The most comprehensive volume on one of the most innovative architects of the 20th-century. Contains many never-published drawings & photographs. -- Tie-in with Museum of Contemporary Art, Los Angeles.
Maverick of mid-century American architecture "Each of my buildings deal with a different architectural problem, the existence of which has been forgotten in this period of Rational Mechanization. The question of whether a house is really a house is more important to me, than the fact that it is made of steel, glass, putty or hot air." - R. M. Schindler Hailing from Vienna, Rudolph Michael Schindler (1887-1953), like his colleague Richard Neutra, emigrated to the US and applied his International Style techniques to the movement that would come to be known as California Modernism. Influenced by the work of Frank Lloyd Wright and taking cues from spatial notions found in cubism, he developed a singular style characterized by geometrical shapes, bold lines, and association of materials such as wood and concrete, as seen in his own Hollywood home (built in 1921-22) and the house he designed for P.M. Lovell in Newport Beach (1923-24). About the Series: Each book in TASCHEN's Basic Architecture Series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts and plans)
The first comprehensive examination of California''s mid-century modern design, generously illustrated. In 1951, designer Greta Magnusson Grossman observed that California design was "not a superimposed style, but an answer to present conditions.... It has developed out of our own preferences for living in a modern way." California design influenced the material culture of the entire country, in everything from architecture to fashion. This generously illustrated book, which accompanies a major exhibition at the Los Angeles County Museum of Art, is the first comprehensive examination of California''s mid-century modern design. It begins by tracing the origins of a distinctively California modernism in the 1930s by such European émigrés as Richard Neutra, Rudolph Schindler, and Kem Weber; it finds other specific design influences and innovations in solid-color commercial ceramics, inspirations from Mexico and Asia, new schools for design training, new concepts about leisure, and the conversion of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.P>California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic.of wartime technologies to peacetime use (exemplified by Charles and Ray Eames''s plywood and fiberglass furniture). The heart of California Design is the modern California home, famously characterized by open plans conducive to outdoor living. The layouts of modernist homes by Pierre Koenig, Craig Ellwood, and Raphael Soriano, for example, were intended to blur the distinction between indoors and out. Homes were furnished with products from Heath Ceramics, Van Keppel-Green, and Architectural Pottery as well as other, previously unheralded companies and designers. Many objects were designed to be multifunctional: pool and patio furniture that was equally suitable indoors, lighting that was both task and ambient, bookshelves that served as room dividers, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.iders, and bathing suits that would turn into ensembles appropriate for indoor entertainment. California Design includes 350 images, most in color, of furniture, ceramics, metalwork, architecture, graphic and industrial design, film, textiles, and fashion, and ten incisive essays that trace the rise of the California design aesthetic. , and fashion, and ten incisive essays that trace the rise of the California design aesthetic.
This fall, East of Borneo will publish the first anthology of Esther McCoy’s landmark writing about Southern California. Esther McCoy (1904-1989) was a keen literary stylist and an ingenious architectural historian who chronicled mid-century modernist design as it was being created. Her 1960 book Five California Architects has long been acknowledged as an indispensable classic. As Reyner Banham observed: “No one can write about architecture in California without acknowledging her as the mother of us all." Piecing Together Los Angeles: An Esther McCoy Reader (Fall 2011), edited and with an introduction by Susan Morgan, presents an unprecedented selection of McCoy’s work—innovative articles, out-of-print essays, unpublished lectures, and personal memoir—and roundly recognizes this brilliant American original, the pre-eminent voice of West Coast modernism.
This first monograph on Schindler House features specially commissioned color images of the twentieth-century architectural masterpiece. Tie-in with Museum of Contemporary Art, Los Angeles.
"The five architects - Bernard Maybeck, Irving Gill, the brothers Charles and Henry Greene, and R.M. Schindler - whose work and lives are presented here were seminal figures in American architecture. As Californians they were less influenced than their Eastern contemporaries by the European styles that prevailed in the United States during the first half of the twentieth century, and each of them devised an original style that has had a profound effect on younger generations of American architects."--The inside cover
This catalogue accompanies the exhibition at the MAK Center L.A. at the Schindler House that presents the life and work of Esther McCoy, and is the first to focus on McCoy's activities affirming her unassailable role as a key figure in American modernism.This catalogue also features a special 'book within a book', a supplement chronicling the demise of the Dodge House through letters, documents, and newspaper clippings from the Esther McCoy Papers, Archives of American Art, Smithsonian Institution.Esther McCoy moved to Los Angeles in 1932 and wrote for literary journals, popular magazines, and progressive broadsheets. By 1945, McCoy's attentive writing had turned significantly to architecture and for the next 40 years her work articulated the concepts and vibrant character of West Coast modernism.Her writing regularly appeared in the Los Angeles Times, Arts & Architecture, Zodiac and Architectural Forum. In 1960, McCoy published Five California Architects, her groundbreaking book that remains a seminal volume on California architecture.