coverage of a broad range of essential topics—enabling a deeper understanding of the field as a whole. Throughout the text, numerous real-world case studies reinforce key concepts, stimulate classroom discussion, and encourage students to contemplate abstract theoretical issues central to the relationship between art and society. Now in its second edition, this bestselling volume features fully revised content that reflects the most recent literature and research in the field. New discussion on the production and the consumption of culture are complemented by fresh perspectives on changes in the social world such as the rise of the internet and digital media. Updated chapters offer insights into social boundaries and embodiment in the arts, emplacement, materiality, the social construction of art and aesthetics, and more. Exploring how art is created, distributed, received, and consumed, this textbook: Explores both classic work and new approaches in the sociology of the arts Features case studies and discussion questions on art forms including popular music, film, romance novels, visual arts, and classical music Discusses the meaning of artistic objects and why interpretations of art vary Examines the ways art intersects with race, gender, sexuality, and class Includes photographs, tables and figures, and a comprehensive reference list Written by a leading scholar in the field, Sociology of the Arts: Exploring Fine and Popular Forms, Second Edition is an ideal textbook for advanced undergraduate and graduate courses on sociology of art and culture, media studies, anthropology of art, arts management, and the social history of art, and is a useful reference for established scholars studying any aspect of sociology of the arts.
Sociology Looks at the Arts is intended as a concise yet nuanced introduction to the sociology of art. This book will provide a foundation for teaching and discussing a range of questions and perspectives used by sociologists who study the relationship between the arts – including music, performing arts, visual arts, literature, film and new media – and society.
The subject of this book is limited to the abstract form or "logic" of science (as applied particularly to scientific sociology). The chief aim is to compress, to simplify, and to organize into an easily understood and reasonably well-documented scheme some principal answers to questions such as: What makes a discipline "scientific" in the first place? What are theories, empirical generalizations, hypotheses, and observations; and how are they related to each other? What is meant by "the scientific method?" What roles do induction and deduction play in science? What are the places of measurement, sampling techniques, descriptive statistics, statistical inference, scale construction, tests of significance, "grand" theories, and "middle-range" theories? What parts are played by our ideas concerning logic, causality, and chance? What is the significance of the rule of parsimony? How do verbal and mathematical languages compare in expressing scientific statements? The intended use of this book goes beyond these abstract questions. The discussion presented here may serve a practical role in the sociology and history of science by providing a framework for reducing the enormous variety of scientific researches--both within a given field and across all fields--to a limited number of interrelated formal elements. Such a framework, it is hoped, may prove useful in assessing empirical relationships between the formal aspects of scientific work and its substantive social, economic, political, and historical aspects. Wallace identifies four ways of generating and testing the truth of empirical statements--"authoritarian," "mystical," "logico-rational," and "scientific," and considers each in depth. As he concludes, "In science (as in everyday life') things must be believed to be seen, as well as seen to be believed; and questions must already be answered a little, if they are to be asked at all." This is a work of synthesis that merits close attention. It provides an area for viewing theory as something more than a review of the history of any single social science discipline. Walter L. Wallace is Professor of Sociology Emeritus at Princeton University. He is also the author of Sociological Theory: An Introduction, and Principles of Scientific Sociology, available from AldineTransaction.
"The exploration of the social conditions that facilitate or retard the search for scientific knowledge has been the major theme of Robert K. Merton's work for forty years. This collection of papers [is] a fascinating overview of this sustained inquiry. . . . There are very few other books in sociology . . . with such meticulous scholarship, or so elegant a style. This collection of papers is, and is likely to remain for a long time, one of the most important books in sociology."—Joseph Ben-David, New York Times Book Review "The novelty of the approach, the erudition and elegance, and the unusual breadth of vision make this volume one of the most important contributions to sociology in general and to the sociology of science in particular. . . . Merton's Sociology of Science is a magisterial summary of the field."—Yehuda Elkana, American Journal of Sociology "Merton's work provides a rich feast for any scientist concerned for a genuine understanding of his own professional self. And Merton's industry, integrity, and humility are permanent witnesses to that ethos which he has done so much to define and support."—J. R. Ravetz, American Scientist "The essays not only exhibit a diverse and penetrating analysis and a deal of historical and contemporary examples, with concrete numerical data, but also make genuinely good reading because of the wit, the liveliness and the rich learning with which Merton writes."—Philip Morrison, Scientific American "Merton's impact on sociology as a whole has been large, and his impact on the sociology of science has been so momentous that the title of the book is apt, because Merton's writings represent modern sociology of science more than any other single writer."—Richard McClintock, Contemporary Sociology
At a time when a pile of bricks is displayed in a museum, when music is composed for performance underwater, and the boundaries between popular and fine art are fluid, conventional understandings of art are strained in describing what art is, what it includes or excludes, whether and how it should be evaluated, and what importance should be assigned the arts in society. In this book, Vera Zolberg examines diverse theoretical approaches to the study of the arts. Ranging over humanistic and social scientific views representing a variety of scholarly traditions, American and European, she then develops a sociological approach that evaluates the institutional, economic, and political influences on the creation of art, while also affirming the importance of the question of artistic quality. The author examines the arts in the social contexts in which they are created and appreciated, focusing on the ways in which people become artists, the institutions in which their careers develop, the supports and pressures they face, the publics they need to please, and the political forces with which they must contend. Particular subjects covered include the process by which works are created and "re-created" at different times, with changed meanings, and for new social uses; the role of the audience in the realization of artistic experiences; the social consequences of taste preferences; the reasons for change in artistic styles and for the coexistence of many art forms and styles.
Table of Contents Introduction Gisèle Sapiro ix Part I On Journalism and Television 1 Journalism and Politics 3 On Television 11 The Olympics-an Agenda for Analysis 62 The Power of Journalism 65 From Miscellany to a Matter of State 75 Questions of Words 78 Part II Acts of Resistance: Against the Tyranny of the Market 83 To the Reader 85 The Left Hand and the Right Hand of the State 86 Sollers tel quel 94 The Status of Foreigners: A Shibboleth 97 Abuse of Power by the Advocates of Reason 100 The Train Driver's Remark 102 Against the Destruction of a Civilization 104 The Myth of "Globalization" and the European Welfare State 108 The Thoughts of Chairman Tietmeyer 121 Social Scientists, Economic Science, and the Social Movement 127 For a New Internationalism 133 Return to Television 141 The Government Finds the People Irresponsible 147 Job Insecurity Is Everywhere Now 149 The Protest Movement of the Unemployed, a Social Miracle 155 The Negative Intellectual 158 Neoliberalism, the Utopia (Becoming a Reality) of Unlimited Exploitation 160 Part III Firing Back: Against the Tyranny of the Market 2 171 Letter to the American Reader 173 Preface 175 For a Scholarship with Commitment 179 The Imposition of the American Model and Its Effects 186 The Invisible Hand of the Powerful 191 Against the Policy of Depoliticization 200 For a European Social Movement 212 Grains of Sand 220 Culture Is in Danger 222 Unite and Rule 234 Part IV Interviews and New Acts of Resistance 245 For a Real Mobilization of Organized Forces 247 For a Permanent Organization of Resistance to the New World Order 251 The Intellectual Is Not Ethically Neutral 255 A Sociologist in the World 261 Epilogue: Remembering Pierre Bourdieu Craig Calhoun 279 Priscilla Parkhurst Ferguson's Translator's Note: On Television 288 References 291 Notes 295 Permissions 309
Robert K. Merton is unarguably one of the most influential sociologists of his time. A figure whose wide-ranging theoretical and methodological contributions have become fundamental to the field, Merton is best known for introducing such concepts and procedures as unanticipated consequences, self-fulfilling prophecies, focused group interviews, middle-range theory, opportunity structure, and analytic paradigms. This definitive compilation encompasses the breadth and brilliance of his works, from the earliest to the most recent. Merton's foundational writings on social structure and process, on the sociology of science and knowledge, and on the discipline and trajectory of sociology itself are all powerfully represented, as are his autobiographical insights in a fascinating coda. Anchored by Piotr Sztompka's contextualizing introduction, Merton's vast oeuvre emerges as a dynamic and profoundly coherent system of thought, a constant source of vitality and renewal for present and future sociology.
