The essays in this volume interrogate the unique and often problematic relationship between early modern cultural studies and ecocriticism, providing theoretical insights and models for a future practice that successfully wed the two disciplines.
With imagination and flair, the author also introduces the idea of a play ethic, as opposed to a work ethic, and demonstrates the importance of play as a necessary and desirable component of the comic spirit. The Comedy of Survival is a book for literary critics, environmentalists, human ecologists, philosophers, and anthropologists. General readers, too, will find much to ponder in the author's clear explication of how all of us might become better stewards of this, our home planet Earth.
This volume fills an important gap in the analysis of early modern history and culture by reintroducing scholars to the significance of the horse. A more complete understanding of the role of horses and horsemanship is absolutely crucial to our understanding of the early modern world. Each essay in the collection provides a snapshot of how horse culture and the broader culture - that tapestry of images, objects, structures, sounds, gestures, texts, and ideas - articulate. Without knowledge of how the horse figured in all these aspects, no version of political, material, or intellectual culture in the period can be entirely accurate.
Shakespeare Among the Animals examines the role of animal-metaphor in the Shakespeare stage, particularly as such metaphor serves to underwrite various forms of social difference. Working through texts such as Shakespeare's Midsummer Night's Dream , Jonson's Volpone , and Middleton's A Chaste Maid in Cheapside , different chapters of the study focus upon the allegedly natural character of femininity, masculinity, and ethnicity, while a fourth chapter considers the nature of the natural world itself as it appears on the Renaissance stage. Addressing each of these topics in turn, Shakespeare Among the Animals explores the notions of cultural order that underlie early modern conceptions of the natural world, and the ideas of nature implicit in early modern social practice.
Selected by Choice magazine as an Outstanding Academic Title Sweeping across scholarly disciplines, Back to Nature shows that, from the moment of their conception, modern ecological and epistemological anxieties were conjoined twins. Urbanization, capitalism, Protestantism, colonialism, revived Skepticism, empirical science, and optical technologies conspired to alienate people from both the earth and reality itself in the seventeenth century. Literary and visual arts explored the resulting cultural wounds, expressing the pain and proposing some ingenious cures. The stakes, Robert N. Watson demonstrates, were huge. Shakespeare's comedies, Marvell's pastoral lyrics, Traherne's visionary Centuries, and Dutch painting all illuminate a fierce submerged debate about what love of nature has to do with perception of reality.
Anglo-American writers in the revolutionary era used pastoral images to place themselves as native to the continent, argues Thomas Hallock in From the Fallen Tree. Beginning in the mid-eighteenth century, as territorial expansion got under way in earnest, and ending with the era of Indian dispossession, the author demonstrates how authors explored the idea of wilderness and political identities in fully populated frontiers. Hallock provides an alternative to the myth of a vacant wilderness found in later writings. Emphasizing shared cultures and conflict in the border regions, he reconstructs the milieu of Hector St. John de Crevecoeur, Thomas Jefferson, Meriwether Lewis and William Clark, William Bartram, and James Fenimore Cooper, as well as lesser-known figures such as Lewis Evans, Jane Colden, Anne Grant, and Elias Boudinot. State papers, treaty documents, maps, and journals provide a rich backdrop against which Hallock reinterprets the origins of a pastoral tradition. Combining the new western history, ecological criticism, and native American studies, Hallock uncovers the human stories embedded in descriptions of the land. His historicized readings offer an alternative to long-accepted myths about the vanishing backcountry, the march of civilization, and a pristine wilderness. The American pastoral, he argues, grew from the anxiety of independent citizens who became colonizers themselves.
This book explores the construction of gender ideology in early modern England through an analysis of the querelle des femmes - the debate about the relationship between the sexes that originated on the continent during the middle ages and the Renaissance and developed in England into the Swetnam controversy, which revolved around the publication of Joseph Swetnam's The arraignment of lewd, forward, and inconstant women and the pamphlets which responded to its misogynist attacks. The volume contextualizes the debate in terms of its continental antecedents and elite manuscript circulation in England, then moves to consider popular culture and printed texts from the Jacobean debate and its effects on women's writing and the developing discourse on gender, and concludes with an examination of the ramifications of the debate during the Civil War and Restoration. Essays focus attention on the implications of the gender debate for women writers and their literary relations, cultural ideology and the family, and political discourse and ideas of nationhood.